I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.

The solo years have been more meaningful to the audiences than the Smiths years, but the press in England only write about me in relation to the Smiths era.

I cannot write in English, because of the treacherous spelling. When I am reading, I only hear it and am unable to remember what the written word looks like.

It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.

I write my lyrics the day I sing the song, so even when I have the basic things, I'm thinking what can I change, what can I add, how many harmonies can I do.

So, I am independently well-off and don't have to do anything, but I still do. I write books, lecture around the world, work with scientists and governments.

Even though I loved to write, I never liked English lit. class very much. I think it ruins books when you dissect them too much. I liked my art classes best.

I do write a lot of prose. It's not disciplined enough yet that it's actually become stories, or short stories. The idea of writing a novel seems impossible.

The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene.

When you are writing and directing and producing, there is a lot of stuff to do. I like to finish one; then while I am editing, I will think of the next one.

MIke Lee writes with honesty, penetration, wit and the ability to surprise the reader with an unexpected turn from time to time that enriches the experience.

I'm a big eater. I mean, a lot of my stand-up is about food, and you write about what you know, and that's the only thing I know. I don't know anything else.

My family is involved and my wife Brenda is a great, great writer. She helps me with the writing of everything and also sings with me. I owe a lot to Brenda.

I've gotten a lot of livid letters about the awfulness of my work. I've never known what to make of it. Why do people bother to write if they hate what I do?

SOON was the first novel where I used a rough outline. Usually I have characters and an idea and write as a process of discovery. Like working without a net.

Writing about craft has forced me to think more about my own writing technique, and to break down my process in ways that have been enormously helpful to me.

The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.

I began the way nearly everybody I ever heard of - I began writing poetry. And I find that to be quite usual with writers, their trying their hand at poetry.

I love to go back and write and direct another film one day, but that's on the backburner for now because I'm involved with so much television at the moment.

I think I approach all of my writing in the same way. I mean, it's my job, and I'm committed to it. I don't just float around and wait for some muse to call.

I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.

You're looking for something, I don't know what I'm looking for, but I'm looking. Writing is a lot about that. When you write a poem. When you write a novel.

We waste a lot of time and a lot of talent trying to write for the common reader, whom we will never meet. Instead we should be writing for our ideal reader.

Prune what is turgid, elevate what is commonplace, arrange what is disorderly, introduce rhythm where the language is harsh, modify where it is too absolute.

All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.

If I could write a story that would do for the Indian one-hundredth part what 'Uncle Tom's Cabin' did for the Negro, I would be thankful the rest of my life.

Writing is, after all, a gesture towards other people, giving something to others. And so it's not a completely hermetic exercise. It's really an opening up.

I first started writing music when I was 15 and at 16, I was playing in different cities in Australia. When I was 18, I was voted number one DJ in Australia.

I have the exact opposite problem of every writer I've ever met: Every writer I've ever met writes things that are too long, and they have to edit them down.

Each decision - to kill, to sign a petition, to write a letter, to make a speech, to attack, to lie, to surrender - was made at some point in somebody's day.

I only write to understand myself better... I don't try to show how intelligent or how cultivated I am, I just try to share my soul. Sharing is part of life.

People just don't know how to write down a simple easy line. It's difficult for them; it's like trying to keep a hard-on while drowning - not many can do it.

Whenever I started writing music, it just naturally led itself there. As I started to tell my story, it's where my home was. It's just a very natural choice.

Editorials are written by people who have agreed to have several strong opinions a day and to write them down, provided they do not have to sign their names.

I cannot get him to write or speak in real, solid earnest. I don't much mind it now, but if it be always so, what shall I do with the serious part of myself?

Lonnie says it doesn't take long to write a song if you're stricken with a severe case of the Tennysons. He wasn't necessarily talking about a chart-climber.

What's good about writing is that when you write novels or fiction, people can see that the problems in one region are similar to problems in another region.

I write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer.

Writing fiction takes me out of time. I sit down and the clock will not exist for me for a few hours. That’s probably as close to immortal as we’ll ever get.

It's always flattering when somebody you really respect and like wants you to be involved in their project - let alone writes a part with your voice in mind.

To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.

I don't blame you for writing of me as you have. You had to believe other stories, but then I don't know if any one would believe anything good of me anyway.

After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year.

I compose my own stuff. I've been writing songs with words. I've been playing more on the keyboard because I can transpose it to sheet music on the computer.

I try to write three jokes every day. I don't sit down and write them, it's just things that pop into my head. Then I'll go watch it fail onstage that night.

The fullness of our heart is expressed in our eyes, in our touch, in what we write, in what we say, in the way we walk, the way we receive, the way we serve.

It is still true that it is easier to compose a poem in the form of a manual for adjusting a VCR than it is to write a piece using just tuning as a symphony.

The easiest songs to write are pure fiction. There is no limit to how you can tell the story. I find it difficult when I'm replaying an event through a song.

Most books are about aspects of human knowledge - Few people write books about human ignorance, despite the fact that there would be much more to write about

Like all writers, he measured the achievements of others by what they had accomplished, asking of them that they measure him by what he envisaged or planned.

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