Quotes of All Topics . Occasions . Authors
In L.A., a lot of comics live here, but we don't get to spend that much time together because we've got to drive 45 minutes home, or do another set. So in San Francisco we can hang out, go for dinner - the community aspect of it is really lovely, as well as seeing people's shows that you don't normally get to see a longer version of.
It affects every aspect of our lives, is often said to be the root of all evil, and the analysis of the world that it makes possible - what we call 'the economy' - is so important to us that economists have become the high priests of our society. Yet, oddly, there is absolutely no consensus among economists about what money really is.
It's not just the physical aspect of boxing, it's the whole fighter mentality that has been ingrained in me through the years as a competitive athlete. One of the hardest things you'll ever do is to box - to get into the ring and to face off with somebody whose whole goal is to knock you out, to hurt you, and to be able to fight back.
Tell me how a person judges his or her self-esteem, and I will tell you how that person operates at work, in love, in sex, in parenting, in every important aspect of existence - and how high he or she is likely to rise. The reputation you have with yourself - your self-esteem - is the single most important factor for a fulfilling life.
I think the toughest thing is to describe what a producer does because they basically do everything. They follow a project from the start through the rest of its life and, along the way, are a part of every single aspect of its growth. It's tremendously enriching, though, because you get to know and live with the movie in its entirety.
It's really funny to me that I get called a workhorse or somebody who's really good at making other people better in the ring. I feel like I'm good at every aspect of this. I feel like I'm a great talker; I feel like I'm a great representative of the company. I broke records in college. I have an amateur background with fighting skills.
There are usually three sections of people who like my work. There are those who like them aesthetically. They see beauty in the images. Second, there are those who like the horror aspect, which is by design, and I like that. Third, there are those who are moved by the historical or political nature of them. They want to talk about them.
I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.
We sometimes get so caught up in one or another aspect of the teaching, we forget that if a person hasn't been introduced to Christ, if a person hasn't embraced the risen Lord and the church that's an expression of that experience, what we're saying just sounds like a bunch of rules or negative statements limiting their personal freedom.
I went to UMass-Amherst and was like, 'I want to work in news, I want to be a journalist.' Then I got there and was like, 'what kind of crap is this?' They inflate everything. It will be like snowing outside, like just a little bit, and they are like 'Giant storm coming, batten down the hatches!' and I just didn't like that aspect of it.
The book that is the closest genetically to 'Goon Squad' is 'Look at Me.' It has the futuristic element - although, freakishly, almost every aspect I invented has come to pass in some way, including the terrorist who fantasies about blowing up the World Trade Centre. That was extremely uncomfortable. The book came out on the week of 9/11.
Even fake news tries to convince us of its reality, but it does so mostly by appealing to your preconceived notions, your shared biases, or your prejudice. How to do the opposite? To create a sense of the real and then challenge your biases. I think that is my favourite aspect of writing, and that is what I've tried to do in 'The Lovers.'
I'm an independent. I'm a centrist. A new generation is arriving that has grown up with a multiplicity of choice in every aspect of their lives, and yet politics is the last place that they are told that they should be satisfied with a choice between brand A and brand B. It doesn't fit the way they think. It doesn't fit the way they live.
However superficial prevailing views of heredity seem to be, it must be admitted that a person is indeed the bearer of inherited characteristics. This is the one aspect. He must often battle against these inherited traits and rid himself of them in order to bring to fulfillment the talents laid into him before he entered earthly existence.
A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?
If we are going to be able to create a new economic vision, companies will need to rethink every aspect of their operations; their bottom lines, ownership structures, demands on financial returns, how they raise capital. For example, an ethical company would say it should only take a fair share of the planet's resources and campaign on this.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
I love to see heroes who fuel some kind of moral furnace inside them, who are driven to take on the evils of the world, despite the fact that the evils of the world are more powerful than them. And essentially can never be defeated, but they refuse to bow down. And in order to enjoy that aspect of the hero, you've got to put them through hell.
Acting is fascinating to me. I love unlocking the mysteries with characters and finding out what would be the most intriguing aspect of that character to exist in. Figuring out a person and getting to be a different person every day, hey - that's pretty lucky. I don't have to wake up and be Amanda if I don't feel like it. You know, that's fun.
In a way, architecture is about communication. That's an aspect of the discipline that is somewhat lacking, and there's definitely room for more progression into that area. I suppose that gives me a bit of a different edge. I'm also very, very used to doing a lot of exhaustive research and finding interesting information from different sources.
It was an extremely trying time for me. Best was still intimate with MacLeod and the others about the laboratory. I was out of the picture entirely. MacLeod had taken over the whole physiological investigation. Collip had taken over the biochemistry. Professor Graham and Dr. Campbell had taken over the whole clinical aspect of the investigation.
Mr. Miyazaki's specialty is taking a primal wish of kids, transporting them to a fantasyland, and then marooning them there. No one else conjures the phantasmagoric and shifting morality of dreams - that fascinating and frightening aspect of having something that seems to represent good become evil - in the way this master Japanese animator does.
