It wasn't until I saw 'The Color Purple' on Broadway when I was 15 that I really solidified acting is what I want to do professionally.

I was dancing on Broadway for many years. Then everyone was either getting injured or retiring, and I was dancing with younger dancers.

'American Psycho' reminds me of my track in 'Tommy,' my first Broadway show. It's similar conceptually and has that rock n' roll streak.

I've been in this business 25 years. I've been eking out a living doing Broadway, off-Broadway... I've seen the unemployment line a lot.

I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.

I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the '60s.

Maybe I'll give Broadway a try. But you know what would be great? Hosting the Oscars. I promise you, that would be a show no one forgot.

No show would be successful if you took a group of people and just said, 'You're dumb!' over and over. That's not what Broadway's about.

I played St. Jimmy on Broadway I sort of caught the acting bug. But I didn't want to go full-bore into it because I have a lot to learn.

It's interesting - years ago, I had such bad stage fright during musical theater auditions that I just gave up. And now I'm on Broadway.

The first Mardi Gras I went to, I stayed at the Tulane AE Pi house on Broadway. Slept on a pool table one night, slept under it the next.

I love the theater community and theater life, and would love to figure out the distinctive differences between Broadway and the West End.

As a kid, I was obsessed with Broadway cast recordings, and I would totally mimic and memorize every little choice that these actors made.

'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.

So did my time on Broadway after the Xscape tour doing 'Chicago'. Performing eight times a week put in the mindset of being onstage again.

When I wasn't working on Broadway, I worked in a Bat Mitzvah dress shop and was the Cinderella of the shop - always cleaning and vacuuming!

I'd love to do Broadway some day. Before I started doing television I was just a primarily a stage actor, but I haven't done it in a while.

The first role that I got on Broadway was supposedly for a white man. But I had some producers who fought for me and allowed me to come in.

I didn't think it was my dream to be on Broadway; it just sort of became that, and then it just became me wanting it more and more and more.

I went on a few auditions for Broadway musicals, and never stopped taking classes, but I didn't take it seriously until I was out of college.

Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.

I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.

Success has a lot of different plateaus. But I first felt really proud of myself when I was doing an off-Broadway production in New York City.

A young Brit girl with no theatre experience decided to take on an iconic American role on Broadway. Maybe I should have thought that through?

I knew when I was a kid that I had a Broadway voice. I wanted to be a rocker, because I grew up in that era of transistor radios at the beach.

Madeline Kahn is one of my favourite people in the entire world and one of the funniest. She was a talented Broadway star and also sang opera.

I've always loved going to see Broadway shows. I've seen 'em all: Rent, Chorus Line, Cats, West Side Story, Guys & Dolls, Wicked, you name it!

I aspired from early on to write a novel, to be in the 'New Yorker,' to be on Broadway, and at least in a fleeting way, I got all those things.

I'm an actor first and foremost. But I've also started an organization, Broadway Impact, that advocates for marriage equality. I'm an actorvist.

I would love to do Broadway. That was my original aim, when I first started acting when I was 13. I wanted to do stage; I wanted to do musicals.

That's the great thing about how 'SVU' works. They work with so many Broadway actors, they are very used to getting us out in time for the show.

When you're performing on Broadway every night, you're so much more accessible to people in the industry. Everybody is going to know who you are.

I have very important phone messages that will be playing Broadway. An evening of my tweets I think is going to be booked into the Golden Theatre.

I've never been an actor on Broadway, but it feels like you're on a stage when you play at Yankee Stadium. And that's the feeling I've always had.

I love being on Broadway and it's awesome and a dream come true but also it's about the work and making sure you're doing what you're doing right.

I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.

The fact that ticket prices are way too expensive, and there's only one bunch of people going to see Broadway shows, is something I've never liked.

I didn't want to be a Hollywood actress who every so often does a Broadway play. I wanted to be a Broadway actress who every so often does a movie.

I don't have regrets. I've never sat here and thought, 'Gee, if only I'd done 'The Man Who Came to Dinner' on Broadway, I would have been happier.'

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.

[Vincent Price] did Oscar Wilde on Broadway, and I think he probably did it because he was almost like an Oscar Wilde. He had that brilliant humor.

I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.

I thought my first few jobs would just be off, off, off, off, off broadway. And by chance and how the world works, I ended up on a TV show instead.

I was one of those people who watched and videotaped the Tonys every year and kept a highlight reel every year. I saw every Broadway show as a kid.

When you're a kid, you think 'Oh, it's so great. I'm going to go to Hollywood. I'm going to go to Broadway.' For a long time, it was such a novelty.

The most rewarding thing is being on Broadway. I went into Cabaret as a replacement and was really challenged beyond anything I could have imagined.

When we were shooting 'Oz,' my wife was doing 'Beauty and the Beast' on Broadway, singing and dancing. It was an interesting dichotomy in our house.

Nobody knows I sing. Even though I've done Broadway musicals. I would only pick it over acting because it's such a pure form of emotional expression.

I've always loved Broadway, but I never thought I'd actually do it because I was never a full Broadway dancer. And I don't have a big, booming voice.

I love New York. I'm working on Broadway, and it's a great way for me to get my feet wet in acting and a great way to season yourself as a performer.

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