I went to Appalachian State University, which was very bluegrass- and folk-oriented.

Some people want to call me an Appalachian writer, even though I know some people use regional labels to belittle.

I've never set out consciously to write American music. I don't know what that would be unless the obvious Appalachian folk references.

I think, being from east Tennessee, you're kinda born with a little lonesome in your soul, in your blood. You know you've got that Appalachian soul.

Voice of the Spirit' was a project I'd been talking about for a long time. It began as an Appalachian record. But it's a record of all pure Southern gospel.

I've been doing long-distance backpacking since 2002 when I hiked the Appalachian Trail. You start to calm down and relax and get into the slower rhythm of nature.

When Merle and I started out we called our music 'traditional plus,' meaning the traditional music of the Appalachian region plus whatever other styles we were in the mood to play.

I've spent hours and hours doing research into Appalachian folk music. My grandfather was a fiddler. There is something very immediate, very simple and emotional, about that music.

No cowboy songs, no hoedowns. It's a more serious piece. Yet every bar of 'Appalachian Spring' is clear, clean, tonal, intelligible - great music that anyone can grasp at first hearing.

I have diverticulitis. Most of my family have stomach issues because of the water we drank when we were little. Lots of people have gastrointestinal issues in Appalachian coal communities.

You don't have to know anything about the Shakers to appreciate Mr. Copland's score for 'Appalachian Spring' any more than you have to know who William Randolph Hearst was to understand 'Citizen Kane.'

The mining towns I describe in the 'Helium-3' novel series are not unlike Coalwood, but there is one major difference: Those towns, rather than being located in the Appalachian coalfields, are on the moon.

I grew up at the base of a mountain in Virginia, so my comfort zone is that Appalachian area, where all the dudes wear Carhartt and all the women can put on a beautiful sweater with a snowman applique and nobody raises an eyebrow.

Not to be rude to my sisters, but I don't listen to drag music. I listen to everything from punk to Italo disco to Appalachian country music, but I don't know what their records sound like. I hardly listen to my own records. I'm like Cher!

The inspiration for our vocal harmonies was sort of Appalachian. It's sort of at weird intervals, and it almost has an Appalachian kind of feel to it. The harmonies were really spontaneous. And the way we jammed, we would just get into a trance.

My family influenced me very deeply because my dad came from a musical background, from the hillbilly music part of it, and all that music came over from Scotland and Ireland and England in to the Appalachian Mountains and Ozark Mountains, where I was raised.

Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.

I have always been 'small town.' I was born outside of Philadelphia, so we lived on a 20-acre farm and then spent two years in a log cabin on the Appalachian Trail. We lived outside of York in Red Lion, which is an amazing town. It's perpetually 1982 in that town.

J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.

We don't intend to always keep this necessarily African oriented. Originally I had hoped to have African American Indian of this area, and the Appalachian of this area, but at the same time, just as we have the Haitian room, we will always have room for another exhibit.

Born Virginia Marshall but nicknamed Gig, my mother was a home economics teacher who had come all the way across the whole state of Virginia, from her home on the Eastern Shore to our little Appalachian coal town to marry my daddy, Ernest Smith, whose family had lived in these mountains for generations.

If you go out on the Appalachian Trail, you have to bring so much more equipment - a tent, sleeping bag - but if you go hiking in England, or Europe, generally, towns and villages are near enough together at the end of the day you can always go to a nice little inn and have a hot bath and something to drink.

While writing 'Cold Mountain,' I held maps of two geographies, two worlds, in my mind as I wrote. One was an early map of North Carolina. Overlaying it, though, was an imagined map of the landscape Jack travels in the southern Appalachian folktales. He's much the same Jack who climbs the beanstalk, vulnerable and clever and opportunistic.

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