Music Quotes - Page 74

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I was raised in a very humble environment, and I was always taught to be humble to the things that are happening in my life because they're blessings. They're blessings in every way. Whether you're able to help someone get through a tough time in their life through your music or through comedy, or whatever it is, you're just a channel.

The Beatles came and everybody forgot about everything else. That was a friendly, together, hip interpersonal music, introducing electric sustain, and it captured the imagination of everybody. So improvising, even though it was in a very rich period in terms of impact on the public, the '6Os were very hard times on players financially.

I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around.

When I was studying at Berklee, I got the feeling I couldn't play the [guitar] at all, because I could not use my own things as they didn't fit any set pattern. When I joined [Chico Hamilton], he helped me immensely to develop my own style. He never forced me in any set way. At all times, he encouraged me to be myself on the instrument.

I think jazz is a beautiful, democratic music. It encourages musicians with very strong, and many times, very different points of view to work together as a team while, at the same time, giving them the space to express their individuality. It's a very important art form and can be used as a model for different cultures to work together.

I don't know whether it was his (Charlie Christian's) melodic lines, his sound or his approach, but I hadn't heard anything like that before. He sounded so good and it sounded so easy, so I bought me a guitar and an amplifier and said now I can't do nothing but play! Really, welding was my talent, I think, but I sort of swished it aside.

I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.

We're constantly being bombarded by insulting and humiliating music, which people are making for you the way they make those Wonder Bread products. Just as food can be bad for your system, music can be bad for your spiritual and emotional feelings. It might taste good or clever, but in the long run, it's not going to do anything for you.

Truth of the matter is, jazz is American music. And that doesn't mean bebop. Jazz is really about improvising. All the music that's been created in America has been pretty much improvised... Whether it's hillbilly or rock n' roll for blues, it's basically jazz music... It's basically about another way of hearing what comes out of America.

Live in rooms full of light. Avoid heavy food. Be moderate in the drinking of wine. Take massage, baths, exercise, and gymnastics. Fight insomnia with gentle rocking or the sound of running water. Change surroundings and take long journeys. Strictly avoid frightening ideas. Indulge in cheerful conversation and amusements. Listen to music.

Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.

Even her hair, she thought, running her fingers impatiently through the damp golden brown ringlets that curled romantically around her face. A Botticelli angel, a boy in college once called her, begging her to let it grow. Right! That was all she needed: wild curls cascading down her back like a doomed Shakespearian virgin, or a rock star.

Sometimes I see players that think, and you can tell they're thinking of the next phrase to play or the next thing to do, the next little cute trick, and that's sad, man, you know. That's not makin' music; that's puttin' together puzzles, you know. Music should flow from you and it should be a force; it should be feeling, all feeling, man.

Half of the modern world goes back as far as Pearl Jam. The real historians go back to U2. But they need to go back further. They have to go back to the '50s and '60s, where things started. That's how you get to be your own personality, by studying the masters. Rock and roll was white kids trying to make black music and failing, gloriously!

We pass the word around; we ponder how the case is put by different people, we read the poetry; we meditate over the literature; we play the music; we change our minds; we reach an understanding. Society evolves this way, not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.

When you look at Michael Jackson, there's nobody who loves him in that family, nobody. If they did, they'd tell him he didn't have to do all that in order to be famous. All he has to do is keep doing his music and be himself. Michael's been a little touched for about 20 years, but somebody needs to pull him aside and tell him they love him.

The human attitude of which classical music is the expression is always the same; it is always based on the same kind of insight into life and strives for the same kind of victory over blind change. Classical music as gesture signifies knowledge of the tragedy of the human condition, affirmation of human destiny, courage, cheerful serenity.

A guidance counselor who has made a fetish of security, or who has unwittingly surrendered his thinking to economic determinism, may steer a youth away from his dream of becoming a poet, an artist, a musician or any other of thousands of things, because it offers no security, it does not pay well, there are no vacancies, it has no "future".

I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.

There is a field where all wonderful perfections of microscope and telescope fail, all exquisite niceties of weights and measures, as well as that which is behind them, the keen and driving power of the mind. No facts however indubitably detected, no effort of reason however magnificently maintained, can prove that Bach's music is beautiful.

It never occurred to me that I was important enough to have some politician go out of his way to silence me. I only found out about it in the '80s by accident - a broadcaster announced they received letters of commendation from the White House for having suppressed my music. My career was so highly impacted in the U.S. it will never recover.

I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.

Through and through the world is infested with quantity: To talk sense is to talk quantities. It is no use saying the nation is large. . . . How large? It is no use saying the radium is scarce. . . . How scarce? You cannot evade quantity. You may fly to poetry and music, and quantity and number will face you in your rhythms and your octaves.

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

Put it this way: Jazz is a good barometer of freedom... In its beginnings, the United States of America spawned certain ideals of freedom and independence through which, eventually, jazz was evolved, and the music is so free that many people say it is the only unhampered, unhindered expression of complete freedom yet produced in this country.

Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you're disrespectful to inspiration, and we as musicians have to inspire people who go to work every day, and they listen to that Beyonce album and they feel like it takes them to another place.

Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.

... we weren't very professional; she could have gone to almost any town and put together a smoother ensemble, but we were pioneers, and professional musicians probably wouldn't have come up with what we did ... professional musicians probably wouldn't have given Janis Joplin the space to be herself, which was probably our greatest gift to her

Music to me was never something that I could listen to while reading a book. Especially when I was studying music, if I was going to listen to music, I was going to put on the headphones or crank the stereo, and by God, I was going to sit there and just listen to music. I wasn't going to talk on the phone and multitask, which I can't do anyway.

Definitely, and it's getting more spiritual. Pretty soon I believe people will have to rely on music to get some kind of peace of mind, or satisfaction, or direction, actually. More so than politics, the big ego scene. You know it's an art of words... Meaning nothing. Therefore you will have to get an earthier substance, like music or the arts.

I can't read music. Instead, I'd do stuff inside the piano, do harmonics and all kinds of crazy things. They used to put me in these annual piano contests down at Long Beach City College, and two years in a row, I won first prize - out of like 5,000 kids! The judges were like, 'Very interesting interpretation!' I thought I was playing it right.

All in all, I think that out of all musical genres, the world of metal is the most escapist one. Metal is also music for people who think for themselves. I think metalheads are smart people who possess a healthy dose of self-irony and a good sense of humor, and that appeals to me. I felt a strong affinity with the scene from the first moment on.

The trouble with most musicians today is that they are copycats. Of course you have to start out playing like someone else. You have a model, or a teacher, and you learn all that he can show you. But then you start playing for yourself. Show them that you're an individual. And I can count those who are doing that today on the fingers of one hand.

Sculpture and painting are very justly called liberal arts; a lively and strong imagination, together with a just observation, being absolutely necessary to excel in either; which, in my opinion, is by no means the case of music, though called a liberal art, and now in Italy placed even above the other two--a proof of the decline of that country.

When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.

I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.

I played the vina until my heart turned into the same instrument. Then I offered this instrument to the Divine Musician, the only muscian existing. Since then I have become His flute, and when He chooses He plays His music. The people give me credit for this music which, in reality, is not due to me, but to the Musician who plays his own instrument.

I never have a realistic sense of self. I either think everything I do is terrible and I'm the worst guy on the planet, or from time to time I'll think I'm the greatest gift to music and the coolest guy who ever lived, but that happens maybe an hour out of the week. Some days I'm more concerned with how my hair looks than what my guitar sounds like.

Discord occasions a momentary distress to the ear, which remains unsatisfied, and even uneasy, until it hears something better. I am convinced...that provided the ear be at length made amends, there are few dissonances too strong for it. Disharmony, to paraphrase Bergson's statement about disorder, is simply a harmony to which many are unaccustomed.

What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.

The thing about being a songwriter, once you realize you are one, is that to provide ammo, you start to become an observer. ... You're constantly on the alert. That faculty gets trained in you over the years: observing people, how they react to one another, which in a way makes you weirdly distant. ... It's a little of Peeping Tom, being a song-writer.

Undeniably, the audience for improvisation, good or bad, active or passive, sympathetic or hostile, has a power that no other audience has. It can affect the creation of that which is being witnessed. And perhaps because of that possibility the audience for improvisation has a degree of intimacy with the music that is not achieved in any other situation.

Don't make the mistakes I made of not taking care of myself. Please, keeps your chops cool and don't overblow. If you are going to play hard, be sure to warm up. I'd get carried away trying to stay right with the momentum [of Art Blakey and the Jazz Messengers]. I used to try and play like Coltrane and solo for 30 or 40 choruses. It all caught up with me.

Nothing is better than music; when it takes us out of time, it has done more for us than we have the right to hope for: it has broadened the limits of our sorrowful life, it has lit up the sweetness of our hours of happiness by effacing the pettinesses that diminish us, bringing us back pure and new to what was, what will be, what music has created for us.

I don't know where "bro country" came from or what it really means, but a lot of those guys are my buddies and I ­support their music. Within ­country there are lots of styles: stone-cold country, like Brandy Clark, and there's Florida Georgia Line with what they do, which is completely different and bringing a whole new audience. There's room for everyone.

There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.

It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.

No one imagines that a symphony is supposed to improve as it goes along, or that the whole object of playing is to reach the finale. The point of music is discovered in every moment of playing and listening to it. It is the same, I feel, with the greater part of our lives, and if we are unduly absorbed in improving them we may forget altogether to live them.

Roy Orbison was one of the genuinely nicest persons I've ever known. With one of the most beautiful voices in the history of recorded music he could easily have had an opera star's ego, but he was one of the humblest, kindest, sweetest human beings to grace this planet. This in spite of the enormous tragedies in his life. A brave, beautiful blessing of a man.

I'd have to say that "Mr. Crowley" in my most memorable solo... I had spent hours trying to figure out a solo for the song ... Ozzy came in and said "it's crap - everything you're playing is crap" .. he told me to get in there and just play how I felt. He made me really nervous, so I just played anything. When I came back to listen to it, he said it was great.

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