It feels good just to have my teammates behind me each night.

Lack of sleep makes me less productive. I need a good seven or eight hours a night.

All music is escapism for me, but I like the way that, on a good night, that sense of escapism can be shared.

It's important for me to write songs that feel good to sing every night and remind me of my core, truest beliefs.

I cannot improve on those spoken for many years by a true legend who preceded me at CBS News. He would say, simply, 'good night, and good luck.'

Drinking made me a lot more free sexually; the restrictions were off. I was a compulsive, compliant 'good girl' by day and a 'bad girl' at night.

I wear my Peggy Fleming T-shirt when I go to sleep every night before I compete, and for the past four years, it's brought me incredible good luck.

For me, the creative process, first of all, requires a good nine hours of sleep a night. Second, it must not be pushed by the need to produce practical applications.

I wear a lot of hair extensions because I'm doing a lot of shoots and things like that. But for me, a good edge control is really important, and then a headscarf at night.

My agent and I usually have a steak-and-wine dinner on Wednesdays before tournaments. It's a good source of protein for the night before, and it helps me sleep before the opening round.

There were always people in the audience that judged me on the way I looked. They just assumed, because I was a girl, that I wasn't going to be any good, and it motivated me to improve and nail it every night.

To you, W. B. Yeats, good praiser, wholesome dispraiser, heavy-handed judge, open-handed helper of us all, I offer a play of my plays for every night of the week, because you like them, and because you have taught me my trade.

I'll take any excuse to have a get-together. For me, it's all about the everyday occasions, whether it's popping champagne to toast good weather, inviting the girls for brunch to rehash a night out, or just making snacks and watching a movie.

I think everybody has to be better, right from me out. Everybody has to step up their games for us to be successful here. I've been lucky to be on some good teams over the years and that's what it takes, everybody contributing night after night.

In doing the screenplay for 'Good Night, and Good Luck,' the most important thing for me was to constantly go back to wherever the opposition would argue. So I had to keep reading all the books and articles about why McCarthy is such a good guy.

One night, I remember being really sick in bed with chills and a fever when Ann came in all excited and said, 'I have these lyrics! Let me read them to you!' They were the lyrics to 'Crazy on You,' and in my fever haze I said, 'Yeah! Those are really good!'

I did a number of local children's theater plays growing up, but in 5th grade, I had some good times on stage making people laugh as a troll in 'The Hobbit.' That solidified my dream to be on 'Saturday Night Live,' which was hugely influential for me growing up.

I usually put on a lip and some mascara before I head out of the house. It makes me feel good. I started experimenting with makeup back in high school. One of my friends, who shall remain nameless, shoplifted a bunch of drugstore cosmetics for me, and I would just play with it in my room at night.

What I like about Broadway is that you are still entertaining. You're standing in front of an audience every night and the critics are not friends at all - and that's good for me as an entertainer because I want to grow. It also gives me the structure of remaining in one city so I can get creative in different ways.

I didn't have cable television growing up; there were only six channels you could watch then. The only really good channel was channel 10, and they would play 'The Nanny Called Fran' every night for years. I've seen every episode 100 times. I would get my Grandma to make me leopard skin dresses on her sewing machine.

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