I think what's always been interesting to me than the science and the criminality with this job is what happens to your persona, your disposition, after day in and day out dealing with life and death.

I was asked in 1969 by Lucy Lippard to define art. I think at the time I said that art was a matter of life and death, meaning just the breathing and living and thinking experience-that's what art is.

He drew the dagger and laid it on the table between them; a length of dragonbone and Valyrian steel, as sharp as the difference between right and wrong, between true and false, between life and death.

Working on 'Beyond,' I try to give an explanation to death that's different from the explanation religions have to give. So I made up my own story around all this and how life and death and souls work.

If we go into space, we need enhancements that handle radiation and osteoporosis... or else we're dead. So what seems like an enhancement in one generation becomes life and death in another generation.

If war occurs, that positive adult contact in every shape is needed more than ever. It will be a matter of emotional life and death. There's not a handy one-minute way of talking to your kid about war.

Here was a place where men and life and death had reached the lowest form of degradation. How could any reward in national progress even faintly justify the establishment and operation of such a place?

I remember going to the university film club to see 'The Life And Death Of Colonel Blimp' one night and being bowled over. It was one of the most beautiful films I'd ever seen. And it felt so personal.

I'm trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.

Serenity is the balance between good and bad, life and death, horrors and pleasures. Life is, as it were, defined by death. If there wasn't death of things, then there wouldn't be any life to celebrate.

Life and death lived inside each other. That's what occured to me. Death was inside all of us, waiting for warmer nights, a compromised system, a beetle, as in the now dying black timber on the mountains.

The choices Israelis face and the decisions they make, day in and day out, are literally the difference between life and death. In many ways, I liken their reactions to the way I felt while serving in Iraq.

Given a choice between life and death, choose life. Given a choice between right and wrong, choose what's right. And given a choice between a terrible truth and a beautiful lie, choose the truth every time.

Human experience resembles the battered moon that tracks us in cycles of light and darkness, of life and death, now seeking out and now stealing away from the sun that gives it light and symbolizes eternity.

At the end of 'Afterlife' - hmm, how do I do this without spoilers - Skye took a very strange journey that crossed the boundary between life and death. And now, for her, that boundary is permanently blurred.

The prime minister found something hopeful in the man's eyes and manner. The 30 or so people who run this world analyze one another that way and then make decisions of life and death for us. Scary, but true.

Big waves are a whole different ball game. You're riding a wave with an immense amount of speed and power, generally over 10 meters. On the face of the wave, obviously life and death thoughts start to happen.

Only when all conceptions of space and time, life and death, are exploded, when the grip of the past and fear of the future become merely conditions of one's past, only then can one live in the present fully.

Playing for your country may seem like a massive thing, but you can build it into something it's not and put yourself under pressure from what the media say, but at the end of the day it's not life and death.

For us the mountains had been a natural field of activity where, playing on the frontiers of life and death, we had found the freedom for which we were blindly groping and which was as necessary to us as bread.

Getting doctrine right is a matter of life and death, but holding that doctrine in the right spirit is essential too. A great deal of damage is done by those who hold the truth of Christ with the spirit of Satan.

Spending time in Calcutta [India] really did a number on me. The way life and death are almost the same thing, the way poverty is dealt with, the sheer number of dead bodies you see, it's all pretty overwhelming.

God grant that by my persevering labours I may bring a little stone to the frail and ill-assured edifice of our knowledge of those deep mysteries of Life and Death where all our intellects have so lamentably failed.

When I was 16, I felt very relieved to discover cinema. It was like an island where I could see life and death from another perspective. Every young person should be interested in that island. It's a beautiful place.

There are moments that stop the heart, that catch the breath, that halt the beat of blood in your veins, and you are suspended in time, held between life and death, and you wait for something to bring you back again.

Music is something so mystical, so unexplainably a thing you cannot put in the rules or boundaries, you know? It speaks about our feelings about questions of life and death. It goes absolutely beyond any kind of rules.

An author frequently chooses solemn or overwhelming subjects to write about; he is so impressed at writing about Life and Death that he does not notice that he is saying nothing of the slightest importance about either.

You know Americans are obsessed with life and death and rebirth, that's the American Cycle. You know, awakening, tragic, horrible death and then Phoenix rising from the ashes. That's the American story, again and again.

An easygoing person is probably more accessible to the realization of eternity--the endless flow of life and death--than one who takes his prospects and duties overseriously. It is the overserious who are truly frivolous.

I always knew from books and shows that the lives of circus artists are not easy, but spending time and learning from them made me realise the amount of effort they put in and how they constantly jostle between life and death.

I watched 'Kojak' religiously with my father. It was a great bonding time. He loved shows where the stakes were high. Life and death, justice prevailing, things like that. I think that helped set me on the path to what I do now.

one life would not suffice, mine especially. To touch everything and leave nothing after oneself! Ah! my God! I hope better than that. Ah! I am very cowardly, and under the blow of such a terror I am ready to believe in priests.

I remain committed to my core family as one I can trust and depend on. The end result is the assurance that I'm surrounded by the people who will help me, stick by me, and fight alongside me, through good and bad, life and death.

I wanted to write as well as I possibly could to deal with life-and-death problems in contemporary society. And the form of Wilkie Collins and Graham Greene, of Hammett and Chandler, seemed to offer me all the rope I would ever need.

Like every other form of art, literature is no more and nothing less than a matter of life and death. The only question worth asking about a story — or a poem, or a piece of sculpture, or a new concert hall — is, Is it dead or alive?

There are always those 'Gossip Girl' walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus.

I am going to say something that will knock your lights off. God has the power to take life but he can't. He's got the power to do it but he won't. He's bound, he can't. He says, "Death and life are in the power" of whose tongue? Yours.

When you're in the military, you teeter on the edge of that line of life and death. The reason you feel so alive when you come through is because you know you've cheated death - and that and the adrenaline rush is addictive, no question.

Not only do we know God by Jesus Christ alone, but we know ourselves only by Jesus Christ. We know life and death only through Jesus Christ. Apart from Jesus Christ, we do not know what is our life, nor our death, nor God, nor ourselves.

In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships. They show up in struggles and bring them to a critical point.

Under certain circumstances the fateful decisions in life, sometimes even in matters of life and death, are made with an almost indifferent ease. While the little things-for instance, the way people hang on to what is over-seem so important.

There's something about night and day, and life and death, but animals are also mentioned a lot of times in the bible, showing up in places of desolation, or after destruction, or after the humans left the place, suddenly they would show up.

People meet in bars after work all over the world and talk about the great problems of life and death and the world and politics and they don't take themselves seriously. They can do nothing else except chat about these things in bars after work

It is so hard for us little human beings to accept this deal that we get. It's really crazy, isn't it? We get to live, then we have to die. ... What spirit human beings have! It is a pretty cheesy deal - all the pleasures of life, and then death.

Metaphysical rebellion is a claim, motivated by the concept of a complete unity, against the suffering of life and death and a protest against the human condition both for its incompleteness, thanks to death, and its wastefulness, thanks to evil.

Everything tends to make us believe that there exists a certain point of the mind at which life and death, the real and the imagined, past and future, the communicable and the incommunicable, high and low, cease to be perceived as contradictions.

People meet in bars after work all over the world and talk about the great problems of life and death and the world and politics and they don't take themselves seriously. They can do nothing else except chat about these things in bars after work.

Prayer in a combat zone serves exactly the same purpose as it does in peacetime. In war, the stakes are life and death, true; but if you believe in God and in the notion of a human soul, then we are always making decisions of tremendous significance.

At that moment I remembered something Cal had told me: that there is beauty in darkness in everything. Sorrow in joy, life and death, thorns on the rose. I knew then that I could not escape pain and torment any more than I could give up joy and beauty

The very essence of literature is the war between emotion and intellect, between life and death. When literature becomes too intellectual - when it begins to ignore the passions, the emotions - it becomes sterile, silly, and actually without substance.

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