Quotes of All Topics . Occasions . Authors
He knew now that it was his own will to happiness which must make the next move. But if he was to do so, he realized that he must come to terms with time, that to have time was at once the most magnificent and the most dangerous of experiments. Idleness is fatal only to the mediocre.
The Netherlands, Ireland, Luxembourg and others, exactly. We have to take a close look at their tax regimes, particularly if we want to move forward with European integration. We can't have a situation in which some EU member states enrich themselves at the expense of their partners.
You may train for a long time, but if you merely move your hands and feet and jump up and down like a puppet, learning karate is not very different from learning a dance. You will never have reached the heart of the matter; you will have failed to grasp the quintessence of karate-do.
I always at home as a kid tried to move something with your hand and it doesn't move and then you get to do it in a movie. I mean my superpower is quickness but you know what I'm saying. You get a superpower and you're like "Man this is awesome. I get to pretend I have a superpower."
... to keep moving up ... , you have to abandon the security of that ledge and reach for another hold. Letting go of that sense of security.. is the challenge. ... think of yourself as climbing a ladder. To move to the next rung, you must give up your grip and reach for the next one.
Just as we teach our children how to ride a bike, we need to teach them how to navigate social media and make the right moves that will help them. The physical world is similar to the virtual world in many cases. It's about being aware. We can prevent many debacles if we're educated.
Speech and prose are not the same thing. They have different wave-lengths, for speech moves at the speed of light, where prose moves at the speed of the alphabet, and must be consecutive and grammatical and word-perfect. Prose cannot gesticulate. Speech can sometimes do nothing more.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
...in the midst of migrants in search of a better life there are people in need of protection: refugees and asylum-seekers, women and children victims of trafficking...Many move simply to avoid dying of hunger. When leaving is not an option but a necessity, this is more than poverty.
The information age has been driven and dominated by technopreneurs. We now have to apply these technologies in saving lives, improving livelihoods and lifting millions of people out of squalor, misery and suffering. In other words, our focus must now move from the geeks to the meek.
Moving [to the White House], whatever stresses would be on my husband and me, we could handle; we are grown-ups. But it wouldn't be until the day that my kids came home and said to me, "I like it here," that I'd feel like I could breathe and know that we're all going to be okay here.
Choose a single, sacred word or phrase that captures something of the flavor of your intimate relationship with God. A word such as Jesus, Abba, Peace, God or a phrase such as "Abba, I belong to you." . . . Without moving your lips, repeat the sacred word inwardly, slowly, and often.
I know a lot of people love applications on their phone, but I'm like, 'Yeah, I understand the nice experience, but there's something about it that doesn't flow well.' Opening an app, closing it, moving to something else. There's something about the open web that's very free flowing.
You cannot lead without passion. Passion causes things to move, and passion creates a force multiplier. Passion actually covers a multitude of sins. Real EntreLeaders care deeply, and that is basically what passion is. Passion is not yelling or being wild; it is simply caring deeply.
The most important thing for me is having a relationship with God. To know that the owner, the creator of the universe loves you, sent His Son to die for your sins; that's very empowering. Knowing Him and knowing that He loves me gives me encouragement and confidence to move forward.
That the different Christian confessions, aware of the need for a new evangelisation in this period of profound transformations, may be committed to announcing the Good News and moving towards the full unity of all Christians in order to offer a more credible testimony of the Gospel.
For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move; to feel the needs and hitches of our life more nearly; to come down off this feather-bed of civilisation, and find the globe granite underfoot and strewn with cutting flints.
The diagnosis is clear, the science in unequivocal-it's completely immoral, even, to question now, on the basis of what we know, the reports that are out, to question the issue and to question whether we need to move forward at a much stronger pace as humankind to address the issues.
I just try to, in my own way, contribute to making a better Hollywood, to move Hollywood to be a leader in social justice, as it always has been, and not to have any holes in their own backyard while they continue to push for equality and all the things that they always stand up for.
Early on, I started realizing the power of hip hop as a fan. I remember taping DJ Red Alert and DJ Marley Marl on the radio. I recorded their shows to hear my favorite artists and songs at that time. I realized then that hip hop culture could move the world, because it was moving me.
Originally, one of the reasons I was drawn to photography, as opposed to painting or sculpture or installation, is that of all the arts it is the most democratic, in so far as it's instantly readable and accessible to our culture. Photography is how we move information back and forth.
America does not concern itself now with Impressionism. We own no involved philosophy. The psyche of the land is to be found in its movement. It is to be felt as a dramatic force of energy and vitality. We move; we do not stand still. We have not yet arrived at the stock-taking stage.
I hate it [driving] more than anything in the whole world. I'm just an awful, awful driver. I get lost, I hit things (parked cars, one moving car, a pole in my parking garage). Just when I think I got everything under control, I'll miss seeing something out of the corner of my mirror.
Well, at this point, it looks like the Iraqi forces are moving into the city center itself. Now they've been working on this for seven months now. The American military's been pushing them and encouraging them to really get into the city and rout ISIS. So now they're finally doing it.
The way that you empower the poor to be able to live in those neighborhoods is not to just move them and give them something, give them the better neighborhood. You have policies that allow them to get out of the neighborhood permanently and afford that neighborhood through hard work.
As we know, the balance of the economy of the world, the proportion is crazy. People are probably looking for a balance. The nature pushes people to move from poor and mentally and economically demolished places, from totalitarianism, to places that offer them much more than the fear.
To come to peace with the moving on. It is a gift, in a way. We spend so much of our time fighting death, as we should. But sometimes the greatest gift we can give ourselves, and in turn the ones we love, is to know when to let go. To know when it is time—and to be at peace with that.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
We spend most of our time and energy in a kind of horizontal thinking. We move along the surface of things....but, there are times when we must stop. We sit still. We lose ourselves in a pile of leaves or in its memory. We listen, and breezes from a whole other world begin to whisper.
For thee, sweet month; the groves green liveries wear. If not the first, the fairest of the year; For thee the Graces lead the dancing hours, And Nature's ready pencil paints the flowers. When thy short reign is past, the feverish sun The sultry tropic fears, and moves more slowly on.
You have to let go of stuff when you act for a while. You stay too attached to things that have worked or haven't worked, it kind of makes it harder for you to move forward. So I try to concentrate on the experience that I have and then let the public expression of it be its own deal.
I think crossing into the digital age is the big move for the industry. I think it will be the biggest thing that's happened while I've been making movies. I equate it to the invention of color or sound, and I don't see any other major technical process coming along and changing that.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
You can't do anything as long as you are afraid of what might happen. Fear clouds opportunities, erases possibilities, and limits the ability to move beyond the place in which the mind is stuck. No matter how difficult we think the problem is, we must muster up the courage to face it.
Teenagers are like atoms when they're moving at hundreds of miles an hour and bouncing off each other. Everybody's got such a crazy hormonal drive and reacting to each other differently and getting upset over little things. High school puts all these potential explosions in one place.
No man can survey himself without forthwith turning his thoughts towards the God in whom he lives and moves; because it is perfectly obvious, that the endowments which we possess cannot possibly be from ourselves; nay, that our very being is nothing else than subsistence in God alone.
Almost everything about American society is affected by World War II: our feelings about race; our feelings about gender and the empowerment of women, moving women into the workplace; our feelings about our role in the world. All of that comes in a very direct way out of World War II.
The question was, in a sense, at Princeton Review, how much value was I adding as a public company CEO. I was adding less than other people might've... I think you want to move on when you've given your best work and then feel that you're not going to add as much value moving forward.
Each of us has a vision of good and of evil. We have to encourage people to move towards what they think is good... Everyone has his own idea of good and evil and must choose to follow the good and fight evil as he conceives them. That would be enough to make the world a better place.
All I've done is put into words what all of us are about. We're now at the archetypal stage of being ready to move from a material to a transcendent world view of culture. I'm only articulating what dwells in the consciousness of a good part of the masses now. That's why the response.
The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
I always believe that, as you start out, while you should have a big dream - a big goal - but it's also important to move step by step. So, you know, frankly, if you ask me, when I started as a management trainee in 1984, I don't know that I really thought that I would become the CEO.
My purpose is to allow people to move closer to actually being creatures of free choice, to genuinely reflect individual creativity and emotion, freeing the body of habitual tensions and wired-patterns of behaviour so that it may respond without inhibition to do what the person wants.
Anaximenes and Anaxagoras and Democritus say that its [the earth's] flatness is responsible for it staying still: for it does not cut the air beneath but covers it like a lid, which flat bodies evidently do: for they are hard to move even for the winds, on account of their resistance.
One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.
I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston. Given that this was all at a tender age, I imagine I was very impressionable. I was a kid that was always moving, city to city, school to school. I adapted easily wherever I was, I knew how to blend.
I do a lot of media work, I've been investing and I'm involved with real estate. It's totally different from what I had been doing but I find it challenging and fun. To be honest, I really don't miss the track. I pretty well accomplished what I set out to do and it was time to move on.
Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.
Things I wonder about the FBI's list of the "Ten Most Wanted" criminals: When they catch a guy and he comes off the list, does number eleven automatically move up? And does he see it as a promotion? Does he call his criminal friends and say, "I made it, Bruno. I'm finally on the list"?
Writing a novel, in an unplanned and unpredictable way, makes you engaged; it takes you into yourself, and it becomes something between you and the character for a moment, and then you move back into the structure of the book. I love those moments, because they are completely unbidden.