The superhero is a really popular figure in the West. In Asia or Korea, the young viewers are amused by the figure, but it is not really so sensational.

I've not seen in my lifetime any politician who is a heroic figure. The manipulation that all politicians use on one level or another is so transparent.

My mother introduced me to many different things, and figure skating was one of them. I just thought that it was magical having to glide across the ice.

That's been the story of my life - obstacles: trying to figure a way over them, around them, under them; sometimes you have to go straight through them.

I figure there are a few actors like Marlon Brando, George C. Scott and Laurence Olivier who have been touched by the hand of God. I'm in the next bunch.

Because if you're prepared and you know what it takes, it's not a risk. You just have to figure out how to get there. There is always a way to get there.

There's always an element of fear that you need to work a lot until people get sick and tired of you or finally figure out that you're a fraud after all!

Someone with a figure like Jennifer Aniston has a trainer, a cook spinning out some version of the latest diet, and probably a stop at the tanning salon.

I've loved acting and dancing since I was a kid. Before anyone thought I was pretty or before I had a voluptuous figure, that was what I was going to do.

I had three stages of knowing Wellington Mara. He was my boss for a long time and he was a father figure. And finally, as we got older, he was my friend.

I think having a strong female figure in my mom as an in-house role model was huge and really motivated me to continue to pursue my passion and my dreams.

I was always an outsider, always standing outside, observing and trying to figure things out. Which is exactly what you need to do as a writer, I suppose.

Had my own car at twelve years old. Left school in the tenth grade. Married when I was sixteen. Ain't hard to figure out; I was a man at a very young age.

But reason always cuts a poor figure beside sentiment; the one being essentially restricted, like everything that is positive, while the other is infinite.

Something impacts me emotionally, art is a kind of outlet, and I figure it's the same for a lot of artists. The way my mind deals with things is cinematic.

I'd been an artist since I was 17 and I was used to just putting things on iTunes. So I was like, I need to educate myself and figure out the new industry.

It was a time after 'Lady Sings the Blues' and 'Mahogany' and all those romantic movies: I became this romantic figure on the street in a very special way.

I'm in the process of convincing my parents to sell me their house so I can just live in my childhood bedroom forever. I figure it might make me age slower.

Especially on unexpected journeys, you have time; you can figure certain deeper things out, like who you are and what you want. That's why I enjoy journeys.

Winning feels great, and everybody loves a winner. But the very best figure out what's coming next and don't assume they've got the winning formula forever.

I took all my wax studies and threw them in the fire... that's the way it is when something unpleasant happens to me. I take my hammer and I squash a figure.

I have about 20 sketchbooks from my childhood filled with drawings, but I'd only have a page here or there where I was trying to figure out how to do comics.

This really should be kept secret, but you can learn a lot by watching the making-of DVDs. Every actor should do it. You figure out what you're dealing with.

I was a liberal arts junkie and I figured, well, I'll go work for somebody somewhere. All I knew was that I was going to have to come home and figure it out.

They say that structure is freedom, and in a sense it is. When you're dealing with multiple constraints, you have to figure out what you can get out of that.

When I first appeared, people couldn't figure out whether I was gay, straight, black, white or whatever, and I loved that. I loved the fact it scares people.

The goal of listening to customers is not to please every one of them. It's to figure out which customer segments serve your needs - both short and long term.

To view any individual as being independent of relationality is like viewing a point outside of a line, a line outside of a figure, a figure outside of a body.

For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.

Your job is not just to do what your parents say, what your teachers say, what society says, but to figure out what your heart calling is and to be led by that.

What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me.

I couldn't walk down any street in Britain without being laughed at. It was a nightmare. My children were devastated because their dad was a figure of ridicule.

When I make music, I often sound better singing as a woman, go figure, so I like to tweak the format and pitch and suchlike of my recorded voice. Sounds better.

I know a lot of people my age are still trying to figure out what to do, and I consider myself lucky that I can make a living doing something that I truly enjoy.

Dad was a distant figure, autonomous, a cross between the Pope and Mussolini. He was very Italian, as were all of my uncles, although they were second generation.

My mother was a domestic goddess and Mother Earth figure. She was sweet and placid - just what the perfect wife was supposed to be and I was determined not to be.

I love acting classes. I think they're great. It's like working out in the gym. It's a great place to figure out everything that's working and what isn't working.

It took me several years to figure out who I am and a few more to accept what I discovered. Now, I'm in the enjoyment stage of that process and it's a happy place.

I'm starting to figure it out - figure out my spots, where I should be on the court, where I'm most effective, and how I handle double teams - and it's paying off.

I'm not out trying to prove anything. I'm sort of finished with that, so I get to play in other sandboxes and try and figure out what I like and I'm interested in.

Life, work - it's all very organic and fluid, a laboratory. I always tell people: whatever your thing is, you just have to be in it. Jump in; you'll figure it out.

Usually, every match in the WWE, I was the one with the stupid ideas. I'm trying to figure out how to jump off the stage or turn the logo into a weapon or obstacle.

As well as being a creative genius, Vidal Sassoon was a formative figure of the Sixties. Along with the Pill and the mini-skirt, his influence was truly liberating.

In the late 1990s, I was a guest on a private plane. By the time my partners and I got off the flight, we knew we had to figure out how to fly privately more often.

I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what's next.

If someone comes to you with, 'It's my kid's graduation,' you don't tell them, 'Sorry, you can't go to that.' You just don't do that. You figure out some other way.

The first time Stuart Broad walked into the dressing room, with his flowing blond hair, striking blue eyes and perfect figure, I thought: 'My God, she's beautiful.'

I don't think having a My Chemical Romance action figure will make a kid start his own band, I like to think it will make him save children from a burning building.

When you can analyze situations and figure out what's best for you, based on you and not some preconceived notion of what society expects, then nothing is a threat.

No matter where you are or where you grow up, you always go through the same awkward moments of being a teenager and growing up and trying to figure out who you are.

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