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Divine love, agape, is self-sacrificing love, which sounds difficult, as it is, and not very attractive. If the best image we have of love is of a man who's been tortured and hung upon a cross to die an excruciating death, this is something that human beings find very, very hard to understand as love. But it is the highest Christian image of love.
The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover mоvie].
It's always fun to do the fight sequences and then to complete them, because some of them are quite complicated - with guns and so on - and there's always things that can go wrong. It's fun to shoot those things because we rehearse them very strenuously. It's fun to shoot them, and fun to know they're finished, that they're in the can so to speak.
This MacGyver is a twentysomething agent who, rather than operating on his own, is part of a team engaged in high-risk missions that take them around the world. Other cast members include George Eads as Jack Dalton, Tristin Mays as Riley Davis, Justin Hires [late of the TV version of Rush Hour] as Wilt Bozer and Sandrine Holt as Patricia Thornton.
It was great fun working with Pierce [Brosnan]. He taught me a lot in terms of professionalism and how to take care of yourself on these action movies. They're fairly long shoots and they're fairly physical and fairly emotional, so you have to maintain yourself and make sure you can make it all the way through. That's something I learned from him.
I think I sort of realized it was an international thing when we went to South Korea for The Fast [and the Furious] 6 premiere. We knew nothing about South Korea, and we came through the sliding doors [at the airport] with my luggage and there were like 60 fans with Luketeer banners: "We're your Korea Luketeers." It was like, wow, this is amazing.
I think one of the most difficult things about the lifestyle is that when it's winter, and there is no running water, you still have to go outside to use the bathroom. You know, we all live very comfortable, no matter what socio-economic level we're at - if you have electricity and running water, you live better than the kings of the 16th century.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
And I asked my mother 'can I touch the lady in the water? And she said yes I could, but I had to touch Mommy first. And then I asked, 'Mom, can I date the lady in the water?' and she said smiling 'sure, but you gotta date me first.' And yesterday I said 'Mom, may I marry the lady in the water?' and she said o.k., but you'll have to marry me first.
I'm a Christian now. The things that drove me crazy growing up was how everyone works at fault-finding with different religions. The people I don't understand are atheists. I go surfing and snow boarding and I'm always around nature. I look at everything and think, 'Who couldn't believe there's a God? Is all this a mistake?' It just blows me away.
Well, I work out three to four times a week, in a gym, which - thank God - is right in my building here in New York City. It's in the Reebok building, and it's got every kind of weightlifting equipment you can imagine, spread out over six floors, plus basketball courts and everything else. And because it's right in the building, there's no excuse.
Howard Marks is very intelligent and well read, eloquent, witty, charming. I think it was those qualities that got him through. I was interested to explore that because generally, we perceive criminals as dark, twisted, angry characters. Howard isn't any of those. He was punished for his crime, released from prison, and has lived to tell the tale.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
IBM has had a long partnership with Siebel, JD Edwards and Peoplesoft, so from a partner perspective, this is a good move by both sides. This agreement reflects the reality of what customers expect for their investment, support and openness. Oracle really needed to do this for Websphere, but it opens up tremendous opportunities for both companies.
John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.
You want to please society. You want to be happy. You want to be well liked. You want to be held in high esteem and be respected. These are real things. You want respect from your peers, respect from your loved ones; you want to be looked up to for your achievements and your accomplishments. All of this requires conformity in some form or another.
Best ever was filming in Barcelona last year, and I had a couple of scenes with De Niro. He's a very shy man. Speaks so quietly that people tend to bend down and adopt the same tone, almost the same voice, whenever they talk to him - watching, you'd think someone's offering to carry out a hit for him when they're just offering him a cup of coffee.
There's this great thing called the 'Chitlin' Circuit,' which I started my shows on and back in the day when, you know, Ray Charles and Billie Holiday and Duke Ellington, they couldn't get into white establishments, so they went on this circuit and toured. They were huge stars in their own community, you know, and that's pretty much my same story.
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. 'Ah, you worked with Werner - how was it? How did he direct you?' I was Fassbinder's actor.
Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!
Coming from the theater, you know what your given circumstances are every night and who your character is. You're reenacting this one moment of their lives over and over, so you get really good at figuring out how to navigate it. TV was a huge adjustment for me because the script changes every episode, and you have a different set of circumstances.
I have a great-great-great-grandfather who was a Confederate cavalry colonel, and I still have his military composite photo on my wall. The chemicals in the photo tint have changed over the years to the point that he looks green. One of my family members apparently still has the piece of paper that listed every thing in his pocket when he got shot.
If all our political and intellectual elite offers by way of a national culture is "pop music, gambling, fashionable clothes or television," then we can neither mount a convincing intellectual defense against our enemies, nor hope to integrate intelligent, inquiring, and unfulfilled Muslim youths young men principally, of course to our way of life.
It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].
TV is longer form, and that's sometimes a positive, and sometimes a more challenging thing. As an actor, you want to be able to have your character develop or transform in some way. When you're acting on a show over the course of multiple seasons, you get to watch a character really grow and change, and go from one place to an entirely other place.
I hate mirrors; every time I look in one I see things that could be improved. If I could give my younger self any advice it would be: ‘Take a deep breath, the world is not ending – and do something with your hair.’ I had the same haircut from when I was a toddler all the way through high school, it was this weird side-parting. I didn’t like change.
Acting is a bit like being an athlete. You spend all your time getting ready to do something for two minutes. All the things that made my career in the movies happen took two or three minutes, which is the time that it takes for a 'take'. In that time, something happens. That's what people know you for, just like someone running the hundred metres.
CBT is really a miracle. I've seen it help a lot of people, and one of the reasons I'm speaking out is that I don't feel like enough people know it. Through my work, I constantly come across other people who have various forms of anxiety or panic - it's much more common, I think, than people realize - and not all of them even really know about CBT.
The story [for the western genre] is everything. Whether it's a book or a screenplay, the story drives everything. And if you just go out and try to make one by putting on boots and jumping on a horse and riding off... If you don't have the material, the characters and the things to overcome and conflicts that give life to drama, you don't have it.
Philip is being very vocal about it. For me, I don't think the story isn't at all anti-religious in any way. I think what's it more against is the control and the misuse of power that any organised religion, or any political organisation exercises over the people they're supposed to represent. I think that, for me, is what's important in the movie.
What's interesting to 'Vikings' the series is that Horik is so blind in his greed and his desire for revenge that he can't hear reason, and he's probably so insecure about Ragnar that he won't take his advice. And straight up, honestly, if you ever have to say to someone, 'Hey, remember, I'm the king?' It's too late, and you've lost your authority.
Add the hippie-rock-drugs atmosphere circa 1970, and you get Clinton's rechristened group Parliament, decked out in weird costumes, singing cosmic lyrics and laying down amazing funk lines - also lines of other kinds. One observer describes Maggot Brain ... one of those guys with super technique that took a lot of acid and just went out from there.
I don't miss anything ever. Because to me, missing something is like going backward a little bit. I don't miss being in a punk band. For me, 'SNL' is like... this is gonna sound overly dramatic, but... the way I am, it feels like I'm a soldier, so it was like, 'What do you want me to do? Put me anywhere. Do you want me to do these sketches? Great.'
I was very proud of that, of taking women and making them vulnerable and so I continued doing that. Right after Beaches I did "Pretty Woman", then I did "Frankie and Johnnie" and then I did "Other Sister" and "Princess Diaries" so that helped me get into the vein there of understanding women and trying to make them very pretty and very interesting.
I had this 'War and Peace' thing of wanting to experience war as a kind of incredible human enterprise. I even applied to Officer Candidate School. Then the practical side of me kicked in and I thought, 'I really don't want to get drafted.' So I went down to the physical and checked every psychological disorder and drug on the medical history form.
My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
If it's just me on stage telling stories for, like, an hour, that's great. That's fine. But like a sandcastle on the beach, it gets washed away at night. It's so much more powerful if we can all share our narratives and doorstep moments and make us feel a little less alone. I'm just trying to use social media and new media as a way to capture that.
Boxing is fascinating. It's good for the soul to be made to feel clumsy. I swank around during the week thinking I'm a big cheese, but you don't feel like that when you're in the ring with a chap who knows what he's doing. It's ritual humiliation. I'm going to be slugged about and probably killed, but I love it and have to do something to keep fit.
When you're on stage performing stand-up, things only happen one time. I've done bits where I improv a joke, and people are dying. The next show, I try to repeat it, I can't do it. Because with the first audience that was our moment. It can't happen the same way again. We were all there: a certain type of people were at that show and we all got it.
New Orleans is 5 feet below sea level, which means that holes dug in the ground immediately fill with water. Coffins were punctured and sunk with weights, which didn't stop them from floating up out of the cemeteries and down the streets of the French Quarter on stormy nights. The solution was to bury people above ground, in what are called vaults.
I'm a fan of horrors. I love the ones that make you jump. My girlfriend hates it. I've been dating her for one-and-a-half years and I'm crazy about her, but she's terrified of horror films. Not the cute 'Will you hold me?' way, but she's weeping. With 'House of Wax,' we'll be sleeping and I'll go to the bathroom and she's sitting up waiting for me.
The danger of dioxins in our environment, our food chain, and our bodies is difficult to illustrate, since they are not visible to the naked eye. My time in Vietnam allowed me to see the result of large quantities of them and therefore understand better the insidiousness of the smaller quantities that have found their way into our lives and bodies.
We all operate in two contrasting modes, which might be called open and closed. The open mode is more relaxed, more receptive, more exploratory, more democratic, more playful and more humorous. The closed mode is the tighter, more rigid, more hierarchical, more tunnel-visioned. Most people, unfortunately spend most of their time in the closed mode.
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.