Freedom of speech is, to all Americans, as oxygen is to the human condition. It is a right that has been irreversibly programmed into our hard drive. We are free to speak our minds. An artist's right to express him or herself as best suits their art, is the artist's prerogative and it is guaranteed.

I've been misconstrued because I speak in a certain way. I find it obnoxious how it defines you, somehow limits your ability to understand the human condition. You can't be allowed near emotions; you play these curling-lipped, haughty characters. This awful label - 'the posh Toby Stephens' - I'm not posh!

The mystery of being human and, certainly, of being a Catholic lies in our embracing together the imperfect state known as the human condition. First and foremost, if we could ever be perfect or do things perfectly, we would eliminate mystery, an essential ingredient in the good life and the spiritual life.

I really believe that all of us have a lot of darkness in our souls. Anger, rage, fear, sadness. I don't think that's only reserved for people who have horrible upbringings. I think it really exists and is part of the human condition. I think in the course of your life you figure out ways to deal with that.

Audiences like to be made to feel that there is a world where things go right: where big emotions can happen and yet feel safe. This is why there is a constant tension in Hollywood between studios who want happy endings and writers who want to explore the human condition. There is a time and a place for both!

I think that there are artists of different genres whose calling is to use their art to hope to affect and better the human condition - whether it's System of a Down, or Rage Against the Machine, or Public Enemy, or the Clash, Bruce Springsteen, or Pete Seeger. It's a group that I'm proud to be counted among.

I love how 'Game of Thrones' has resonated with so many people around the world. I feel like it has really tapped into our need to hear stories about the human condition, love, death, good, evil... For me, it really is a modern version of the old Greek theatre or cave men sitting around fires telling stories.

I see film as a real opportunity to examine the human condition. No matter where the technology goes in the future, the basics don't change. Storytelling is a primitive tribal function. The elders sat around the fires and told these stories as a way to pass on the 'dos' and the 'don'ts.' That will never change.

I've never met a person who does not want a safer world, better medical care and education for their children, and peace with their neighbours. I just don't meet those people. What I meet, over and over again, as I travel around, is that the essential human condition is optimistic - in every one of these places.

When I make a film, I don't watch a lot of other films. I read a lot; I try to read poems, things that can liberate my human condition, that make me go away... I spend a lot of the time doing nothing, just concentrating on the subject. Sometimes I'll sit in my chair for two or three hours without doing anything.

Strangely, charity sometimes gets dismissed, as if it is ineffective, inappropriate or even somehow demeaning to the recipient. 'This isn't charity,' some donors take pains to claim, 'This is an investment.' Let us recognize charity for what it is at heart: a noble enterprise aimed at bettering the human condition.

My motivation is to get a deeper understanding and exploration of something that I want to know about the human condition. So, that's what I look for in the material I read: if it's asking a genuine question about a concept of the world that interests me. And also, it helps if it's a context that I find interesting.

My advice would be to look at the things you do to make money as ways to inform your work in the end. If our work is to study the human condition, most humans that we are going to be playing aren't going to be artists, so go out and, as I did, learn what it's like to have a 9-to-5 job... Think of it as character study.

That's why we trust the Bible - it speaks to both realities: the unchanging human condition and the constantly changing cultural conditions. It speaks to all generations. We trust the Bible because it's the truth. It was the truth when it was written, and it is the truth now. It's the truth now because it's living truth.

Most people in the Western world grow up with the received wisdom that Mozart was a genius. But few people necessarily know why. More than anyone else, he captured this something which is the human condition, the fine line that we all constantly dance between joy and pain, between absolute happiness and absolute heartbreak.

I had a fear of becoming anything, a fear of becoming a specialist. I might have become a doctor, but if you become a doctor, that's your specialty in life and you are defined by it. One of the attractions of being a writer is that you're never a specialist. Your field is entirely open; your field is the entire human condition.

The films that have influenced me most are: 'The Hustler', 'Badlands', 'Hud', 'Tender Mercies', 'Cool Hand Luke', 'A Perfect World', and 'Laurence of Arabia'. I also really like 'Fletch'. I feel like all of these films reached an honest place in regard to the human condition while also stringing together really entertaining stories.

People are stubborn about what they perceive to be the right thing or the wrong thing, and it takes a long time to filter this human condition. There's a waiting period until people catch up. But if you have patience - which it takes when someone thinks differently from you - everybody always catches up. That patience is a wonderful virtue.

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