Quotes of All Topics . Occasions . Authors
I got a certain type of respect in the streets, that's why they call me Tha Truth. And I gotta speak the truth. I gotta stand up for what's right. Every great person and true soldier has a great story to tell and this is a part of my story.
My dad loved music, and he passed that on to me. I fell in love with hip-hop the first time I heard it. I started writing raps at a young age. I wasn't a Christian at that point. I thought I was, but I don't think I was, looking back on it.
I could go old-school; I listen to a lot of old-school music, like Teddy Pendergrass, the Temptations, people like that. I'm an old-school dude, and I'm vibin' with stuff like that to clear my mind. I like listening to that old-school music.
I pay homage and respect to Bobby Womack [for Black History Month] knowing that he passed last year... Him being one of those artists that I have really sampled so much and just been so inspired by... You know, he is the original ‘soul man.’
To the world, I'm Bow Wow. When I leave here and I go to L.A., and I go to my daughter's house and I sit with her, I feel like Shad. I'm not Bow; I'm 'Daddy.' It's, like, the illest feeling in the world. I feel like I'm away from everything.
The visual is everywhere in the streets, but in the industry, it's like you have to show up at this party and you can't take on the world in one day. It's a gradual process, but you can't let it frustrate you; you just have to keep grinding.
I'm not musically trained and I'm not all these other things. I'm creative with a keyboard and a drum machine, but I can't really make these perfect minimal musical executions - all the things that would be nice with all these refined poems.
When I was 12 or 13, the hyphy movement was beginning to bubble. And you had local acts such as the Federation or E-40, Mac Dre, and Too Short that the local radio station would play all the time. You'd hear E-40 as much as you'd hear Jay Z.
When you talk about revolution, it's very easy to romanticize picking up a gun or marching in the street, but I think before we take any of those actions, violence of course being the last one, we first have to have a revolution of the mind.
I'm a business man and I'm a grown man. I spend a lot of time thinking about how to restructure my life, support my family with this music... I don't have time to deal with the repercussions of breaking somebody's jaw or breaking their nose.
That was the greatest trick in music that people ever pulled off, to convince artists that you can't be an artist and make money. I think the people that were making the millions said that. It was almost shameful, especially in rock n' roll.
If you ever fall off, freestyling is what gets you back on track and go. Freestlying ain't always just to rap; you might fall off and you gotta come back. That's what freestyling is all about. Come off the dome with whatever is on your mind.
I navigate different cultures daily, and I understand how people can make false assumptions because of their lack of interaction with the cultures I find myself in. But if they don't frequent these spaces much, how can they rush to judgment?
It's always shocking to people, because sometimes when I go on the road and I DJ, they think I'm just gonna perform, so to see me really DJing and playing their favorite song and really rockin', it's a shock to people, and definitely to DJs.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
Growing up, the way that I looked was very important to me. I was always trying to impress people, and when I grew my beard there was a certain freedom, a separation, getting past this the way I looked, identify myself as a spiritual seeker.
America is a melting pot for all different groups of people, historically. And it's rare that the story of all of these people will be told in the history books. So I always felt I had to find out my history for myself and research my roots.
I just wanted to give them the 'Lost Jewelry' so they can say, 'Yo, they get that's mean.' And then when I tell 'em, 'Yo, that ain't even the meal. Get ready for the meal!' That's when we 'bout to go crazy because the taste of the appetizer.
My dad struggled with cocaine addiction, and we actually went to rehab with him too. I remember having extensive talks with him about how I was wired a certain way, how I wouldn't be able to drink and do drugs the same way my friends got to.
If we're all saying that rap is an art form then we gotta be more responsible for our lyrics. If you see everybody dying because of what you're saying, it don't matter that you didn't make them die, it just matters that you didn't save them.
Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
Rhianna don't want you to give her what you think that she wants. She needs you to give her something that's fresh. So you have to bend your voice and bend your personality and bend the music to make sure it sounds like it's new to everybody.
People keep putting limitations on themselves and creating this reality that soul music is dead. That's only in their reality. It's not true. To me, Adele is R&B. Bruno Mars is R&B. It's just good songwriting and songs. That is going to last.
Talking to people from the heart matters, and it's unfortunately something brands have forgotten about. Celebrity endorsement deals try to gain recognition for brands, but at their core, what matters is if the celebrity truly backs the brand.
The 9th chamber, leave you trapped inside my hallway You try to flee but you got smoked up by the doorway (blaow! blaow! blaow!) No question, I send your ass back, right to the essence Your whole frame is smothered in dirt, now how you restin
I decided I was gonna call myself cause Gucci Mane cause that was my father's name. His nickname was Gucci Mane. That's what my grandmother called my father. People would call me Gucci Mane every now and then, but honestly, that was his name.
I constantly think as an artist, as a rapper of what are the stories you want to tell? They can't all be, "I'm ill, I'm fresh, look at me, I have money." At some point, when you have an audience for it, there are stories that need to be told.
The trick with hip-hop-hip-hop is a sport. The only music that's really, really close to a sport. It starts off, "My DJ's better than yours. I can out-rap you, I can out-dance you, my graffiti piece is better than you." It's very competitive.
You can have a phenomenal booth artist and he can get in there and be a technician in the booth and it won't translate on the stage. I think that's what makes emcees emcees. Some rapper dudes are great rappers but it don't translate on stage.
But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami-but the diamonds will keep me cool.
When you look out into the world and you turn on the news and it's just so dark, it's still there. But it's the battle, it's the struggle with that, and at the same time to recognize that happiness and love and all those things exist as well.
I flood the Internet with what I think is quality content. That's why I did things like giving out a song every 100,000 Twitter followers because I am just looking for ways to get my fans to hear all this music without over saturating things.
I never thought my granny, somebody that was born down South, who witnessed America when it was segregated, would see, in her lifetime, an African-American in office as the President of the United States. It's major, it's a real historic day.
I started doing shows in places that I couldn't pronounce, didn't know existed, and I've seen people that didn't speak English or Spanish rapping to every lyric and singing to every hook. I said, "This is the type of music that I want to do."
I grew up around salsa, merengue, bachata, bass music, freestyle, hip-hop, techno, house, rave. Miami is special for that. It's a city where you don't know if it's more a part of the US, or of the Caribbean, or of Latin America, or of Europe.
With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.
I'm into everything. My iPod is very eclectic - if you kept it on shuffle, you'd be amazed. For example, I was forced to grow up on Dolly Parton. My mum was obsessed by her. She bought all this memorabilia for the front room. It's ridiculous.
I dropped out of high school when I was, like, 15, so I just focused on doing music. It's all I wanted to do; I didn't want to work or anything else. I took all the negativity and obstacles that came with life, and I just put it in the music.
Dr Dre has never told me a lie. I look up to him, not only as a business man, but just as someone who has become his own man in this business. He's always recognised the hard-working ethic that I have and given me opportunities based on that.
I'm not saying that hip-hop needs gay rappers or anything, but they need to stop being so close-minded because that will just cause the genre to fail. Look at pop. Pop doesn't discriminate against people. Look at Lady Gaga, y'know what I mean?
I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
My craziest ideas come from cartoons. I approach music by taking that cartoon extreme and the real life extreme and finding somewhere in the middle. The animated element lures people in, but the real-life substance puts the nail in the coffin.
When I was young, I wanted to be like the rappers. I remember being in junior high and wanting a fisherman hat and a link because EPMD had one. I wanted to wear Adidas because Run-DMC wore Adidas. As I came into my own, I just wanted to do me.
I want to always move forward with everything I am doing. So, I do the radio show, speak at universities and other social institutions all around the world, appear on TV, and continue to create music all in the hope to keep the struggle alive.
They [US Administration] have exploited hip-hop and some of the culture around it - magazines, videos, etc. - to recruit people into the military. The Army says it will give out Hummers, platinum teeth, or whatever to those that actually join.
I'm not going to star in every one of my movies. But I'm telling you [pounds fists] what I will bring to this film industry is the same thing I brought to the record industry when I came into it. Realism. Uncompromised, unconditional dog love.
I'm a King. Regardless of what I've been through and what I've done, I present myself as a King. And I get that respect from people, from everybody I deal with. I worked my whole life to establish that respect and make sure I get that respect.
I used to watch Oprah Winfrey, and whenever she used to lose weight, I used to be like, 'How's she losing it? What is she doing?' But it's all about education and knowledge, feeding yourself and knowing that too much carbs is what gets us fat.
I went to Paterson Public School No. 6. At the time, it was the worst school in the city. Ain't nobody want their kids to go to School 6; it was that bad. But it was where we lived. If you grow up in a bad area, there are bad things around it.
I want to let little kids know that no matter what situation they come up in, that they're not exempt from success. All I ever wanted was for people to believe in me and just recognize my potential. I came, I struggled, I made it, I conquered.