There is an odd synchronicity in the way parallel lives veer to touch one another, change direction, and then come close again and again until they connect and hold for whatever it was that fate intended to happen.

Although many of his other novels are brilliant there is a power in 'Oliver Twist' that I believe Dickens never managed to retrieve. It is as if he was sent to this earth with the sole purpose of writing this book.

My mother and I will continue on some level that I havent determined yet. I think my mothers a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.

I put on such a good show, the story is outrageous, and people don't want to hear that I'm basically a reasonable human being. As long as it continues to get me print, I'll continue to perform in an exuberant manner.

Not even a hand-stitched suit could hide a body gone ruinously to seed. I was tempted to offer some fashion advice, but I didn't think he'd welcome the news that this year, bellies are being worn inside the trousers.

I always cringe when a male friend of mine, who's very fixated on women, puts "compatibility" at the top of his list of attributes that he would be looking for in a woman. I would replace compatibility with dialectic.

You try to learn who you are. You work hard. You've either got it or you don't when it comes to writing books. And you tend to only get these things if you want them, and want them to the exclusion of everything else.

My mother and I will continue on some level that I haven't determined yet. I think my mother's a great character, and I have to say that giving my mother to the world has to be the biggest thrill of my writing career.

I want to warn potential victims. Many of them are women, and many of them are battered women. It's a cause for me. When I look back, though, so many of the books I've written are about wives who just couldn't get away.

This is not a screenplay. I don't do twenty drafts. I'm not going to show this to you until it's published or accepted for publication. You can make whatever suggestions you want, but I probably will ignore them entirely.

My father worked in a grocery store. When the grocery chain went into administration, he eventually got a job in the naval dockyard in an office preparing the charts for the boats and the submarines before they headed out.

History is a state of yearning. I yearn for Kay Lake throughout this entire thing. There's an essay I've written where I talked about living in the past. There's a whole motif in the book of then and now. And I lived there.

One of the surprising things I hadn't expected when I decided to write crime fiction is how much you are expected to be out in front of the public. Some writers aren't comfortable with that. I don't have a problem with that.

When I was a kid, Eisenhower had been President forever, and all of a sudden, everything in the world was all about Jack Kennedy. I was 12, interested in politics; my father was from Massachusetts, had an accent like Kennedy.

I'm way past the idea of using ideology or political view as a gauge of human character. I simply don't believe it. And many people, I tend to think most people, feel that way. Since I don't have to worry about it, I'm happy.

I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.

I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story.

I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.'

America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception.

I cleaned up. I quit drinking, I quit doing drugs, I quit stealing, I quit breaking into houses, I tried to quit being a bad human being. I developed a conscience later in life than many. I call it the lost-time-regained dynamic.

Hardcover books are fairly expensive these days and to read one requires a significant commitment of time in our busy society. So I want to make sure that when readers buy one of my books they get something they're familiar with.

Yeah. Floyd is his batman." His what?" Batman, like in the British army, each officer had a batman, a personal servant." You spend too much time reading, Spenser. You know more stuff that don't make you money than anybody I know.

His eyes beheld beauty not in reality but in the printed word. Standing in the waiting-room, he realized that in his life he had accepted secondary experience -- the experience of reading someone else's thoughts -- over real life.

You need a great idea, but then you've got to carry it through. If you get it right, you're going to be a critical success. But not everyone who works hard gets it right, or has the success they deserve: there's an element of luck.

America is the most violent democracy in the world. It's something that's met with great shock, horror, and mystery when I travel to other countries. They ask, Why are there so many shootings in America? Why does everyone own a gun?

It's easier to forget the past if nothing ever reminds you of those leathery old scars that can never again feel any loss or pain; the old wounds must be kept open if you are going to remember their cause and regret their occurrence.

My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.

I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice.

You have to take your ego out of it and say, do I want people to be obsequious to me or do I want to write good books? If it's the latter, you have to take criticism. It's annoying, but that's how to do good stuff; listen to other people.

I'm not qualified for anything. I've had lots of little jobs, like picking grapes and being a tax man. I can't imagine not writing, because I've done it since I was five or six. Maybe I'd work in academia. That's always what the plan was.

The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.

I have a vernacular house on the seaside in Northumberland and an Edwardian semi in south Manchester. They're both exactly as big as they need to be. I can't be doing with an ostentatious, big house - you can only be in one room at a time.

There's always these giant baffling books, like 'The Da Vinci Code.' People say it's not as well written as 'Midnight's Children.' Why aren't people reading 'Midnight's Children?' Nobody knows why these phenomenons happen but they're great.

Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.

What gives my books authenticity is that I actually do what it is I'm writing about. I think the fact that I am in the autopsy room, I go to the crime scene and I do work in the lab gives my books this flavor that otherwise they wouldn't have.

I'm hoping to know and teach a Gospel that is true to Scripture - and the Gospel that I see in the Bible is COSMIC (big enough to redeem all of Creation) and RELATIONAL (getting at the root of the Fall - the loss of our relational capacities).

And the only forms of socialism in the world that were then getting results - malign ones, as it was - were the Fascist and Soviet republics. Fascism is a form of socialism - you rebuild the country, you find a scapegoat, and you go from there.

My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.

Although I never marched through the streets shouting for Mao, I do believe that the liberation of China at the end of the 1940s was a wonderful thing and to provide its people with a billion pairs of shoes and trousers was a fantastic achievement.

I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.

Many words will be written on the wind and the sand, or end up in some obscure digital vault. But the storytelling will go on until the last human being stops listening. Then we can send the great chronicle of humanity out into the endless universe.

Hiram!' Shelton ran to Hi's side. 'Aren't you you bleeding? I thought she shot you!' 'Red wine. When I saw it running everywhere, I played dead.' He winced as Shelton poked his belly. 'But I'm not leaping off any more shelves. That was pretty stupid.

Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.

The wonderful Mozambican people have endured tremendous misery without losing their dignity and their positive outlook on life. Moreover, they have not lost their will to progress and develop. Mozambique is a country where the people never surrendered.

Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.

Amazing.” Hi stripped off his shirt, wrung it out. “Score one for your honker.” “Thanks, I think.” I cocked my chin at Hi’s substantial midsection. “Nice abs.” “Yeah, I work out twice a month. No expectations. But stop hitting on me, it’s embarrassing.

Well, I believe that life is very complicated. And in a way, the only way you can show life in a truthful way is to show how complicated it is as an individual, but also your relation between a complicated life and the complications you have inside you.

I have insane curiosity as to what happened in all these events. I will never know. I'm not a researcher. I don't possess that kind of mind. I have a researcher who compiles the fact sheets and chronologies that allow me to write these big books of mine.

People are very frightened in publishing at the moment. Nobody knows what sells. More so now because the market's changing so fundamentally because of Kindle and electronic publishing. It's a fundamental shift in the way stories are put out into the world.

In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.

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