[Sometimes] I sit in front of my [gaming] console with my headphones on and I play. I love that. It's a nice form of escapism.

When you come from an under-privileged background, oftentimes, you feel a little overwhelmed by your education or your lack of.

I love working. I'm a workaholic and I'm really privileged for some of the jobs I get offered and so I just want to keep going.

I'll always be attached to telly in one way or another, whether it's a character or producer or director, I just love the medium.

I get criticized for taking roles in films like Ghost Rider 2, but if you look at my résumé, dude, I've mixed it up as much as I can.

The English are good at bad guys - the James Bond-style villain, cunning, slow-burning. The Americans are much more obvious about it.

I get criticized for taking roles in films like 'Ghost Rider 2', but if you look at my resume, dude, I've mixed it up as much as I can.

Yeah, I know, any time you hear an actor say, 'I do music', you cringe. But I want to be gradual with my music. I want to earn my stripes.

My definition of bad-ass is that I'm a force of nature and true spirit. I'm self-admitting that, and it sounds vain to say that, but I am.

I'm not a popular actor. I don't necessarily want to be famous. I want to be known for great work. I want to be known to surprise audiences.

If I was gonna go to jail, I don't want to go to jail for stealing a bottle of water. I'll steal that $20 million. At least then it was worth it.

As an actor, you're trained to do the right thing, be politically correct, say your lines, say the right thing about the people you're working with.

As an actor, you're trained to do the right thing, be politically correct, say your lines, say the right thing about the people you're working with...

Because I was big, I didn't have to listen to anyone doubting me. I was just considered good at football or whatever, there were no questions about it.

It's really funny because the same people who loved me as Stringer Bell were the same people that were watching Daddy's Little Girls literally in tears.

I'd rather a young black actor read about success as opposed to how tough it was. I get these roles because I can act and that's it. Hopefully that's it.

It's really funny because the same people who loved me as Stringer Bell were the same people that were watching 'Daddy's Little Girls' literally in tears.

White actors still get way more money in Hollywood. It's been that way for a very long time. I hope it'll change, but it's a matter of forcing that change.

Actors tend to not know how their performances are going to actually be used. Even though the script says one thing, in the edit, it can be something else.

I watch my daughter wanting to be like other kids and getting upset that she's not. But I always try and instill in her the idea that she's perfect as she is.

Sean Connery wasn't the Scottish James Bond and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.

Sean Connery wasn't the Scottish James Bond, and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.

I was on a well-beaten path of actors - what we all call 'the Law and Order route'. I spent two years of auditioning for everything... and then 'The Wire' came up.

I'm a little sheepish about it. Whenever I meet fans and they're like, 'Oh, you're so sexy,' I just don't get that. There's no way one man can be universally sexy.

I was really ambitious, so I was innovative. I was one of the first DJs to do live calls, 'cause I found this phone device that would pick up other people's voices.

You know, film is the ultimate goal in an actor's career. I mean, I still love TV. I have my feet firmly stamped in it. But my opportunities have been bigger and better.

The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.

Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.

What an honor it was to step into the shoes of Nelson Mandela and portray a man who defied odds, broke down barriers, and championed human rights before the eyes of the world.

Television has shied away from being too dark, because so much has happened to us recently here in the West, and people are sort of wanting to see more uplifting sorts of things.

In 'Pacific Rim' I had to have a haircut I wouldn't usually rock. However, the moustache I had in the film - that might have to come out again. It was a good moustache. Good times.

I want to go to Sierra Leone with something - whether it's some sort of contribution to healthcare, or to the entertainment industry. My cousin is a nurse; we are talking about opening a clinic.

Nobody likes a celebrity DJ for the sake of style, so I don't do that - I try to be good at what I do. It's all about resetting, it's my escape. It is work, it's a job, but I just love doing it.

It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?

What I like about their films is that you actually feel the momentum of whatever they're shooting. So, if someone's falling out a window, it gives the opportunity to show what that might feel like.

Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.

There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.

The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.

Imagine a film such as Inception with an entire cast of black people - do you think it would be successful? Would people watch it? But no one questions the fact that everyone's white. That's what we have to change.

You’re directing a movie, but you are at the head of a ship of people, a whole fleet of people. And being able to manage that - being able to handle yourself as a director being a leader - that’s massively important.

I have one of these bodies. When I was younger, I could never put weight on, and now that I'm a little older, there's a natural sort of chubbiness coming. But honestly, if I work out for a week, it drops off in no time.

The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.

I'm an ambitious person. I never consider myself in competition with anyone, and I'm not saying that from an arrogant standpoint, it's just that my journey started so, so long ago, and I'm still on it and I won't stand still.

I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.

I think 'The Wire' really is relatable. It reflects an ongoing issue across America, about inaccuracies in major cities between rich and the poor and some of the things that go on behind the red tape of council and government bodies.

It's weird because my parents don't really understand my business. I get fan mail all day long, but if a piece happens to get to their house, they're like, 'Oh, my God, you've got a fan! You have to write them back. You have to do it!

I find that a lot of actors who are good and open to challenges have lived a full life. When you walk into an audition, you have more to say for yourself because you come from the real world. It's more enticing for directors, I think.

It's weird because my parents don't really understand my business. I get fan mail all day long, but if a piece happens to get to their house, they're like, 'Oh, my God, you've got a fan! You have to write them back. You have to do it!'

I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.

I dont have a place that I call home at the moment because theres no point. I mean, Im a traveling circus for a while. Its weird. Like, if I wanted to go home, theres nowhere to go. I just go to a hotel. But Ive kind of gotten used to it.

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