Quotes of All Topics . Occasions . Authors
I hear music as narrative.
I frequently hear music in the very heart of noise.
You know, when I hear music, I just hear the whole thing.
As soon as I hear music, something in me starts to vibrate.
My dad used to DJ too, so we used to hear music all the time.
I just want people to feel what I feel when I hear music that I love.
I can't hear music. I don't understand it. It's so above and beyond me.
I don't trawl record shops anymore. I usually hear music in bars or at friends' houses.
If I hear music that has a hole in it and has a space for me to fit in, I go for that stuff.
Early in my career, people wanted to hear music about protest, about trying to change things.
I got a man cave. I play my music loud. I bought big speakers because I need to hear music loud.
When I hear music, I come alive. I feel electrified. I just get into the music and I start moving.
I just always hear music in my head. I thought that was normal. My wife said, 'Ramin, that's not normal.'
Some of us get a feeling when we hear music and we feel music, and you want to figure out how to continue to feel that.
When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest.
It's always interesting to me that we all hear music differently. It's an awesome experience to hear what other people hear.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
Music was an experience, intimately married to your life. You could pay to hear music, but after you did, it was over, gone - a memory.
We leave TVs on in our house. I listen to my record player constantly to just hear music. I'm really intrigued by this idea of solitude.
One of the nice things about licensing music to movies or advertisements is you can reach a lot of people who normally wouldn't hear music.
The world of music is changing so dramatically every day, the way people hear music. It's different. It's a new day and requires new thinking.
I find that, maybe because I'm also a singer, I hear music in characters all the time, even if they don't sing. I hear what affects me in my heart.
I came up not understanding that a lot of people didn't start to hear music until they went to college or were turned on by an older brother or sister.
I think that the jazzy approach that I have is based on the way that I hear music and in the way I play a supporting role to the other people in the band.
When I hear music that parents hate, or older musicians hate, I know that's the new music. When I hear older people saying, 'I hate Rap or Techno' I rush to it.
A tour is the most intense, stimulating way to hear music; it's the best form to receive it. There's genuine excitement from people. I feel like we've stepped up a level.
Radio Disney is the greatest. As a place where young people can come together, have a place to hear music that doesn't think about genre or whatever, it's an amazing place to have a home!
I try to spend a lot of time thinking of what it is I want to say, and how I want to say it. Mainly because I know what it's like as a fan to hear music that is just exactly what I needed.
I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
Be honest with yourself and the way you act when you hear music. That way, when people watch, they'll see something from your heart and soul, and as a result will communicate your feeling and thought much better.
When I was a child, I dreaded blindness. We used to ask: 'Would we rather be blind or deaf?' I said I'd rather be blind, even though I was scared of it. I couldn't bear not being able to hear music or talk to people.
Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.
Now anybody can make music at home, and you can hear music on any computer without having to buy it. Everything is apparently better with all the machines we have now, but at the same time, the quality of life is not improving.
This is a cause that musicians can take to heart because one of our main reasons for being is to share our music with other people, and this takes us to people who probably wouldn't otherwise get to hear music on quite this level.
You can go see ballet in its purity; you can go to a recital to hear music by itself. But what the American musical does so thrillingly is bastardize these forms into something that is exhilarating and compelling and deeply moving.
I've always wanted to be a director; it's just how my mind has always worked. If I hear music, I see music videos and all the shots and setups to edit it all together. If I interact with a person, I'm seeing a whole scene come to life.
I could hear music playing in the background of works by certain authors, like Poe and Shakespeare. And I discovered Nikki Giovanni when I was in eighth grade. Her writing has a musical energy with pulse and rhythm, almost like jazz or hip-hop.
If you can hear music, you can hear the musicality of the way someone speaks. It's easier to nail down the way that they talk. So much of it is listening, just like in acting. If you're listening, you pick up the nuance of why a person behaves the way that they behave.
I hear music that comes out of need, out of grief, sorrow, suffering and out of overcoming these things, as well. That journey to freedom still goes on today. It's an incremental change, the culmination of many events in your own life and the lives of your children and grandchildren.
When we play an outdoor venue, you'll see whole families - boys, girls, men and women - from kids to grandparents who somehow heard the music... Think about how hard it is for artists who can never get a gig at an all-ages gig. Who goes to hear music in bars? People who can get into bars; people who drink.
In Mali, you hear music everywhere. What is fantastic in Mali is the music tradition is handed down from father to son orally. It is not written. You learn from your father and add something, because you are living now and telling a story to others. This results in many different interpretations of the same song.