Quotes of All Topics . Occasions . Authors
People who are sick, or who have been sick, or have come close to death have a lot to say - and they want you to hear it.
I think some of our most talented people are not going to pick the arts as a way that they're going to spend their lives.
Use your time to bathe yourself in the gift. Move your hand across the canvas. Go to museums. Make this into an obsession.
I see myself as not a typical theater person, but a person who uses the theater as a place to meet people and explore ideas.
You are an explorer. You understand that every time you go into the studio, you are after something that does not yet exist.
To live your life well, and have respect for what came before or after - there's a strong respect for that in African culture.
My main concern is theater, and theater does not reflect or mirror society. It has been stingy and selfish, and it has to do better.
Some people study a text very deeply. The people are my text. I study their words and what their words sound like, over and over again.
I'm interested when things are upside down - because there are so many possibilities in that one moment. There is a lot that is exposed.
People in power have to be careful about what comes out of their mouth. They have to find exactly the right word that can't be attacked.
Poverty makes it very difficult in an already competitive world for kids to get on a straight track where they can actually love learning.
We spend so much time bantering about the words when the real open conversations might very well be our actions. I worry about our rhetoric.
I have a lot of optimism about new doctors because I think it's really clear that it's a lot of hard work and no guarantee of a lot of money.
I mean, I think a healthy country is a country where people are healthy physically, and a smart country is a country where people are educated.
I remember from my father's funeral that the minister kept using a metaphor about life of a prism. And I took that away like a cherished image.
Art should take what is complex and render it simply. It takes a lot of skill, human understanding, stamina, courage, energy, and heart to do that.
My work is about giving voice to the unheard, and reiterating the voice of the heard in such a way that you question, or re-examine, what is the truth.
Hope is when you look out the window and you go, 'It doesn't look good at all, but I'm going to go beyond what I see to give people visions of what could be.'
Then everyone leaves, and you are left, each night, to your own devices with a crowd of interesting people - most of whom you don't know - sitting in the dark.
I think we need leadership that helps us remember that part of what we are about is caring about more than the person right next to us, but the folks across the way.
Be more than ready. Be present in your discipline. Remember your gift. Be grateful for your gift and treat it like a gift. Cherish it, take care of it, and pass it on.
What you are will show, ultimately. Start now, every day, becoming, in your actions, your regular actions, what you would like to become in the bigger scheme of things.
Those in the margins are always trying to get to the center, and those at the center, frequently in the name of tradition, are trying to keep the margins at a distance.
Listening is not just hearing what someone tells you word for word. You have to listen with a heart. I don't want that to sound touchy-feely; it is not. It is very hard work.
Many people are afraid to talk about race because it's so emotionally loaded. We don't have the vocabulary to talk about it. Every day, our vocabulary seems more and more inadequate.
You've heard that old expression from Shakespeare, 'Just speak the speech'? The words themselves will take you to the reality of the character. And so this led me to interview people.
What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space.
You hang around actors, or dancers, the minute you sneeze, everybody has a remedy, and we're all on a million different kinds of diets, and different kinds of things that we do for exercise.
You know if we were to look back and how we were in 1955 living in Jim Crow, living in segregation, living in segregated schools, it's hard to believe that it was America, but it really was.
Somehow we can't live outside the politics of race. There's something very deep in all of us, that is taught to us when we are very, very little. Which is the disrespect and fear of the other.
You can't teach talent. You can't teach inspiration. You can teach people critical facilities. You can give them techniques. You can teach discipline. And you can teach them about the business.
The American idea is as promising, imaginative, and full of the unexpected as the land itself. The land represents freedom - the frontier, the ability to make a new future with your own bare hands.
Self-esteem does not come from surrounding yourself with people and things that seem to increase your value. Real self-esteem is an integration of an inner-value with things in the world around you.
Each person has a literature inside them. But when people lose language, when they have to experiment with putting their thoughts together on the spot-that's what I love most. That's where character lives.
Do you want to be an artist so that the whole world will look at you, or do you want to be an artist because you would like to use your ability to attract attention, to have the world see itself through you differently?
Because of the generation in which I came into the world, there were expectations. Of course there were expectations. It was something having to do with being a respectable Negro woman who would make the people in Baltimore proud.
I think it's really important to give yourself a very big question that you're working on that you can come home to, even if you, you know, are going to have to go without a cup of coffee or even a meal, that that should nourish you.
When I was a kid, my grandfather said that "if you say a word often enough, it becomes you." Thinking of that later in life gave me this idea that I could try to become America by learning the words of people from many aspects of the country.
Racism has been for everyone like a horrible, tragic car crash, and we've all been heavily sedated from it. If we don't come into consciousness of this tragedy, there's going to be a violent awakening we don't want. The question is, can we wake up?
Artists are the people that no matter what, pick up the pen, pick up a paintbrush. They take the time to translate what is happening to create something that resonates deeply with the rest of the people that are caught in the middle of their own reality.
We would like doctors to listen, but the fact is, we better be ready to be able to talk to them. You're going to have to be an active participant in that conversation, so I'd say the American people are going to need ways of stepping up to the conversation.
When I got out of acting school, I was lucky to have gotten any job at all. A lot of people hiring African American actresses - it was right after 'Roots,' and for society, not me, it was great. Nice richly dark-skinned people was the fashion, and I was not.
I was a mimic when I was a child. I mimicked the teacher and made friends that way, actually. That was a very subversive activity, because I was a goody-goody who never got in trouble. But if I went off in the corner and mimicked the teacher, people loved it.
President Obama called for a 'we' nation in his Inauguration Address. Art convenes. It is not just inspirational. It is aspirational. It pricks the walls of our compartmentalized minds, opens our hearts and makes us brave. And that's what we need most in our country today.
If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
I think a lot of L.A. is something like USC - this incredible white culture living in the midst of color, and no obvious reaction to it at all. I mean, they have guards at the gate at USC - guards at the gate of a major university! And the guards chase young black boys away - I've seen it, chasing 8-year-old boys.
We who are in the arts are at the risk of being in a popularity contest rather than a profession. If that fact causes you despair . . . pick another profession. Your desire to communicate must be bigger than your relationship with the chaotic and unfair realities . . . We have to create our own standards of discipline.
I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.
Well, the terrible thing right now, and I don't know the statistics, but there's a growing concern in some communities about how rapidly people are sent from school to jail, how quickly they're put into the criminal justice system. And of course the rapidly growing number of brown people, both men and women, in prison. And this is terrible.