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Quotes by Television Writer of the Authors - Page 25

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Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.
Remi Aubuchon / Television Writer
Fun
Names
Sweet
Copy Quote
I've always been kind of drawn to the extremities of human nature. I wrote my first screenplay when I was 16. The initial idea was a friendship between two prostitutes, and I spent time with a vice squad guy in Cincinnati who brought me to a brothel and gave me the rundown on how street prostitution works.
Veena Sud / Television Writer
Ideas
Squad
Two
Copy Quote
Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.
Mitchell Hurwitz / Television Writer
Algorithms
Behavior
Netflix
Copy Quote
I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.
Mitchell Hurwitz / Television Writer
Character
People
Thinking
Copy Quote
I believe that this idea of story or myth or this thing that Joseph Campbell writes about is sort of an inter-connective spiritual force - like The Force in 'Star Wars' - where it doesn't matter where you were raised, or what your background is, there are certain elements of story that totally appeal to you.
Damon Lindelof / Television Writer
Elements
Force
Myth
Raised
Spiritual
Believe Your I Believe
Totally
Appeal
Background
Campbell
Believe I Believe Your
Star
Wars
Joseph
Star Wars
Copy Quote
We have been crafted by disaster to push out to the utmost horizon to find out what's on the other side of it. That's in our nature. What's also in our nature is a profound love and connection to our children and our communities. Those two things are very much at conflict with one another at certain moments.
Jonathan Nolan / Television Writer
Conflict
Disaster
Horizon
Profound
Communities
Connection
Crafted
Push
Utmost
Copy Quote
'All in the Family' took ten weeks to take off in 1971, and we were lucky to start in January, because if it had started in the regular fall season of 1970, I don't know if we would have lasted. The ratings didn't take off until the end of that fall season, when the other two networks ran out of fresh shows.
Norman Lear / Television Writer
Fall
Lucky
Two
Copy Quote
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
Mitchell Hurwitz / Television Writer
Development
Easy
Shows
Copy Quote
[The Doctor, Capt. Jack and Rose are cornered by the empty children.] The Doctor: Go to your room! Go to your room! I mean it. I'm very, very angry with you. I'm very, very cross! GO! TO! YOUR! ROOM! [The children lurch away and obey him.] I'm really glad that worked. Those would have been terrible last words.
Steven Moffat / Television Writer
Children
Doctors
Mean
Copy Quote
Part of the fun of the movie is understanding exactly why we called it Prometheus. And also, it sounds really pretentious, like Inception, so we were just like, "Yeah, that makes the movie sound really smart!" It's so much better then my original title, Explosion. Well, there might be an explosion in the movie.
Damon Lindelof / Television Writer
Fun
Smart
Understanding
Copy Quote
I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that.
Veena Sud / Television Writer
Character
Faithful
Thinking
Copy Quote
There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.
Bridget Carpenter / Television Writer
Art
Player
Real
Copy Quote
I work from a deep sense of insecurity. I have the belief, and I can't shake it, that there are endless reasons to turn the channel. There are hundreds of channels and entirely other things to do besides TV. And if you make a bad television show there's no reason for the audience to come back the following week.
Chuck Lorre / Television Writer
Belief
Following
Insecurity
No Reason
Television
Tvs
Besides
Channel
Channels
Entirely
Hundreds
Television Show
Copy Quote
We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
Jason Katims / Television Writer
Both Sides
Cameras
Coverage
Drama
Moments
Parenthood
Sides
Authentic
Shot
Normally
Overlap
Scripted
Copy Quote
I was definitely looking for a reason to impose rules in the story during the writing process... a set of reasons that you could graph for why it's not chaos and anarchy - for why it has to be order, and why you need architects and an architectural brain to create the world of the dream for the subject to enter.
Jonathan Nolan / Television Writer
Dream
Order
Writing
Copy Quote
I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
Mitchell Hurwitz / Television Writer
Decision
Giving
People
Copy Quote
Without courage, honor, compassion, pity, love and sacrifice, as William Faulkner pointed out, we know not of love, but lust. We debase our audience. But we can ennoble and enrich our viewers and ourselves in our journey through this good time, this precious time, this great and wonderful experience we call life.
Earl Hamner, Jr. / Television Writer
Journey
Compassion
Sacrifice
Copy Quote
Look at anyone's bookcase at home, no matter how modest, and you're going to find a book that contains wisdom or ideas or a language that's at least a thousand years old. And the idea that humans have created a mechanism to time travel, to hurl ideas into the future, it sort of bookends. Books are a time machine.
Jonathan Nolan / Television Writer
Humans
Mechanism
Modest
Thousand
Thousand Years
Time Travel
Contains
Hurl
Copy Quote
We're thrilled to have Maisie Williams joining us on Doctor Who. It's not possible to say too much about who or what she's playing, but she is going to challenge the Doctor in very unexpected ways. This time he might just be out of his depth, and we know Maisie is going to give him exactly the right sort of hell.
Steven Moffat / Television Writer
Challenges
Doctors
Giving
Copy Quote
Fortunately, the DC Universe is full enough and replete enough with every kind of character that you could want, that it's not that hard to find the right character. Sometimes it's nothing more than an Easter egg, or a name drop, and sometimes it's someone like 'Deathstroke,' who is a huge part of the DC Universe.
Marc Guggenheim / Television Writer
Easter
Dc
Drop
Egg
Fortunately
Huge Part
Replete
Copy Quote
When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The job wasn't paying very well. But the one thing I did feel confident about was: No one will ever be able to do this again. Because no one would be stupid enough to try.
Mitchell Hurwitz / Television Writer
Arrested
Feedback
Hardest Thing
Stupid
Arrested Development
Confident
Paying
The Hardest Thing
Copy Quote
They started doing it in reality TV, where writers don't have union protections and are easy marks for getting this kind of material in there. You're less likely to find it on network prime-time series, but the creep is moving in that direction. It has become intrusive and overwhelming to us as a union of writers.
Patric Verrone / Television Writer
Moving
Reality
Unions
Copy Quote
Families can be the most detrimental things to have in your life. They are sometimes the most poisonous relationships that people have. Sometimes family is the thing that keeps you from ever achieving what you want to achieve, and yet people hold it and hold it and grab it and try to fix it and twist it and turn it.
Amy Sherman-Palladino / Television Writer
Detrimental
People
Poisonous
Trying
Twists
Life Family Your
Life Family People
Achieving
Grab
Twist
Copy Quote
We figured the interesting question for them is, "Where has the family been since 2006, since the last time we saw them?" So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
Mitchell Hurwitz / Television Writer
Interesting
Lasts
Saws
Copy Quote
When you're working on a television show with actors, what you hope you're doing is playing jazz with them all the time. You see what they're giving you, so you try to write back to that, and then they play with that, and you get a sense of what is going on. That's just a natural way in which TV series usually work.
Remi Aubuchon / Television Writer
Giving
Play
Writing
Copy Quote
When we finally had a cast and could see what they could do, here was an opportunity to go back and modify things. We didn't actually do that much modifying, but we did enough to make it feel as if they fit in their own skin, and we got a lot of good input from them. They're a terrific cast. They worked really hard.
Remi Aubuchon / Television Writer
Opportunity
Input
Skins
Copy Quote
But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.
Mitchell Hurwitz / Television Writer
Order
Reading
Thinking
Copy Quote
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Veena Sud / Television Writer
Character
Long
Self
Copy Quote
'What doesn't kill you makes you stronger' not only applies to the deeply personal subject matter of 'To the Bone' but to simply getting a film about people with eating disorders made. Without the brilliant Julie Lynn, Bonnie Curtis, and Karina Miller producing, there's no way this project would be coming to fruition.
Marti Noxon / Television Writer
Brilliant
Fruition
Stronger
Subject Matter
People Way Eating
Bone
People Way Matter
Disorders
Julie
Lynn
Miller
Producing
Copy Quote
Traditionally, people have been adapting novels and short stories forever. Now, they're doing it simultaneously, with an eye towards writing the movie before the novel has even come out or been finished. It's a function of this hyper-accelerated society we live in, where everyone is trying to short circuit the process.
Howard Gordon / Television Writer
Adapting
Eye
Function
People
Writing
Circuit
Towards
Short Stories
Simultaneously
Copy Quote
We've never slammed people over the head or made 'The Flash' an after-school special. With us, it's always been presenting the world in which we live. The world in which we live, men and women work together; different races work together, and you have gay friends, and people have relationships. We just try to show that.
Andrew Kreisberg / Television Writer
After School
Flash
Men And Women
Presenting
Work Men Women
Work Women Men
Races
Slammed
Work Together
Copy Quote
I believe in the power of media. I really do. It's my soapbox. And I do have an agenda, because I'm enraged by the limitations forced on people - by poverty, oppression, hatred, fear - and I'm saddened by the kind of loss we all experienced due to the contributions that people cannot make because of their circumstances.
Jenji Kohan / Television Writer
Circumstances
Loss
Oppression
Saddened
Soapbox
Contributions
Due
Enraged
Experienced
Forced
Limitations
Copy Quote
A war is like when it rains in New York and everybody crowds into doorways. They all get chummy together perfect strangers. The only difference, of course, is in a war it's also raining on the other side of the street and the people who are chummy over there are trying to kill the people who are over here who are chums.
Larry Gelbart / Television Writer
New York
War
Rain
Copy Quote
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
Mitchell Hurwitz / Television Writer
Design
Character
Creative
Copy Quote
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
Jenji Kohan / Television Writer
Jobs
Boulevard
College
Downtown
Juicy
Los Angeles
Reader
Records
Sunset
Venice
Across
Angeles
Bar
Different Parts
High
Intern
Performance
Los
Magazine
Mile
Parts
Tower
Copy Quote
We're gonna play a little bit of a game here [Person of Interest movie]. Greg and I felt like we had responsibility when we wrapped up the pilot, to have a roadmap for where the show went. When we pitched the pilot, we knew what we wanted the last episode to be, the last image, I think we even know what the last song is.
Jonathan Nolan / Television Writer
Responsibility
Song
Thinking
Copy Quote
When you're on a daytime drama you get one page, you better damn well know your character. You better know what she would do in every situation because it's a very, very fast paced business. You do ninety pages a day on a Soap Opera. It's insane. It's such a small world, the soaps. It's all contained in one little studio.
David Hudgins / Television Writer
Character
Drama
Insane
Copy Quote
The Doctor: [aiming gun at the ceiling] Didn't anyone ever tell you? There's one thing you never put in a trap if you're smart. If you value your continued existence, if you have any plans about seeing tomorrow, there's one thing you never, ever put in a trap. Angel Bob: And what would that be, sir? The Doctor: Me. [fires]
Steven Moffat / Television Writer
Angel
Gun
Smart
Copy Quote
I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
Damon Lindelof / Television Writer
New York
Real
The End Of The Day
Thinking
Copy Quote
I am endlessly fascinated by this notion that everyone has a secret. Some of our secrets are tiny, small things, and some of them are huge. Given that reality of the human condition, that's what our characters will go through. There will be some things where you'll just be like, "What the hell! How the hell did that happen?"
Veena Sud / Television Writer
Character
Reality
Secret
Copy Quote
I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
Larry Gelbart / Television Writer
California
Southern
Writing
Copy Quote
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
Mitchell Hurwitz / Television Writer
Negative
Thinking
Writing
Copy Quote
Glee is only one example - there are a lot of shows, adult shows online. I just don't understand why we've decided that we want to throw everything we can out there on the Internet, I don't know how it helps us. I think being exclusive, that you can only see something on CBS, you can only see something on ABC, is a good thing.
Edward Allen Bernero / Television Writer
Adults
Thinking
Want
Copy Quote
One of the things I love about working with my brother is that there's a commitment there - an unwavering commitment. From our basement in Illinois when I was three years old to Iceland on a frozen glacier with Matthew McConaughey and Matt Damon in spacesuits - there's a commitment to the pure spectacle, the pure cinema of it.
Jonathan Nolan / Television Writer
Cinema
Frozen
Iceland
Illinois
Pure
Unwavering
Basement
Glacier
Matt
Matt Damon
Spectacle
Copy Quote
There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, "Well, we can't do that!"
Mitchell Hurwitz / Television Writer
Couple
Fans
Work Out
Copy Quote
I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
Damon Lindelof / Television Writer
Giving
Mean
Negative
Copy Quote
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
Damon Lindelof / Television Writer
New York
Ambiguous
Cracked
New York Times
Storytelling
Window
Work End Of The Day Day
Certain Level
Crossword
Drawn
End Of The Day
Puzzle
Requires
Rewarding
Throw
York
Copy Quote
In some ways I think it [the strike] was important. I'm not sure that "worth it" is the right term, but it was important. A lot of people lost a lot of things - I was greatly concerned for our crews. Those are the people who really sort of paid. A lot of us in quiet ways did everything that we could to help people pay mortgages.
Edward Allen Bernero / Television Writer
Important
People
Thinking
Copy Quote
I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, "What can we shoot that looks fantastic?," rather than trying to do the kinds of thing that you would be able to accomplish in a movie.
Jonathan Nolan / Television Writer
Trying
Would Be
Years
Copy Quote
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
Mitchell Hurwitz / Television Writer
Self
Thinking
Voice
Copy Quote

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