I like to run in a new place to help me find my way around.

I personally don't even try to compare New York and L.A. To me, they are just way too different.

The seasons had always been a part of the way I cooked and ate in Switzerland, and they again became what guided me in New York.

Seeing off the new ball is important for me. I know that once I do that, the only way I could get out could be from my own mistake.

When I read Rush Limbaugh's 'The Way Things Ought to Be,' it was like a page-turning thriller to me. Every page was like some new revelation.

I've played some gangster roles, but that's obviously not me. When you're an Italian-American New York actor, it's just an easy way to get cast.

Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!

The only way I would go back to hosting would be if it were something entirely new. It would prevent me from wanting to host a standard-fare kind of talk show.

Acting-wise, I'm way more comfortable finding out new things about the actor in me and RJ as a person. There's a lot of new nuggets that I can dip in the sauce.

As someone who has been known for the way they've been dressed, it's almost OK for me to wear New Balances and sweat pants. I'm not necessarily moulding trends, but it's OK if I'm not adhering to them.

For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.

All the way on the West Coast, never having seen a Broadway show, it was like, 'They don't want me. There's nothing there for me.' I'd come to New York a lot and never even tried to see a Broadway show. There was no reason for me to do that.

Actually, parts of New Zealand remind me of Suffolk. There's not many flat bits, but just the atmosphere there. There's a kind of a core tranquility about it, a kind of assuredness that this is fairly close to approaching the perfect way to be.

Imaginative writing, to me, is a way of discovering who we are and what we have to contend with; discovering what is out there and also what is not there. It enables me to think and explore and make something new with language while trying to make sense of our lives.

I was raised as an upper-class WASP in New England, and there was this old tradition there that everyone would simply be guided into the right way after Ivy League college and onward and upward. And it rejected me, I rejected it, and I ended up as a kind of refugee, really.

The idea of doing something that I've never done before, that presents a new challenge, that forces me to stretch in some way - that's kind of a perfect project for me, and especially something that has greater social, conversational ramifications. I mean what more could you want?

I'm part of a speech therapy programme called the McGuire Programme. It teaches you a new way to breathe, a new way to speak, a brand new way of tackling the mind-sets that come with having a speech impediment. Mainly, it teaches you how to slow things down, and that has really helped me.

I can get really obsessive. I like writing many drafts, and I try not to because it is very time-consuming, especially when you're working on a novel. But I do like to take a story and reorder it, put things in different places. This allows me to see things in a new and sometimes surprising way.

A newspaperman said, 'You have to have a team in New York.' I replied, 'Who says you have to have a team in New York?' What came out in the papers was a headline that said, Giles Says, 'Who needs New York?' I confess that quote bothered me, and there seemed to be no way to dispose of it. It was repeated again and again.

Bono told me how to dance in high heels and he also told me about U2's Glastonbury performance and how everything that could have possibly gone wrong went wrong, including him ripping his trousers on stage. I think he was lunging and his trousers ripped! He was telling me how he had to find a new way of performing that didn't involve moving.

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