Quotes of All Topics . Occasions . Authors
Moving on is not closure. It's not neat, and it's not about turning the page. It is about moving on, but it doesn't mean that you've left something behind.
I've been fortunate to work with some really smart people. Larry Page is an extremely smart guy, most probably one of the smartest people I've worked with.
The editorial page is where you'll find our opinions, while the letters columns and the space for Op-Ed contributors are a forum for debate and discussion.
Kennedy invited us into the White House-the first time in the history of the White House picketers had been invited inside. This made front page headlines.
There's lots of sins in this life. We're all sinners. If you don't believe in God and you don't believe in the scriptures, then we are on a different page.
As a writer, being on the set of 'Gravity' was such a surreal experience. It was nice to see them using the technology to translate what we had on the page.
If you're a journalist, and you want to see live photos happening at any location in our system, you can simply type in the location, and up comes the page.
I have about 20 sketchbooks from my childhood filled with drawings, but I'd only have a page here or there where I was trying to figure out how to do comics.
After writing a page, Hemingway would let it float to the ground. He never crumpled pages - he believed that if you crumpled them, you'd be insane in a year.
You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.
The Sun in London ran a front page declaring my bum a national treasure. I really did laugh at that. Its not like it can actually do anything, except wiggle.
When I write I try as far as possible to forget I'm writing it at all. I tell it down onto the page, as if I'm telling it to one person only, my best friend.
But to me, the most important page in my daughter's book is the last one - because it's blank. It says 'Your Hero's Photo Here,' and 'Your Hero's Story Here.'
When I sit down to begin penciling a page, most of the hard work for me is done. I can concentrate solely on my art from that point on, which is the fun part!
Sylvia Plath, Rumi, there's a lot of spoken word poets who do a really incredible job putting their spoken work into page poetry - that's what I strive to do.
I try to research or make up for myself what happened in any character's life. From when he was born until the first page of the script. I fill in the blanks.
What is it about the blank page that makes me want to hurl myself into a game of solitaire? I ask myself these kinds of questions while I'm playing solitaire.
I think it's very easy to disgust the reader with violence on the page - that's incredibly easy - but it's far harder to make a reader care about a character.
You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?
So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.
At Wal-Mart, if you couldn't explain an idea or a concept in simple terms on one page of paper Sam Walton considered the new idea too complicated to implement.
Being nominated is a great thrill, and we like to say that all four of us were nominated, which means that our director, Anthony Page was nominated four times.
Children and teens take in stories to the deepest imaginable level. What we put on the page can change the people they'll become and the course of their lives.
My mother was a huge, huge reader. I think I picked up very early how precious it was to write things in books and have people like my mother glued to the page.
Political cartoonists get hung up on daily deadlines and the front page. The worst thing you can do is open up the newspaper and ask, 'What's funny about this?'
If somebody has a better idea than me, I'll take it if it surpasses what we have on the page because at the end of the day, it's me that takes the credit anyway!
It's just a matter of writing the kind of book I enjoy reading. Something better be happening at the beginning, and then on every page after, or I get irritated.
Writing on the beach is not what it's cracked up to be. The sand blows, and you perspire, and the page gets all blotty and messed up, so I don't do that anymore.
For me, a page of good prose is where one hears the rain and the noise of battle. It has the power to give grief or universality that lends it a youthful beauty.
No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.
It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.
The good news, when you write with another, is that you never have an empty page in front of you. The bad news is... you never have an empty page in front of you.
Sometimes you do feel a script that glows in your hand the moment you start reading it. By page four of Shakespeare in Love, I said, 'I have to be in this movie.'
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
When you look at Google, its job is to find you the perfect web page. There are a lot of cases when you want to know something and a list of websites isn't ideal.
Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages.
This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
Right now, I've never been more impressed by the new bands that we meet. I may be 10, 20 years older, but we're all on the same page about culture, music and life.
Sometimes I get a lyric, and the lyric, you know, comes off the page, and goes into my brain and comes out with a melody. Other times, I may create a melody first.
If I was a soldier going to war, I'd be pretty scared the night before a battle. It's a scary thing. And I want my readers to feel that fear as they turn the page.
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.
So they ended up turning this little twenty eight page book into the movie. And it's all about this stinky, smelly ogre who doesn't care what anybody thinks of him.
If we could have somehow stayed away from the public and the press, it might have been different, but every private issue seemed to be played out on the front page.
I'm in the Rock and Roll Hall of Fame, the Songwriters Hall of Fame. Jimmy Page gave me the MOJO Maverick award. I got an Ivor Novella Award for my very first song.
Auditions are an opportunity to play and go in there and bring the character to life. The writers have it stuck in their head and haven't seen it jump off the page.
I'd like to think I'm not quite so pretentious as to think my characters go off and live their lives once I've written the final page and switched the computer off.
I don't use a stylist. I know what I like, so I do it myself. I rip things out from fashion magazines. It's easy to order when the phone number is right on the page.
I'm definitely not on Twitter. I do have a Facebook page and Facebook friends. It's a lot of fun, especially if you don't just start friending people you don't know.
I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.
I was in Sweden for 10 days. They put me on the front page of the daily papers eight days in a row. I did nothing to warrant any of the attention. It was ridiculous.