Quotes of All Topics . Occasions . Authors
I'm not just a remix guy.
"I'm a new song and you're just a remix."
I remixed a remix, it was back to normal.
I'm not going to lie; I'm not a huge remix person.
I think, in history, everything is about the remix.
I'm not gone remix a record I don't got no love for.
I love a good remix! Moto Blanco did a great one of 'I Hope'.
I like to blur the line between remix and cover version and new song.
I think ballads transcend better into my work when I remix something.
My wife cooks. I can't cook. I can remix leftovers pretty good, though.
Every new idea is just a mashup or a remix of one or more previous ideas.
I actually did a remix for Katy Perry, and her management didn't respond.
I started a recording studio. I started producing people and doing remixes.
Steve Aoki is somebody I really love, and he did a remix of 'Mi Gente,' too.
With this CD technology, you can just remix a record right there on the spot.
It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
I do not do a remix without crediting the original makers. For me, that is what is most important.
I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell's soup label.
When I do a remix, I try to think about what I don't have in my bag and create something to fill that gap.
I really enjoy doing remixes, but I don't want to be known as just a 'remix artist' for the rest of my career.
The pressure is only from the producers and the labels. No composer, no singer would ever want to sing a remix.
If you remix, people want to tap into your sound. If you keep that to yourself, it makes the sound more special.
When Florida Georgia Line and Nelly put out the 'Cruise' remix, it brought so many more people to country music.
I doubt I'll ever pay someone to do a remix again, because there's some amazing stuff just coming out of bedrooms.
When I came to Mumbai, I was just 19 years old and did the TV show, 'Remix'. Thereafter, I just fell in love with acting.
After the 'Grey Album,' everyone thought of me as the hip-hop guy, the remix maestro. I didn't know how to show them otherwise.
I trade musical favours like cattle. I can't remember the last time I did a remix for actual money. For me, I try and get a good swap.
I've been dedicating my life to doing remixes and sample based music. Whether you're into it or not I'm going to continue to pump it out.
I would love to do a collaboration with Lil' Wayne. I would have loved to sing on his song, 'How To Love.' I wanted to do the remix to that song really bad.
Any kind of dance or house, remix type music, I really love that. That will really pump me up. I really love anything Beyonce - honestly, that would pump me up.
Any composer will not completely enjoy the process of creating a remix. Even if one adds their own elements, the song ultimately belongs to the original composer.
'Meow The Jewels' was a nightmare of a promise I had to fulfill. We made a joke that if the fans gave us $40,000, we would remix our album using nothing but cat sounds.
I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
Sometimes, a remix is good because it reaches a whole new generation. But when it gets too much, it's irritating. Also, the original composer needs to be credited properly.
I would be on top of the world if 'Remix' comes back. I wasn't playing a central character in it but it was my first show. It brought me to Mumbai and will always be special.
Growing up, my favorite group was New Edition. I loved the opportunity to do the remix to Bobby Brown's song 'Get Away'. I told myself that I would have my own group like New Edition one day.
'Despacito' is phenomenal; you can't really chase that type of success. I'm a huge fan of the record, the original, and then when the remix came out, I said, 'Oh my God, it just got greater!'
My whole thing, to keep myself interested - and, you know, I'm a huge hip-hop head - I have tons and tons of a cappellas. So I do these live remix mash-ups with my tracks and just throw them in there.
I actually admire the Indian artiste 'Lost Stories.' He made a remix of my song 'Faded.' That is really good and cool because it actually represented Indian music. I just loved the song; it so unique.
The difference between doing a remix and an original track is that when you do a remix, you obviously already have the original track as a starting point. But with the originals you start from scratch.
My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.
'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.
Basically, a lot of people have asked to jump on 'Shutdown' remix, I'm not gonna front. But 'cause of quality control, we wanted to make it really big: it's all about spreading the British sound and culture.
When 'Ahora Me Llama' was out, I was looking for someone to do the remix. Among those people I was looking at was Anuel, who was in jail. We tried, but it was impossible to record it because of his situation.
Some people remaster their records six, seven times, remix it three, four times, spend a million hours, then they always go back and hear a demo of it and they'll say, 'Aw that sounds so much better than the final mix.'
In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.
They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.
The Nike joint 'Classic' with Kanye, Nas, KRS-One, that was a remix - Rick Rubin did the original, and his was a double-time tempo; mine was a regular boom-bap tempo, and they liked it so much that we ended up doing the video to it.
If you're serious about your music, there's this thing called The Remix Project in Toronto, and it's an art incubator, and it's basically like free school. If you don't got money for studio, you don't have the networks, they help you.
I got introduced to Maps by my label, and I liked his sound. I had been living with the original version of 'Younger' for quite a long time when I heard the result of his remix, and I loved it. It actually made me find a new love for the track.