Quotes of All Topics . Occasions . Authors
I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.
Jazz has the power to make men forget their differences and come together... Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity.
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
Everybody, no matter what vocation they're looking at, should add music as an essential to their curriculum. Music can be a very important part of your soul and your growth as a human being. It's so powerful.
All the jazz guys had interracial relationships, and even the ladies did. Over the years, interracial relationships have been a hip, almost defiant thing, a way of saying "Nobody can put a boundary around me."
It slaps your dignity just right. I loved the idea of these proud, dignified black men, and I saw the older ones wounded, and it wounded me ten times as much because I couldn't stand seeing them hurt like this.
Melody is king, and don't you ever forget it. Lyrics appear to be out front, but they're not; they're just an accompanying factor. If they're good, you're really in good shape. Lyrics are written to be rewritten.
I believe that a hundred years from now, when people look back at the 20th century, they will look at Miles, Bird, Clifford Brown, Ella and Dizzy, among elders as our Mozarts, our Chopins, our Bachs and Beethovens.
Eight kids and a stepmother, and I just wanted to be out of there and so when I got a scholarship from Boston to the Schillinger House, which is now the Berklee School of Music, I couldn't wait to get out of there.
I tell my kids and I tell proteges, always have humility when you create and grace when you succeed, because its not about you. You are a terminal for a higher power. As soon as you accept that, you can do it forever.
I tell my kids and I tell proteges, always have humility when you create and grace when you succeed, because it's not about you. You are a terminal for a higher power. As soon as you accept that, you can do it forever.
It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
My father was a carpenter, a very good carpenter. He also worked for the Jones boys. They were not family members, we weren't related at all. They started the policy racket in Chicago, and they had the five and dime store.
My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children's books. But even as I work toward these things, I want to simplify my life.
Some summers my father would take us down to visit our grandmother in Louisville, who was an ex-slave, Susan Jones, and she had a shotgun shack they call it, and no electricity, a well in the back, a coal stove, kerosene lamps.
The people who make it to the top - whether they're musicians, or great chefs, or corporate honchos - are addicted to their calling ... [they] are the ones who'd be doing whatever it is they love, even if they weren't being paid.
After every war, there was a significant change in the music, and I can understand how that happened. If you participate in protecting the country, you think you can be part of it, but you come back home and it's worse than ever.
Working with kids in Soweto in South Africa, it's rough out there. But the bottom line is you've got to go to know. In Cambodia, there are 10,000 landmines. Same in Afghanistan, same in Colombia. I'm totally addicted to traveling.
We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.
We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
There's power in the collective. If you don't believe me, just watch a symphony orchestra with a conductor and 120 people who are thinking about exactly the same thing at the same moment - no babies, no stock markets, no mortgages. Just 32nd notes.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
I've never been bored in my life, man. I've never been bored or lonely. Are you kidding? No way! I'm an orchestrator, a musician, a producer. I love everything. I've studied languages from Farsi to Greek to French, Swedish, Russian... How can you get bored?
Bebop and hip-hop, in so many ways, they're connected. A lot of rappers remind me so much of bebop guys in terms of improvisation, beats and rhymes. My dream is to see hip-hop incorporated in education. You've got the youth of the world in the palm of your hand.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
I used to practice piano for hours, and now, with a synthesizer, you can input the music and the machine perfects the song. That's why we have so many people in the music business who should be plumbers. They don't really understand music because they haven't been trained.
I only hope that one day, America will recognize what the rest of the world already has known, that our indigenous music - gospel, blues, jazz and R&B - is the heart and soul of all popular music; and that we cannot afford to let this legacy slip into obscurity, I'm telling you.
Empty the cup every time and it comes back at twice as full. I developed that attitude when I was very, very young, when I decided I didn't want to be a gangster anymore. Whether it's just shining shoes, I said okay, I'm going to do this better than anybody else did it in my life.
I go to the favelas in Brazil. It's the same in the South Side of Chicago. It's the same, or just more violent. We're trying to get them to stop selling dope. You see kids with AK-47s, and nine-year-olds with nine millimeters. You know, they don't play. They make us look like nuns.
It's very freaky in Chicago.There's something in the water there, I don't know what it is. But the actual word Chicago means, in the Indian language, garlic. It was just garlic and mosquitoes there. And that is the roughest city on the planet, and I been to every place in the world.
You want your parents to say, "Hey, I'm proud of you." When you don't hear that, you learn to compensate. You say, "Hell, I don't need their approval. If I get my music right, I'll have everyone else's approval." I didn't understand it then, but I now know that's what happened to me.
Im probably the only one in the world you can name thats worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. Fly Me to the Moon was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. Im the only one.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.
Thank God, 50 years ago I learned that our entire business is all based on two things; a great song and a great story. Film, television, if you don't have that story, nothing else matters. You don't call anybody else or direct anybody. The same with a song. A great song can make the worst singer in the world a star.
Communications are making this one world. Back in the day, 400-500 years ago, nobody knew what anyone else was doing. It's on the 6 O'Clock news now. Now we can say, Oh, that's the way they live. Oh, they do that!! Opportunities, the chance to bring about change, it's all based on communication. Communication and jet planes.
I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
To me it's no accident that all the symphony orchestras around the world tune up to the note A. And A is 440 cycles, except in Germany where it's 444. But the universe is 450 cycles. So what I'm trying to say is, I think it's God's voice, melody especially. Counterpoint, retrograde inversion, harmony... that's the science and the craft.
I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
Music was the one thing I could control. It was the one world that offered me freedom. When I played music, my nightmares ended. My family problems disappeared. I didnt have to search for answers. The answers lay no further than the bell of my trumpet and my scrawled, pencilled scores. Music made me full, strong, popular, self-reliant and cool.
I never felt like that in my life. I didn't know human beings played these instruments. I heard them in Chicago and Louisville and St. Louis all my life, you know? But I didn't know human beings played them, you know? So the next day I went to Coontz Junior High School and I started on sousaphone, tuba, B-flat baritone, E-flat alto, French horn, trombone.
It has been proven time and time again in countless studies that students who actively participate in arts education are twice as likely to read for pleasure, have strengthened problem-solving and critical thinking skills, are four times more likely to be recognized for academic achievement, four times more likely to participate in a math and science fair.
I've been driven all my life by a spirit of adventure and a criminal level of optimism. I believed in my dreams because they were my only option. The people who make it to the top are addicted to their calling. You have to honor the gift God has given you. The people who get the call are the ones who'd be doing whatever it is they love, even if they weren't being paid.
There’s nothing in the world worse than having an opportunity that you’re not prepared for. Good luck usually follows the collision of opportunity and preparation - it’s a result of that collision. You’ve got to be prepared. So, make your mistakes now and make them quickly. If you’ve made the mistakes, you know what to expect the next time. That’s how you become valuable.
Though negative things have happened to me, God somehow let me know that becoming bitter was not the way to go. You die when you do that. Someone once told me that if you fully open your arms to receive love, you'll get some scratches and cuts on your arms, but a lot of love will come in. If you close your arms, you might never get cut - but the good stuff won't come in either.
My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.