I was worried on a personal level because I wanted to be slightly taller than I am, ideally. But I've now accepted it. Basically, I came to the conclusion a while ago that you can either be really bitter about it or you can make loads of funny jokes.

I think Harry Potter's very important. Every opportunity I will get for the rest of my life, I would not have got if it wasn't for Harry Potter. And it would be height of ingratitude if I was ever anything but proud to be associated with these films.

I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.

I don't know what to do with it. I'm very fortunate to have it, and it gives you room to maneuver. But the main thing about having money is it means you don't have to worry about it. And that for me is a lovely thing. It's not for fast cars and hookers.

I see myself doing Harry Potter films as long as I'm enjoying it and as long as they are going to challenge me as an actor. I want to be an actor - it's my aspiration - so I want to do other films. I want to write something and I want to direct something!

To the children who loved Harry Potter, I want to say your enthusiasm was the real magic. I so enjoyed being on the journey with you. And to the adults who bought the Harry Potter books and devoured them, I just want to say, those books were for children.

It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.

The one piece of advice I would give to any actor is, if you want to go out on the street without being recognised, without even being looked at, go out with a 6ft 8in beautiful transsexual. No one gives you a second glance. Especially when you're 5ft 5in.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

I've done seven movies in eight years, and with each movie I feel like I'm learning a lot. I'm still young-ish, so I still feel like I'm in the zone of learning and creating. Those are the perfect places to do that. And in a weird way, you have a lot of freedom.

My parents are left-wing, and I would describe myself as that. But also, you know what? I wouldn't describe myself as that. Because I don't have to. Because I'm not a political party. Most people are a little bit of each, and we change our mind on various issues.

I don't [believe in God]. I have a problem with religion or anything else that says, 'We have all the answers,' because there's no such thing as 'the answers.' We're complex. We change our minds on issues all the time. Religion leaves no room for human complexity.

I would say I was challenging the system quite. But I like to think that if the choices I make are slightly unexpected or challenging to people, then that is good. We are definitely three fairly like-minded people in terms of what we value in scripts and in storytelling.

I sort of try to read the books when they come out impartially and not make up my mind, but the fact is when I was reading the sixth, 'Harry Potter And The Half-Blood Prince', there were bits in there where I was going, 'God, I would love to do that because it's so good'.

As much as I would love to be a person that goes to parties and has a couple of drinks and has a nice time, that doesn't work for me. I'd just rather sit at home and read, or go out to dinner with someone, or talk to someone I love, or talk to somebody that makes me laugh.

Directing is more what I would like to get into eventually. Frankly, I feel like it would be a waste if I didn't because I've spent so much time on film sets, and I know how they work, and I love them, and I love leading them. I would like to do that as a director definitely.

The idea the actors are the most important people on a film set I think is very stupid. Actors are the most replaceable people there. There are literally millions of us. There's very few people that can operate a steady-cam. The numbers are a lot, lot fewer for that, you know?

It's mainly about working hard and proving to people you're serious about it, and stretching yourself and learning. The mistake a lot of actors make, particularly young ones, is allowing themselves to feel that they're the finished articles, the bee's knees, and it's not true.

I think one of my favorite things to do is just lock myself up in a small room and listen to music and watch films for a day. Also I just like seeing my friends. We have pizza parties which means I get four friends round, we eat a pizza and we're really lazy and we play PlayStation.

I am very critical! I hate watching myself but I know I have to because I'm going to be asked so I need to have some sort of semblance of what the films with me are like. But it's not an enjoyable experience watching yourself. I hate it less than I used to but I still don't enjoy it.

We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.

No. I am not a royalist. Not at all. I am definitely a republican in the British sense of the word. I just don't see the use of the monarchy though I'm fierce patriot. I'm proud proud proud of being English, but I think the monarchy symbolizes a lot of what was wrong with the country.

As an actor, I think sort of relish the chance to take a leap and sort of put yourself out there. You know, it's, like on any film, you just have to be willing to embarrass yourself, because otherwise you are not going to really reveal anything that you have. So I think it's exciting.

As an actor, there is room for a certain amount of creativity, but you're always ultimately going to be saying somebody else's words. I don't think I'd have the stamina, skill or ability to write a novel, but I'd love to write short stories and poetry, because those are my two passions.

I'm possibly a very morbid person but I think about death a lot. I don't know if it's maybe from being on films that's often playing Harry [Potter] or I just think it's a natural thing that I have. It's something that I think about just because it's fascinating in a very alien kind of way.

When you're in the position I'm in, you have two options: you can either shut yourself off from everybody, from the world, and not live a full life. Or you welcome everybody into your life and occasionally somebody will try to take advantage. And I'd much rather be that person who lets people in.

Harry Potter star Daniel Radcliffe has confessed that until recently, he thought the 16-year-old fellow tween idol [Justin Bieber] was a female. 'I only heard Justin Bieber for the first time two weeks ago. I genuinely thought it was a woman singing. I'd never heard it before. Is it big in England yet?'

As much as I would love to be a person that goes to parties and has a couple of drinks and has a nice time - that doesn't work for me. I do that very unsuccessfully. I'd just rather sit at home and read, or go out to dinner with someone, or talk to someone I love, or talk to somebody that makes me laugh.

I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.

The only thing I can think of is my favorite album at the moment by this guy called Father John Misty, and the album is called I Love You, Honeybear. It's just brilliant. It's the album I'm currently obsessed with. It is original, and the lyrics are fantastic and [it's] brilliant. So that's blowing me away.

I suppose whenever you go through periods of transition, or in a way, it's a very definite closing of a certain chapter of your life. I suppose those times are always going to be both very upsetting and also very exciting by the very nature because things are changing and you don't know what's going to happen.

I suppose whenever you go through periods of transition, or in a way, it's a very definite closing of a certain chapter of your life - I suppose those times are always going to be both very upsetting and also very exciting by the very nature because things are changing and you don't know what's going to happen.

I think, as an actor, and particularly if you are playing the lead in something, you have to view yourself as the head of department for the cast. All of the other departments are accountable and have somebody at the helm who is leading them all the time, and I don't think that the actors should be any different.

I just got asked by another journalist 'Are you a feminist?' and I was just like... Is there a strange thing at the moment where you have to come out as a feminist? I've been asked if I'm a feminist so many times recently, and I'm just like 'Yes, yes, for God's sake, yes! Is there something that I give off that says I'm not?'

I love just going out and sitting down in the park along with the thousands of other people who apparently have no work to do during the day. People come up to me, but they are generally really nice. New York makes it easier, for me at least. People manage to be enthusiastic and sort of sane at the same time. And that’s lovely.

I think it speaks to the fact that other people are as excited about originality as we are. I think the thing that has been wonderfully communicated in the trailers and all the promotion for the movie [Swiss Army Man] is that it isn't like anything else you've ever seen, and we're not just saying that. I think that excites people.

Just keep acting is my plan, I just want to keep going for as long as I can. I've had a fantastic time on Potter, I will be very sad to leave it because every time I look back on one of these films, every scene I watch will be forever linked to a memory of what happened that day or something that was happening around that time in my life.

There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.

All these things, social media or [smart] phones or the things that distract us from each other, are fairly new. They're all fairly new inventions, and I think we're in a stage where we sort of as a whole have gotten these new toys and we're just obsessed with playing with them. I feel like after a period of adjustment it will inevitably be a regression from where we are now.

Paul [Dano] was amazing at carrying me around [in Swiss Army Man]. I wanted to be there as much as possible but didn't want to hurt Paul's back, but Paul often chose me over the dummy many times on the set. But yeah, to be honest, a little bit of preparation I did with my friend in my flat could never have prepared me for quite the level of physical reliance we would have on each other.

I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].

Sometimes you can't help but pay attention to what is written about you. You are trying not to because it's generally not constructive, it can be very funny, in which case it's fine to pay attention to it if you're going to laugh about it. But if it's going to get you angry then it's a pretty pointless waste of energy, so I try and be selective about what I take an interest in about myself.

I don't think there's anything that I would really baulk at doing on-screen. I don't think so. I've got certain pet peeves about writing... my pet peeve about reading scripts is when they give you a line reading and there'll be a line but next to your character's name it'll say 'very angry'. But I'm like: "Well, I'll decide that actually!" So, there's little things like that. That's a slight pet peeve.

Realizing that other people have a problem with [homosexuality] was the weirdest thing for me. As a kid it wasn't even something that was mentioned. It was never something that was even explained to me. It was just, "That's Mark and he's gay." Mark was just another friend of my dad's who would talk about his boyfriend instead of his girlfriend. I was 5. I didn't care. It seemed perfectly normal, and still does.

If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.

No. I can quite happily say someone is handsome, good-looking, and I can see why someone would want to f**k them, but I've never felt that way about a man myself. There is that moment in your late teens when you ask yourself the question, 'Am I?' but I wasn'tWell, this year I have a talent crush on Ryan Gosling. I think he's fantastic and(ahem) you know he'd be nice afterwards. He seems smart. If I was gay, I would go for a smart man.

Every day the Daniels [Kwan and Scheinert] would come up with some amazing solution and [make it easy] to put yourself in their hands. There's something really lovely about knowing you're working with directors who know exactly what they want and exactly what they're looking for, and they're not going to move on until they have it. That, as an actor, frees you up a lot because you can [try different approaches] and they'll only use what's appropriate.

It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.

A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero.

The paparazzi were outside the theatre every single night, but we came up with a cunning ruse. I would wear the same outfit every time - a different T-shirt underneath, but I'd wear the same jacket and zip it up so they couldn't see what I was wearing underneath, and the same hat. So they could take pictures for six months, but it would look like the same day, so they became unpublishable. Which was hilarious, because there's nothing better than seeing paparazzi getting really frustrated.

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