I wanted to identify that the black experience is American experience.

No place epitomizes the American experience and the American spirit more than New York City.

The African-American experience is one of the most important threads in the American tapestry.

I speak Dutch, German, French, and English and have acted in all of those languages, but I love the American experience.

Hip-hop in Africa has been very often a duplication of an American experience, but in a context that's totally alien to it.

Growing up as an Asian American, we're lucky to have two sentences in a history book about the Chinese-American experience.

The magic of the American experience is that we've upheld the rule of law for everybody, everybody treated equally beneath the law.

Immigration is as much about the American experience and the values we share, and a lot more about economics than it is about politics.

The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.

We can not continue to allow this over reliance on government to replace the cornerstone institution that has made the American experience possible.

There are aspects of Asian culture in my work, but it's really rooted in an American experience - transcendentalism, '60s counterculture, punk rock.

If anyone sees anything in 'Black Lightning' that seems foreign to them, then they haven't been paying attention. This is a uniquely American experience.

Were I to be appointed Secretary of Education, I'd issue a prospectus for a compulsory nationwide high school course called 'The American Experience in Art.'

The American experience influenced my understanding of individuality, basic human rights, freedom of expression and the rights and responsibilities of citizens.

Undeniably the American art form, too. And yet more and more, we see films made that diminish the American experience and example. And sometimes trash it completely.

My first American experience was in the harbor of New York City when I saw that amazing big, tall lady. I remember thinking, 'Oh my goodness, a lady runs this country.'

There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.

When under siege, if we do not stand for our liberties and for the liberties of those who are unable to stand for themselves, then the great American experience will come to an end.

Freedom. Freedom of religion. Freedom to speak their mind. Freedom to build a life. And yes, freedom to build a business. With their own hands. This is the essence of the American experience.

I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.

As much as I think it is necessary and desirable for white people to have an expanded view of the black American experience, it's probably even more important for black people to have that expanded view.

I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.

It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.

I decided early on that I wanted to participate in the greater American experience, rather than the parochial one in Mississippi. But I have an urge as a writer to meld the Southern experience into the larger American one.

Learning from the American experience, governments around the world have developed national innovation policies and programs to accelerate their economic prosperity and to help their citizens and companies compete globally.

One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.

I grew up playing football since the day I could walk; some of my greatest memories of childhood are playing touch football in all kinds of weather with my best friends. That's a part of the American experience that no corporation can destroy.

The thing is, so much of the African American experience is about the redefinition of roots because of slavery. We were uprooted, and there's so much about our whole legacy that was stolen and that we lost in the Transatlantic slave trade that we'll never find out.

Throughout every presidency since the heist of our country from indigenous peoples, the black American experience has been exceptional in its discomfort. And no chief executive of this great nation has, in earnest, developed a unique plan to remedy that discomfort.

History will judge harshly my Republican colleagues who deny the science of climate change. Similarly, those Democrats who would use climate change as a basis to regulate out of existence the American experience will face the harsh reality that their ideas will fail.

The thing that happened with the music business, there are no stores anymore where you can buy music. It's all an online business now, and that's, you know - the bookstore culture is a very vibrant part of the American experience that we're very reluctant to see go away.

It's part of the American experience: We deal with mosquitoes in August, airport delays around Thanksgiving, expensive health care and the potential of being shot, at any time, by a semiautomatic weapon as we try to go about the most boring, precious, asinine aspects of our daily lives.

Baseball may be our national pastime, but the age-old tradition of taking a swing at Congress is a sport with even deeper historical roots in the American experience. Since the founding of our country, citizens from Ben Franklin to David Letterman have made fun of their elected officials.

You've got Washington picking winners and losers. And so, all of a sudden, decisions are being made on what helps politicians, not what helps the economy. Some will call it socialism. Some will call it a command and control economy. Whatever it is, it's antithetical to the American experience.

So when you do your family tree and Margaret Cho does hers, and... Wanda Sykes and John Legend... we're adding to the database that scholars can then draw from to generalize about the complexity of the American experience. And that's the contribution that family trees make to broader scholarship.

National Parks are a part of the American experience. They evoke memories of childhood vacations and pride in the beauty of our national landscapes. They are also reminders that if these parks are to remain beautiful and accessible, we have a responsibility as a nation to maintain and protect them.

There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me.

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