Quotes by Alejandro Gonzalez Inarritu - Page 5

When I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe.
Alejandro Gonzalez Inarritu / Film Director
Alabama
Baton
Cargo
Mississippi
Mobile
Rouge
Boats
Crossed
Travels
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As a Third World citizen, I always feel that I need to express my point of view. Sometimes the points of view of Third World countries are never expressed. We don't have that possibility, sometimes, to spread what we feel and how we see things.
Alejandro Gonzalez Inarritu / Film Director
Point Of View
Possibility
Spread
Third World
Always World View
Citizen
Expressed
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Very little is known about Hugh Glass as a real guy that existed 200 years ago, except that he was attacked by a bear, betrayed and left for dead, and has to survive in the winter. I said, 'What really drives a human to survive those conditions?'
Alejandro Gonzalez Inarritu / Film Director
Betrayed
Conditions
Winter
Attacked
Bear
Drives
Existed
Glass
Hugh
Survive
To Survive
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All my films I have shot in chronological order - always. And the reason is that there's a moment that the screenplay is the notion of the film. But when you start doing a film... the work itself starts being transformed, and you have to surrender.
Alejandro Gonzalez Inarritu / Film Director
Notion
Surrender
Transformed
Chronological
Work Moment Always
Screenplay
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You hear about bombings in other countries, or numbers like "10,000 people died" - you hear that number and you think, "Well, I saw that yesterday in a film, and that didn't look so bad." Younger viewers, in particular, lose perspective on reality.
Alejandro Gonzalez Inarritu / Film Director
Country
Reality
Thinking
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Sad music, I always thought, is more beautiful than other music. But at the same time, I am in my personal life a very happy guy. I have a sense of humor. I am not the kind of depressed guy all the time brooding. No. I am very enthusiastic about things.
Alejandro Gonzalez Inarritu / Film Director
Brooding
Enthusiastic
Personal Life
Sense Of Humor
Life Time Sad
Depressed
Life Sad Time
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'Babel' is about the point of view of others. It literally includes points of views as experienced from the other side. It is not about a hero. It is not about only one country. It is a prism that allows us to see the same reality from different angles.
Alejandro Gonzalez Inarritu / Film Director
Babel
Different Angles
Hero
Point Of View
Reality
Angles
Side
Experienced
Literally
One Country
Prism
View
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The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
Alejandro Gonzalez Inarritu / Film Director
Film
Honestly
Literature
Problem
Transformed
Weird
Absolutely
Blueprint
Else
Screenplay
Something Else
The Problem With
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How can [actors] learn their lines and be honest in front of 30 people and all the lights? It makes me cry sometimes. I can't understand how they can be joking with me 30 seconds before, and 40 seconds later they're giving me all this incredible feeling.
Alejandro Gonzalez Inarritu / Film Director
Giving
Light
People
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I love Sam Mendes, but I went to see 'Spectre' with my kid, and the opening scene of the Dia de Muertos party, with this kind of tropical music, in downtown Mexico City, with all these people dancing like it's the Rio de Janeiro carnival... I had to laugh.
Alejandro Gonzalez Inarritu / Film Director
Dancing
Downtown
Mexico
Mexico City
Opening
Party
Rio
Scene
Spectre
Tropical
Love Music People
Carnival
City
Laugh
Sam
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One of the reasons why I agreed to do commercials is that they gave me complete freedom. I just had to have the car in it and write a story around it. I wanted to do something serious set in a Latin American country, but again, it was an exercise in style for me.
Alejandro Gonzalez Inarritu / Film Director
Country
Latin
Writing
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I think intelligence basically can be in a way defined by the possibility of having two opposite ideas living together and at the same time functioning. That's why I think a smart script has two things living in the same place, and they're absolutely contradictory.
Alejandro Gonzalez Inarritu / Film Director
Contradictory
Defined
Possibility
Opposite
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Maybe next year the government might impose some immigration rules on the academy. Two Mexicans in a row is suspicious. [On Mexican immigrants in the US] I hope they can be treated with respect of the ones who came before and built this incredible immigrant nation.
Alejandro Gonzalez Inarritu / Film Director
Government
Two
Years
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The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
Alejandro Gonzalez Inarritu / Film Director
Acting
Actors
Real
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There's nothing better than being in a film that translates to audiences and makes people think and feel good and walk away with great revelations in their own life of some kind. But when the process and the experience and the fun of that matches, it's a good feeling.
Alejandro Gonzalez Inarritu / Film Director
Fun
People
Thinking
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I understand when there's no money for the arts in the government, but it should maybe pressure private companies to support more filmmakers. These exhibition and distribution companies are huge, and there might be incentives for them to invest more in Mexican cinema.
Alejandro Gonzalez Inarritu / Film Director
Art
Government
Mexican
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When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
Alejandro Gonzalez Inarritu / Film Director
Conventional
Embarrassing
Manipulate
Shooting
Always Yourself Your
Conventional Way
Hide
Nets
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I want the camerawork to fit the narrative and tell the story from the point of view of the character, but sometimes, to be interacting with the sensations of the story, you almost become like a ghost, you know? Like, someone that is floating, observing, not really judging what's going on.
Alejandro Gonzalez Inarritu / Film Director
Floating
Ghost
Interacting
Judging
Narrative
Observing
Point Of View
Sensations
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I began to learn about the camera and the actors. That gave me a lot of the skills. At the same time, advertising gives you a lot of vices, for example, an obsession for a superficial look, but at the same time, it gives you the capacity to synthesize the story - tell a story in one minute.
Alejandro Gonzalez Inarritu / Film Director
Advertising
Obsession
One Minute
Skills
Superficial
Vices
Time Me Look
Time Look Me
For Example
Minute
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I have dark skin. My nickname is El Negro. They call me El Negro in Mexico because even in my country, the dark skin is evidence of Indian blood, a sign that one technically belongs to a third class. Even my grandmother had some kind of differentiation with me, because I was darker than my siblings.
Alejandro Gonzalez Inarritu / Film Director
Blood
Class
Dark
Differentiation
Evidence
Grandmother
Indian
Mexico
Sibling
Skin
Nickname
Belongs
Technically
Sign
Third
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In a world where irony reigns, where you have to separate, protect and laugh at anything that is honest or has an emotional charge, I bet for catharsis. I like to invest emotionally in things. And catharsis, when it touches the emotional vein, can open the doors of even those who protect themselves.
Alejandro Gonzalez Inarritu / Film Director
Catharsis
Doors
Honest
Irony
Protect
Bet
Charge
Invest
Emotionally
Laugh
Reigns
The Doors
Vein
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I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song and it means something different.
Alejandro Gonzalez Inarritu / Film Director
Different
Mean
Song
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I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song, and it means something different.
Alejandro Gonzalez Inarritu / Film Director
Life Time Music
All My Life
Depending
Images
Listened
Moods
Possibilities
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We are the only alive creatures that are mortals; the animals are immortal, which is why they live stupidly. We are the only creatures that know that we will die, but that is a gift. It's important because we know we have to take advantage and squeeze life and understand why we're here in the first place.
Alejandro Gonzalez Inarritu / Film Director
Advantage
Immortal
Mortals
First Place
Squeeze
Take Advantage
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Nowadays, a critic has to watch 700, 800 films a year, and I know through experience, being a juror in prestigious film festivals where supposedly the best films are arriving, from twenty films maybe you see two that are good, one that is so-so, and one that is extraordinary. And the other sixteen are terrible.
Alejandro Gonzalez Inarritu / Film Director
Arriving
Extraordinary
Festivals
Prestigious
Sixteen
Best Good Experience
Critic
Best Experience Good
Nowadays
Supposedly
Twenty
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It's more enjoyable for me to know that life is finite. Knowing that, I would like to go to a party. When you get to the holidays, if you think that the holidays will be forever, you just take it for granted. But, if you know that you have just three days at the beach, you will be so happy to be there every day.
Alejandro Gonzalez Inarritu / Film Director
Beach
Enjoyable
Finite
Granted
Life Me Day
Holidays
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Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
Alejandro Gonzalez Inarritu / Film Director
Dvds
Italian
Want
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When you do a film in a foreign language, you know there's a cost in it, that you know, unfortunately, the audiences of foreign language films have not been cultivated. There's a market, but the market has been reduced, unfortunately, and you know that when you're making a foreign language film, you're making a choice.
Alejandro Gonzalez Inarritu / Film Director
Cost
Foreign Language
Cultivated
Unfortunately
Reduced
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Actors are exposed in a way that nobody else can understand. They are subject to the likes and dislikes of people their entire life, no matter how successful they are. At the same time, in order to be liked, you have to not be yourself. So it's a very complicated human exercise - an alchemy that I have never understood.
Alejandro Gonzalez Inarritu / Film Director
Alchemy
Complicated
Exposed
Likes
Understood
Life Time Yourself
Be Yourself
Dislikes
Entire Life
Nobody Else
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I think, unfortunately, everything is becoming about comfort, you know? A comfortable way to tell a story. The comfortable way, so that the audience will never be lost. A comfortable way to produce a film with green screens or without a lot of physical effort or losing control because of the weather or physical locations.
Alejandro Gonzalez Inarritu / Film Director
Comfort
Green
Screens
Weather
Unfortunately
Locations
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I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country.
Alejandro Gonzalez Inarritu / Film Director
Country
Discovery
Layers
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As a sensitive filmmaker, I think you have to really be careful in how you explore it. Not that you can't tell any story you want - I'm not calling for censorship or anything. But if you're going to have violence, I think it's important to deal with the consequences of that on a human level, not just to make people laugh.
Alejandro Gonzalez Inarritu / Film Director
Laughing
People
Thinking
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For me, it is especially important to maintain my interior life. My spirituality, my connectedness. That is the way I think. That is the way I deal with life and tough moments. I keep in touch with something bigger than me. And I connect with people who have an interior life - a connection with something bigger than them.
Alejandro Gonzalez Inarritu / Film Director
Spirituality
Life Me Keep
Life Me People
Connect
Interior
Maintain
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Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
Alejandro Gonzalez Inarritu / Film Director
Babel
Cartoon
Compassion
Dignity
Figures
Forgotten
Mere
Morocco
Dispossessed
Guided
Japanese
Normally
Portrayed
Victims
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In the creative process, my ego has always been a huge tyrant ... a dictator and kind of rude and very misleading, because sometimes when I'm doing something, I say, "This is great! This is fantastic! Very genius!" And 20 minutes later, I feel like a dead jellyfish. "You are a stupid a**hole. This is a piece of sh*t. Nobody will care about it."
Alejandro Gonzalez Inarritu / Film Director
Creative
Stupid
Tyrants
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I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.
Alejandro Gonzalez Inarritu / Film Director
Directors
Exercise
Thinking
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My country has been wracked with violence for a long time. Just to see all the violence on the news makes you sick. It's true that violence is in our nature, but I try to explore deeply where it comes from and where it goes and what it creates. Not in a moralistic or preachy way, but just to observe the real consequences of violence in a human being or in a society.
Alejandro Gonzalez Inarritu / Film Director
Country
Long
Real
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I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.
Alejandro Gonzalez Inarritu / Film Director
Movies In General
Should Have
Thinking
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When people laugh and applaud as characters are killing each other, and you never see the body that's lying there, or you never see the family that suffers, then it turns into a cool thing to do, like a videogame. Then, when you watch the news and see that 15 soldiers were killed, you start to see them as just numbers, material, information, images. We lose the real weight and real value of one simple human life.
Alejandro Gonzalez Inarritu / Film Director
Character
Lying
Real
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Actually, when I think about growing up, I feel most affected by two travels that I made working in cargo boats when I was 16 and 18. One of them crossed through the Mississippi and Baton Rouge and Mobile, Alabama, and another went all the way to Europe. On the last trip, I stayed in Europe for one year with $1,000, working everywhere I could, doing everything. Those years shaped me a lot and taught me the value of exploring different things.
Alejandro Gonzalez Inarritu / Film Director
Growing Up
Thinking
Years
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