Drag has always made me feel less scared.

I always feel like I'm so boring, but I don't get bored with me.

I kind of feel the career chose me. My motto has always been, 'Go where I'm wanted.'

Most of my closest friends have come to visit me in Hyderabad. So I feel I'm always linked with Mumbai.

I think at a club like Liverpool you always feel a bit of pressure. You should. But it doesn't bother me.

If I feel the part is right, and I know that the producers and the director want me, I'd go for broke. Always.

I'm thankful I don't have parents that I feel I need to get their attention. They've always been there for me.

When I go to Brazil, I feel like an American, and in the U.S., I always notice the traits that make me Brazilian.

If my closet were burning, it'd be my collection of jackets I would save - they always make me feel pulled-together.

It's probably the journalist in me, but I'm naturally suspicious about consensus and always feel an impulse to confront it.

I could always escape into this demi-monde of homosexuality, which I feel really indebted to. It stopped me being a 'mummy's boy.'

I feel like I've always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.

I've always been a girl's girl, and I've always enjoyed my girl friends' relationships, so I want the girls who follow me to feel like we're besties.

I've always been slightly afraid of coming out with my record because it's so personal to me. Now it doesn't feel as frightening as I thought it would.

I think it's always an adjustment for me, but I do feel like, ultimately, I can kind of write anywhere. It just takes a second to get back in to the groove.

We had a severely autistic kid in my class, and I was always picked last in gym class, even after him. Naturally, that made me feel pretty bad as an eight-year-old.

I've had one or two personal trainers at different times - and it's expensive, first of all - but they always make me feel uncomfortable because they're jocks who just yell at you.

My playing is always just a little on top of the beat. I can't lay down the kind of groove that Brad Wilk can. I'd really have to lay back to do that; it just doesn't feel natural to me.

My career before I was main event I was always trying to steal the show and I feel I have a style that can be endearing to the boxing public. It's a style that allows me to box how I want to box.

I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.

For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.

The word 'improv' always makes me feel a little anxious because I always feel like we'll have to pull props out of a bag and find 800 different ways to talk about a stick, the way you do in theater school.

I feel that the industry can be sliced into two categories - grateful actors and non-grateful actors. I'm always so appreciative that this has happened for me - and against all odds - as a middle child from Canada. I'm very grateful.

My parents were always supportive. They didn't say, 'Get a real job.' They believed in the arts, and they prepared me to be skilled. I'm lucky I can drop into these worlds - into a studio or onto a set or go on stage - and feel comfortable.

I'm not always the first person to run out and see something I'm in. I don't know; for me, that's not why I did it. I did it because I wanted to act. I don't really think about the end result. I don't feel like I have to see it - for me, it already happened.

I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.

As comfortable as I was with my adoption, the nature-versus-nurture question has been a big one for me. I adore my parents, but I always wondered if I would feel a different kind of love-not more or less, just different-for someone who was biologically related.

My mother always wanted to play an instrument. Her parents never gave her that. Then it got to a point where I'd been playing for 18 years, and to give it up would make me feel guilty. But my parents also knew that realistically, I wasn't going to become a concert pianist.

I think I always wanted to be an actor - sounds a bit boring, doesn't it? And I pretended once that I wanted to be a vet because one of the teachers asked me and saying you want to be an actor sounds a little bit silly. And I do still feel a bit silly saying it. You feel a bit fraudulent.

I know I always had a lot of energy growing up and I had to put it somewhere. Theater allowed me to really feel things, to laugh, to cry, to explode outward. I could do anything and it was totally accepted and appreciated. If I hadn't gone into the theater, I probably would have been a psychotic killer.

As a child, I felt that the Indian part of me was unacknowledged, and therefore somehow negated, by my American environment and vice versa. Growing up, I was impatient with my parents for being so different, holding on to India the way they did, and always making me feel like I had to make a choice of which way I would go.

I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.

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