Quotes of All Topics . Occasions . Authors
California is an island, and New York's an island. Maybe it's time for me to change islands.
Time is something that interests me a whole lot - past and present, and how the past appears as people change.
If I want to do something like the Batman mask, I just do it. I was like this all the time; I think nobody can change me.
I just kind of change, constantly, what my focus is. So whatever is stimulating me or inspiring me at the time is what I focus on.
I have no regrets on anything. People ask me all the time, 'Do I have any regrets?' I don't have any. If I could back and do it all over, would I change anything? No.
The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.
I spend a lot of time on TV doing the same sort of thing. I found a niche in TV where people are willing to steadily employ me to do this one thing, which I put spins on and change.
It is important to change, acknowledge, and accept our mistakes. It's important that we - this goes even for me - introspect and see the wrongs we have done. It's time we all grew up.
I can't usually stomach a project after I finish it, but for those days and weeks and months that it's new to me, I do listen to it, and it might change over time, but it's about function.
Ever since I was a little kid, there was something about change that scared me so much, but, at the same time, I've always been terrified of being stuck, so it's kind of like a paradox that I'm living.
I'm sure that the meaning of the songs that I've written will change for me over the years, the same way that I can't even say what inspired some of the songs that I've been singing for a long time anymore.
The first time I heard Tom Waits, it was like everything just flipped. It was just this fascination with him. My cousin showed me 'Small Change,' and I just couldn't get over that this was a white guy singing.
You have got to get to know people, and moving down to Liverpool from the North East was a huge change for me. But, at the same time, you have just got to get on with it, and that is part and parcel of being a footballer.
Typically, a position change is more for instructional league and winter time. It's just a more relaxed situation. A player can make some mistakes and learn from them. That's the proper way to go about a position change, for me.
My biggest change is what is important to me, and what is not. What's worthy worrying about, and what is not. When we're younger, we tend to spend too much time worrying and going over the unnecessary. I'm no longer running the hamster wheel.
I didn't have to inspire John toward the avant-garde; he did not need anything from me. That is why it's so interesting that critics decided to dislike me. At some point the members of the quartet felt it was time for a change, and left on their own.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
'Zabriskie Point' was a time when I was in a lot of change and flux, and these incredible visuals hit me like they had rearranged the organs in my body. The ending and the free-floating debris and everything is an image that burned itself in my consciousness.
I know my name gets used illegally all the time all over the internet. You know, it is a trademarked name, so it will be something that we always have to deal with. I never needed to change it. It was always fine with me. It is a strange name; that's for sure.
Any change in my style depends on many things, but it's whatever fits the project. It's important to me to make style changes from time to time; it makes me feel alive as an artist. For instance, with 'Moonshine,' I'm doing all my own coloring. That's a new development!
When I was 13, I was in my tent at Girl Scout camp, trying to change out of my bathing suit and talking at the same time. I fell out of the tent in front of everyone with my bathing suit around my ankles. I was humiliated - but no amount of humiliation has ever seemed to stop me.
I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
I was actually picked on as a kid. I guess in high school it started to change for me. I guess being picked on made a lasting impression on me so I never - whenever somebody calls me handsome or anything like that, I never take it for granted. I appreciate it every time I hear it, so it's never something that gets old.
For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the 'Time Warp Trio' novels, take a little longer to write - more like four seconds.