Real Quotes - Page 323

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How to get rid of the mind? Is it the mind that wants to kill itself? The mind cannot kill itself. So your business is to find the real nature of the mind. Then you will know that there is no mind. When the Self is sought, the mind is nowhere. Abiding in the Self, one need not worry about the mind.

In this ever-changing society, the most powerful and enduring brands are built from the heart. They are real and sustainable. Their foundations are stronger because they are built with the strength of the human spirit, not an ad campaign. The companies that are lasting are those that are authentic.

The young person isn't certain that love can be real; the middle-aged man is only discovering that it is; and the older person seems so sure of it. I was interested in the way that many of us go through the whole of our lives staying with someone just out of complacency, because leaving isn't easy.

The seventeenth century witnessed the birth of modern science as we know it today. This science was something new, based on a direct confrontation of nature by experiment and observation. But there was another feature of the new science-a dependence on numbers, on real numbers of actual experience.

I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.

It is the historical mind, rather than the scientific (in the physicist's sense), that destroyed the mythical orientation of European culture; the historian, not the mathematician, introduced the "higher criticism," the standard of actual fact. It is he who is the real apostle of the realistic age.

Let's look at two things real quickly: the civil rights movement in Mississippi in the Sixties and the Arab Spring starting in Tunisia and Cairo. What they had in common was people who were told, and who believed inside themselves, that they were a certain way, and the society at large believed it.

If you read the poets of the 19th century in Latin America, you would see that Havana or Mexico City or Buenos Aires are incredibly modern and global cities that they were not. And eventually they became real, and they became real because people read these books and tried to live in a better world.

Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.

Sex was like a world so mysterious to me, I really couldn't believe there was this fantastic texture to life that I was getting to do...it has all these different levels, from lust and fearful, violent sex to the real spiritual thing at the other end. It's the key to some fantastic mystery of life.

There is something wrong with using faith - belief without evidence - as a political weapon. I wouldn't say there is something similar about using science. Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.

It is essential to grasp the incontestable truth that a Marxist must take cognisance of real life, of the true facts of reality, and not cling to a theory of yesterday, which, like all theories, at best only outlines the main and the general, only comes near to embracing life in all its complexity.

Wrestling used to be interesting. There was a bit of sham involved, of course, but there was some real wrestling involved. They're just characters now. It's unrecognizable. There's no fighting in American bloody wrestling. They just yell at each other and jump around like overweight ballet dancers.

The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.

Who can now deny the loss of natural light, of skin tones, of real place, and common but precious things in our movies, to be replaced by the gorgeous imagery of things that have never been and never will be? The most special effect in movies is always the human face when its mind is being changed.

Making a record's a real fight for me. I'm constantly fighting with this thing inside of me that says I should be sitting in a room with Matthew Shipp or I should have Han Bennink on drums or this song should be playing for the next 20 minutes in my head, not a silly little pop song. It's constant.

Hopefully we are emerging from an era of fantasy explanations for real phenomena. The authors certainly have to face a community of therapists who are obsessionally committed to explanations for disease and for therapy unsupported by a scrap of evidence except for their claimed therapeutic success.

If you are going to do something, you have to do it for yourself, and that's what I try to do. I try to be authentic and try to be original, so that's what I try to be. A lot of people try to build big brands but have received bad advice, and they don't try to be authentic and real with themselves.

I write a lot from instinct. But as you're writing out of instinct, once you reach a certain level as a songwriter, the craft is always there talking to you in the back of your head...that tells you when it's time to go to the chorus, when it's time to rhyme. Real basic craft... it's second nature.

Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria or your own unfeminine inadequacy. Women have learned to submit to pain by hearing authority figures - doctors, priests, psychiatrists - tell us that what we feel is not pain.

The political class can't imagine a decentralized world where good things happen...without them. But in the real world, that's exactly how good things happen, and how jobs are created. When government sets simple rules that everyone understands and then gets out of the way, free people create jobs.

Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

Without total freedom, every perception, every objective regard, is twisted. It is only the man who is totally free that can look and understand immediately. Freedom implies really, doesn't it, the total emptying of the mind. To completely empty the whole content of the mind — that is real freedom.

We are witnessing a new American president, Donald Trump, who speaks differently than his predecessors. If he is serious enough, he could pick up the opportunity that is available to create real peace in this region. With a new approach, he could achieve what all previous approaches have failed to.

One problem I have with faith-healing is that it tends to be focused only on the physical aspect of healing. But Jesus always backed away when people came to him only to get their physical needs met. My goodness, he was ready to have you lop off your hand! His real interest was in healing the soul.

I think my way of showing violence is unique from that of other filmmakers, in that when I show it, it hurts. It happens unexpectedly and looks painful. That's how it is in real life, and that's how it should be expressed. I don't glamorize it, nor do I depict it without necessity or inevitability.

When I look at a person, or a character, it is in every case the beginning of an endless journey. And I don't suppose I know where that starts. I know that I have to, like every other person, make decisions and have opinions. But I'm real careful to not judge crassly or cheaply someone else's life.

Being a painter myself... whenever I could dispense with architectural precision, I indulged in the picturesque, in which case I sacrificed a few details when necessary in favor of an imposing effect that would give a monument its real character and also preserve the poetic charm that surrounds it.

I made orange juice from concentrate and showed her the trick of squeezing the juice of one real orange into it. It removes the taste of being frozen. She marveled at this, and I laughed and said, Life is easy. What I meant was, Life is easy with you here, and when you leave, it will be hard again.

In my experience, if you steer clear of dogma and muster up more love than you thought you had to give, then your vitality increases, satisfaction sets in, sweetness surfaces. I believe in the creative power of good feelings. I'm convinced that the desire to be real is everyone's divine imperative.

I think we're different, but we are very similar in a lot of ways, and we really complement each other in real life and on screen. Cameron [Diaz], for me, is like the teacher. And Kate's [Uptone] like my daughter. She's only five years older than my daughter, and so, I always wanted to protect her.

We all have a thirst for wonder. It's a deeply human quality. Science and religion are both bound up with it. What I'm saying is, you don't have to make stories up, you don't have to exaggerate. There's wonder and awe enough in the real world. Nature's a lot better at inventing wonders than we are.

Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.

We can either continue to collectively stand on the sidelines and debate what is causing autism and if it is an epidemic or we can get on the field and start addressing the real problem - a generation of children with autism. We are not focusing enough on prevention, treatments and support services.

Before I went on stage at Kyle Hutton's Real Life Real Music Festival, I heard one of his songwriting students, Abbey Hirvela, sing; she was in the poet's saddle and riding that horse like she owned it. She was good! I probably ruined her by showing her how to make an E chord without the 3rd though.

Michelle Kwan means more to the United States Olympic Committee than maybe any athlete that's every performed. She's a leader, she's been gracious, she's somebody to cherish forever. She's a real loss to the United States Olympic Committee, to the United States of America and, I think, to the world.

Barack Obama's class has always been an illusion clouded in faculty lounge, lizard lounge talk, and Michelle Obama's class has actually been told us by the media that it exists, but there isn't any. There isn't anything that's real. Everything on the left is a fraud. Everything on the left is a lie.

Five centuries from now - barring unimaginable catastrophe - the moon will be developed real estate. There's economic incentive to exploit the moon - the helium-3 will be useful in powering fusion reactors, and the rare earth elements could supplant the limited terrestrial supply of these materials.

I feel like real thoughts and emotions involve the whole being. And they also outstrip little personal quirks, and they outstrip biography. You end up on a really special, universal, shared terrain in those experiences. I think it's available to absolutely every single thing made of flesh and blood.

I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.

You may feel burdened by worry, fear, or doubt. To you and to all of us, I repeat a wonderful and certain truth: #God's light is real. It has the power to soften the sting of the deepest wound. It can illuminate the path before us and lead us through the darkest night into the promise of a new dawn.

Judicial excellence requires an understanding that the law is more than an intellectual game and more than a mental exercise. He or she must recognize that real people with real problems are affected by the decisions rendered by the court. Justice, after all, may be blind, but it should not be deaf.

....I am sure that the dangers of this system (the Federal Constitution) are real, when those who have no similar interest with the people of this country (the South) are to legislate for us - when our dearest rights are to be left, in the hands of those, whose advantage it will be to infringe them.

My life is not possible to tell. I change every day, change my patterns, my concepts, my interpretations. I am a series of moods and sensations. I play a thousand roles. I weep when I find others play them for me. My real self is unknown. My work is merely an essence of this vast and deep adventure.

Choosing beauty over content (or choosing beauty as content) is always an act of sedition. If we accept the cant of official culture, we must believe that the beauty we steal from any man-made thing is stolen from its more virtuous and metaphysical backstory, wherein "real" beauty is said to reside.

I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.

People sometimes say that the way things happen in the movies is unreal, but actually, it's the way things happen to you in life that's unreal. The movies make emotions look strong and real, whereas when things really do happen to you, it's like you're watching television -- you don't feel anything.

Every campaign, Garry Wills once wrote, "taught Nixon the same lesson: mobilize resentment against those in power." History taught the same to many conservative and reactionary populist movements, whose real attitude to those in power and authority was one of a servile, envious, vicarious adoration.

As we build systems that are more and more complex, we make more and more subtle but very high-impact mistakes. As we use computers for more things and as we build more complex systems, this problem of unreliability and insecurity is actually getting worse, with no real sign of abating anytime soon.

The unreal is more powerful than the real, because nothing is as perfect as you can imagine it, because it's only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles, wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.

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