Most of the time in the 21st century, we dominate our surroundings: We tweak the thermostat, and the temperature falls one degree. We push a button, and Taylor Swift sings for us. It's the opposite in the wilderness, which teaches us constantly that we are not lords of the universe but rather building blocks of it.

The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?

I feel like a lot of people in the hip hop world don't take me seriously as a rapper, and I feel that first-and-foremost I came up as a rapper before I started singing. All a lot of people know from me is 'Cupid's Chokehold,' and they don't scratch the surface and see beyond that dude who sings the song about his girlfriend.

You want to be taken seriously as an artist and not just known as 'that girl wrestler who sings.' So you want to go out and stand on your own legs. But at the same time, I don't negate the fact that without everything I've accomplished in wrestling, I wouldn't have been given so many really cool opportunities on the music side.

One morning every spring, for exactly two minutes, Israel comes to a stop. Pedestrians stand in place, drivers pull over to the side of the road, and nobody speaks, sings, eats, or drinks as the nation pays respect to the victims of the Nazi genocide. From the Mediterranean to the Dead Sea, the only sounds one hears are sirens.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song 'Mama Says.'

When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.

Be as a bird perched on a frail branch that she feels bending beneath her, still she sings away all the same, knowing she has wings.

Whenever anyone sends me a link to a band, saying, 'These guys sound exactly like Soundgarden,' it's always some super simple sludge riff with a singer that sings high and screechy. And it's really awful.

One does not study for a goal. One sings because one can't help it! The 'goal' nine times out of ten is a mere accident.

I think we need to be sexy and kind of mysterious and still pretty and beautiful. I like to hear that when a man sings. I don't really want to hear about taking my clothes off.

If I had to look at 'Now He Sings'... from outside myself, I see it as a natural part of the growth of the jazz culture, which I've always been so happy - honored, really - to be a small part of.

My youngest daughter sings. She's going to be very good. She's graduated from Music School and she's been working down around and getting her feet wet, you know. I had her out with me for a year just showing her the ropes a little bit, but she's going to be all right.

My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.

I came along in the '60s having absorbed as much as I could up until then and added my own tastes and search into the equation. I guess that's how I see 'Now He Sings, Now He Sobs' in relation to the development of jazz in general.

Share This Page