Quotes of All Topics . Occasions . Authors
Making the unbelievable believable is different on a set with 'Fantastic Four,' where it's like, 'Wind machines! Because the airship is coming in and you're pretending to be afraid!'
The action films I will make in the future will be more believable and character-based. I am now on my second cycle of fame, and I want to make films that smell real and are truthful.
In my world, I read resumes upside down, so I start with personal interests. So if somebody doesn't have believable, interesting interests, they're not going to work in a creative business.
I knew how to upset the people, and I did it in such a way that it was believable. That's how I made a living at it for 20 years. I don't regret a thing I done or said in wrestling. Nothing.
Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.
When I came to WWE back in the day, I'd been working seven-and-a-half years, and I was very frustrated. I started getting some momentum, and my work was very vicious, and it was very believable.
You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.
And the most important thing - apart from telling a good, believable story, and being a true character - is to be someone the audience will care about, even if you're playing a murderer or rapist.
Sitting in America, we never get to know the other side in any kind of believable way. We have so many movies about Iraq, Afghanistan, and this and that, but there is never a character from that side.
The key to doing 'Harold and Kumar' movies is you make it earnest. Primarily what we do is make Harold and Kumar's relationship and friendship believable, and we don't actually work on being that funny.
Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience over by making it believable. A lot of what you do when you work out in that mode is use your mental energy.
Feeling has as much to say as the words do. You can have the greatest words in the world and if they're not believable, they don't strike a chord and they're not said convincingly, it's not a great song.
I have always been attracted to good scripts and try hard to make characters as believable as possible. That means trying to figure out how they would react to situations, what they eat, think, and feel.
The script is very good because the things that happen in it are very believable to me. It doesn't presuppose that the world has changed very much. You don't have to think that you're in a different world.
Anybody can make something up and have it sound believable. The hard part is remembering all the lies you've told, and all the people you've told them to, and then living the lies that have become your life.
Anyone can sing badly, but to sing badly on purpose and make it believable is harder. I listen for the actual melody in my head but sing right underneath or above it out loud. It takes a lot of concentration.
When the characters are believable and endearing, action scenes, for example, make an impact. Otherwise, the audience gets no kick out of action. The biggest strength of 'MCA' is that its characters are real.
I hope that what it comes down to at the end of the day is that people believe that I believe what I'm singing. It comes down to being believable. You don't have to be likeable; generally, though, I think I am.
When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
It was so easy for me to see that Anthony would be a superb Dr. Lecter because he had been such an amazing good doctor in 'The Elephant Man'. He had been as believable a doctor as you can imagine, and he was good.
It's a lot tougher to play soccer and make it look believable. But in boxing, it was easier for me. I got injured a lot more in the soccer world. In soccer, I pulled muscles. I thought boxing was going to be tougher.
I enjoy doing action a lot more because my films have a sense of violence. That's because I have a broad structure, and if I hit someone, it looks believable. Maybe my contemporaries are meeker-looking in comparison.
Working with children is a whole other ball game. They're like little animals. You have to keep the camera turned on them all the time. Sometimes it takes a 41-minute take to get one sentence out in a believable way.
I remember, when I was writing 'Traffic,' talking to top federal drug-enforcement officials and having them say they read it and found it very good and believable, except the scene where the girl describes her resume.
When you are 'world building,' people will oftentimes judge how well you built your world. They want to know: Is the culture believable? Does it feel like it has a history? I try very hard to pay attention to details.
You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.
I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
I think that's because believable action is based on authenticity, and accuracy is very important to me. I always spend time researching my novels, exploring the customs and attitudes of the county I'm using for their setting.
In the end, it's about the reality. You want something that's believable in the performances; you want something that's believable in the storytelling, in the writing. You just want to connect to something that you feel is real.
William Shakespeare was a brilliant writer and he only wrote the truth. So, if I don't believe it, I have to work really hard to see what that truth is so that I do; that's the only way I can make it believable for the audience.
I don't understand that, because I think that what people like most about the show is that they recognize themselves in the characters and their problems, so the more believable the family is, the more we can draw the audience in.
Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone's problems that you don't necessarily actually know anything about.
Everyone wants me to do the comedy thing. But I always wanted to do action adventure. I want to be a guy like 007 who fights against the establishment. If they can make Bruce Willis believable as an action hero, I could do it, too.
I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.
If the goal is to be believable when you're acting, I've got the best idea of what that believability might look and feel like. And because you need a normal guy in a comedy so that the eccentricities can pop, that's a good part for me.
I feel the less you project of yourself, the more you can be believable as a character. I also think it's just better for your own mental health. Then you can be a human being and change your mind, and nobody asks you questions about it!
Sometimes people are like, 'Do you want to play strong women?' I don't have to play strong women in order to feel like a strong woman myself, but I do feel it's important to play characters that are complex and interesting and believable.
In TV writing, Armando Iannucci's satire 'The Thick of It' is brilliant - equal parts hysterically funny, terrifyingly believable, and Oh-my-God-I-can't-believe-he-actually-said-that - and it's got the most satisfyingly creative insults ever.
I don't want to sound hoity-toity, but people told me I should watch 'Cheers' because it's very funny. So I watched it, and I just went, 'This is the great show of the universe?' To me, acting is making characters believable, not just doing jokes.
OK, so, my favourite actress in the world is Sarah Paulson. I think she is so talented and I admire her so much, I have always said from the beginning she is someone who just really has perfected the craft. She could play anybody and be believable.
People could write stuff that's really offensive, but if it's written within a believable world that has a tone to it, then it can be funny. But if it's just shock-value stuff, then it's not going to work, because it's not coming from a true place.
I like Ronald Reagan, who didn't play crass politics, and he just articulated and delivered on broad themes that were needed. Free markets meant free markets. Deregulation. Lower tax rates. Strong national defense. And he was credible and believable.
I, for one, am quite willing to join the 'forgive, forget and move on' crowd, but it does make me wonder if Evangelicals are going to sound believable when they say that they tend to vote Republican because of their religious commitments to the family.
I don't really think in terms of making something that is going to be bought everywhere, because I don't read those things. My writing is a process in which I try my best to make good sentences and a sequence of events that is compelling and believable.
When I play a gay character, I want to be as believable as possible. And when I'm playing a straight character, I also want to be as believable as possible. So the less that people know about my personal life, the more believable I can be as a character.
You have to create characters - certainly in series TV - who people engage with. They don't have to be nice; you don't have to agree with them. But they do have to be compulsively watchable and believable and human, and you want to know what happens to them.
I'm extremely excited about working with Troika on 'The Hive.' This script has two elements I always look for in a thriller - strong, believable female characters and a smart, very dark and very creepy story that will definitely resonate with large audiences.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
We all do role-play. Sometimes behind the camera, and sometimes in front of it. I am the few lucky ones who have been able to wear both hats and especially have been able to romance the camera in a believable way, and I hope that this romance between us never ends.