Quotes of All Topics . Occasions . Authors
Foot-binding is said to have been inspired by a tenth-century court dancer named Yao Niang who bound her feet into the shape of a new moon. She entranced Emperor Li Yu by dancing on her toes inside a six-foot golden lotus festooned with ribbons and precious stones.
My grandmother spoiled my father rotten, and he grew up expecting women to do whatever he wanted. When he married my beautiful mother, Elsa, he expected her to give up her career as a champion ballroom dancer and become a good wife and mother, which she dutifully did.
Mark Twain was so good with crowds that he became, in competition with singers and dancers and actors and acrobats, one of the most popular performers of his time. It is so unusual, and so psychologically unlikely, too, for a great writer to be a great performer, too.
May I just single out for salutations, on the "anti-war" side: Pop Stars For Appeasement, Dancers Against Democracy, Actors For Apathy, Fashionistas For Fascism and Jugglers For Genocide. All of them united under that flaccid flag of convenience, Show-Offs For Saddam.
Funny, you won't believe this, but I have actually never read my Wikipedia page. But if I were to know what it says, if I were to rewrite it, I would say, "Jenna Dewan Tatum, dancer, actress, producer, who has influenced women around the world to follow their dreams."
The discipline that ballet requires is obsessive. And only the ones who dedicate their whole lives are able to make it. Your toenails fall off and you peel them away and then you're asked to dance again and keep smiling. I wanted to become a professional ballet dancer.
On the videos for '1234' and 'My Moon My Man' I wanted to make the songs visible. And, really, what way can you make sound visible other than good old naive dancing? I was working with a choreographer, but I'm not a dancer. Any notion of elegance is impossible with me.
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
An artist makes something to be physically experienced by another person. It's a raw, freely chosen, interpersonal relationship between the maker and the viewer, so it's close to what a musical composer does, or a poet or a dancer. It is coming out of one's inner being.
An athletic man, or whatever you want to call him, will only look good in a very classic suit, a pair of classic jeans, athletic clothes or simply naked. Forget fashion. This is not going to happen, unless you want to look like a Chippendales dancer in designer clothes.
If age someday grounds my feet and wilts my port de bras, what vestige of the old life will be left? The signs that I was a dancer will gradually fade like stripes on a beach towel. Even my knowledge of the art form, reaped in sweat over decades, could be lost over time.
I won because I was the people's favorite dancer, and that's what I work with these Idols on. There have been 1,000 singers before you that are as good or better than you, but you're not trying to be the best singer ever. You're trying to be the people's favorite singer.
I have always been very conscious of my way of dressing. During my years as a ballet and flamenco dancer, I outshone everybody with my embellished and beautiful clothes. The designers who created my clothing loved making outfits that were extravagant and out of this world.
When my brother and me got into performing in the late '40s and early '50s, it was a sensational opportunity to learn from our elders. Every show we played had a dancer, a comic, a juggler, a singer, an acrobat. I came to appreciate virtuosity in all forms of the business.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.
I think body-image issues are not just a dancer thing. I think we're much more in tune and aware because the body is our instrument and art, and we stare at ourselves in a mirror all day, but I feel like it's something that every woman experiences and every girl experiences.
I embarked on a risky course of plastic surgery and silicone injections, major dental realignments and gruesome medical procedures. I pray that young dancers, those who imitate me at their peril, will avoid this blind alley. It is more than a dead end; it is a dead beginning.
Sabine gestured to him with the half-eaten crust. "I like him. Not sure why he's wasting his time with the pole dancer, though." Tod laughed out loud and I groaned. "Sophie takes ballet and jazz. She's not a pole dancer." "There's more money in pole dancing," Sabine insisted.
Fred Astaire told me things I will never forget. Gene Kelly also said he liked my dancing. It was a fantastic experience because I felt I had been inducted into an informal fraternity of dancers, and I felt so honored because these were the people I most admired in the world.
The 'All My Children' studio was near Lincoln Center, and I used to see all the ballerinas and the dancers, and I thought, I don't want to bulk up; I want to have long, lean, toned muscles. And I found out that through Pilates, you can achieve those strong, lean dancer muscles.
The level of musicianship in New York is the highest in the world. It's tough to get into. You start gigging making 50 dollars a night, or playing for nothing to get to something. It's insane. It's like being a modern dancer, or something - the hardest thing to make money from.
I've been told if you're an actress you can't sing, if you're a dancer you can't act, you can't do theatre and be respected if you've done a TV soap, you can't have a No. 1 record. All these different things they've told me I can't do, but I wanted to do them, so I've done them.
There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
My mother was a champion Irish dancer and singer and most of my family were musical, particularly in Irish dancing. Music is all about spewing out your emotions. A mixture of a good tune and a good beat and everyone playing their guts out and something that grabs people's attention.
I was a dancer for about 14 years. I was a martial artist for the same amount of time. I quit that when I realized I should probably not get my nose broken anymore. I love trying new stuff. Now I'm loving archery, and I surf. I just like to explore new things, I guess. I'm a big kid!
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.
Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.
Beyonce is a beautiful, elegant woman who is also a wonderful dancer. And her voice is sublime. Just like her husband, Jay-Z, Beyonce has real talent. They are both the kind of truly great artist who will be remembered by history. Their child will be lucky to have such talented parents.
I walk into a large white room. It's a dance studio in midtown Manhattan. The room is clean, virtually spotless if you don’t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty.
It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
Music videos are notoriously long, not fun, grueling. You are known there as a dancer and it's kind of sad because dancers, in a lot of ways, are under-appreciated and kind of under-respected when it come to that so they don't necessarily treat you in a nice way when you do a music video.
I like the line leading up to that: "I made your daughter the lead dancer, and you're not committed!" It's how people in their own little narrow worlds get so bent out of shape over the silliest things. I've seen it all my life, especially growing up in the South - the tempest in a teapot.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I would really have just had one thing to do.
I've reached a point where I'm comfortable in my own skin, and I do what I need to do, to feel good, but I'm built the way I am. The dancer's feet, the bruises on my legs, they're not going to go away. I think real girls have bruises. Tough chicks get bruised. They get dirty. And they have fun.
Mads [Mikkelsen] and I have a really epic brawl - a week shoot, lots of rehearsal - and he was just delightful. He's a dancer and a gymnast so he knows how to plant the moves. He was always saying, "Are you okay?" When you've got that level of mutual consideration you form a family very quickly.
I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.
From my personal experience, because I'm in a relationship, on paper I would never have imagined - I'm an Essex girl, maths geek who likes football, and I've ended up with a Russian ballroom dancer, and I guess the things you think are important, especially when you're younger, turn out not to be.
It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
As dancers, especially for myself, personally, dance constitutes a lot of the conversation that I have. While I'm not a ridiculous wordsmith and I can't clearly verbalize the things that I'm feeling sometimes, I'd say that I can emote how I feel by dancing, 100% of the time, and fearlessly at that.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.
People were being so mean as a result of my ability - a gift, really. So I think that's what makes me fight harder to provide an option to aspiring kids or artists. I wouldn't want anyone to go through what I went through... to see a little girl or a little dancer experience such unnecessary rejection.
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
Girls who are dancers tend to be much better models than girls who just got picked off the street. Dance is a discipline, just like martial arts. No matter what you do, you have this sort of confidence that no one can take away from you - every time you step somewhere, you're sure of where you're going.
No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.
There are positives to moving around and changing companies: you put things in perspective; you can compare living and working conditions. Living in one city, you tend to take things for granted; your view is much more narrow. In Europe, a dancer can leave for a year and still keep her original contract.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'