The difference between architecture and engineering comes in only with the creation of schools. It's a bureaucratic distinction. The result of both disciplines is the construction of objects in a landscape.

In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.

If we imagine that the only right that we have is to make commodifiable objects, then we limit our practice, and we limit the great potential for an understanding between collectors, curators and galleries.

If there is anything besides the Self there is reason to fear? Who sees the second? First, the ego arises and sees objects as external. If the ego does not rise, the Self alone exists and there is no second.

I love that men like to look at women, that they love sports, that they need to know the inner workings of mechanical objects. I love the whole makeup of men - that they never mature and are always just boys.

Learned Institutions ought to be favorite objects with every free people. They throw that light over the public mind which is the best security against crafty and dangerous encroachments on the public liberty.

Yes, I am well aware that nature - or what we call nature: that totality of objects and processes that surrounds us and that alternately creates us and devours us - is neither our accomplice nor our confidant.

In general, the objects in the universe that are very high-energy objects, or the processes that are high-energy processes, will radiate more in the short wavelength range towards the gamma rays or the x-rays.

Women become the objects of rules; they are repressed and lose their rights in the name of religion, or they lose their freedom in the name of tradition, while the state legitimates this foolishness with laws.

Sensitiveness is closely allied to egotism; and excessive sensibility is only another name for morbid self-consciousness. The cure for tender sensibilities is to make more of our objects and less of our selves.

Hubble wasn't designed to look at objects in our solar system, but after it was launched, astronomers realized that with just a little bit of modification to the software, it could look at solar system objects.

As life goes on, we accrue more and more loseable objects. Providence dictates that objects that are too large to lose, such as houses, always come with tiny little keys, specially designed to give you the slip.

Historically, art has always had a market. When one medieval fiefdom defeated another they would drag back its jewels, gold, tapestries and art objects as the spoils of war. Art equaled power, riches and culture.

In too many communities, too many young men of color are left behind and seen only as objects of fear. Through initiatives like My Brother's Keeper, I'm personally committed to changing both perception and reality.

Communists have always played an active role in the fight by colonial countries for their freedom, because the short-term objects of Communism would always correspond with the long-term objects of freedom movements.

My whole thing with parenting, even though this is my first time, I want to just put five or six objects on the floor - a trumpet, a piano, some dancing or a computer or whatever it is, and just see what he picks up.

The very formal, beautiful, composed order that I make with paint and color is freighted with objects, but like leaves falling from a tree onto a lawnmower below, the edges of this 'thing' have a certain serendipity.

If you'd rather live surrounded by pristine objects than by the traces of happy memories, stay focused on tangible things. Otherwise, stop fixating on stuff you can touch and start caring about stuff that touches you.

Design, by definition, is an eco-friendly activity, as its aim is to create objects which are meaningful and durable. Trends always cost resources, but a true designer creates wares which will remain relevant forever.

The yogi should meditate on a firm seat, one that is clean - untainted by dirt or unspiritual vibrations of others. The thought or life force emanating from an individual saturates the objects he uses and his dwelling.

As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.

My flat is a bit like an oriental bazaar. It's filled with the oddest objects from all my travels, and you can't really move in it. I love collecting antiques and often spend weekends driving around bric-a-brac markets.

There will always be a certain segment of the population who turns on an NBA game or turns on a college game and hears my voice and objects to my presence. I've conceded that. I can't please everybody. I don't even try.'

People are always wondering if I am an artist or political activist or politician. Maybe I'll just clearly tell you: Whatever I do is not art. Let's say it is just objects or materials, movies or writing, but not art, OK?

I don't like the idea of things being off-limits to kids - like a fancy sitting room where they can't touch anything. I own vintage pottery cups, and I let my girls hold them. It teaches them to treat objects with respect.

I never strike out at any life form. The only things I attack are icons of conspicuous consumption. People put objects in front of their life, in front of anything that has real importance. They make this 'thing' their God.

The immediacy of mystic experience simply means that we know God just as we know other objects. God is not a mathematical entity or a system of concepts mutually related to one another and having no reference to experience.

It's very important to put children in an environment where they can take things apart; where they can break things and then learn to fix them; where they can trust their hands and know their capacity to manipulate objects.

I would urge everyone to start looking at the world in a different way. Spend some time looking at everyday objects, at their design, their shape, their individual characteristics. Think ahead and imagine their significance.

What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.

What must be the knowledge of Him, from whom all created minds have derived both their power of knowledge, and the innumerable objects of their knowledge! What must be the wisdom of Him, from whom all things derive their wisdom!

We are expected to believe that anyone who objects to the Department of Homeland Security or the USA Patriot Act is a terrorist, and that the only way to preserve our freedom is to hand it over to the government for safekeeping.

Something can be real - actually existing, not merely illusory - and yet not be fundamental. Scientists used to think that heat, for example, was a fluidlike substance called 'caloric' that flowed from hot objects to colder ones.

All the objects pursued by the multitude not only bring no remedy that tends to preserve our being, but even act as hinderances, causing the death not seldom of those who possess them, and always of those who are possessed by them.

I can never tire of speaking of the bridges of Paris. By day and by night have I paused on them to gaze at their views; the word not being too comprehensive for the crowds and groupings of objects that are visible from their arches.

All knowledge is oriented toward some object and is influenced in its approach by the nature of the object with which it is pre-occupied. But the mode of approach to the object to be known is dependent upon the nature of the knower.

I was mindful that clothes, objects and items had all been designed and manufactured. Thought had gone into those processes, so to mindlessly treat everything without care or as disposable was disrespectful. Things should be valued.

Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?

The more words we are allowed to take, the freer we become. If our mouth is banned, then we attempt to assert ourselves through gestures, even objects. They are more difficult to interpret, and take time before they arouse suspicion.

Our knowledge of animals and their behaviour has come a long way. We can no longer justify imprisoning them, robbing them of everything that is natural and important to them and turning them into objects of ridicule for our amusement.

We account for one-sixth of the forces of gravity we see in the universe. There is no known objects accounting for most of the effective gravity in the universe. Something is making stuff move that is not anything we have ever touched.

History is littered with examples of objects and inventions with a power beyond their professed purpose. Sometimes it's deliberately and maliciously factored into their design, but at other times, it's a result of thoughtless omissions.

The early universe was a dusty place, and the UV radiation from the hot, young black holes and stars would get enshrouded by dust, re-radiated, and scattered into red wavelengths like infra-red, causing these objects to remain obscured.

In the four years since its launch, Kepler has chalked up 122 new and confirmed planets. It's also caught the scent of nearly three thousand additional objects, of which probably 80 percent or more will turn out to be other-worldly orbs.

My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.

We see that pedantry has never been held in such esteem for the government of the world as in our times, and it offers as many paths of the true intelligible species and objects of infallible and sole truth as there are individual pedants.

I think that integrating information to everyday objects will not only help us to get rid of the digital divide, the gap between these two worlds, but will also help us, in some way, to stay human, to be more connected to our physical world.

What are gold and jewels and precious utensils? Mere dross and dirt. The human face and the human heart, reciprocations of kindness and love, and all the nameless sympathies of our nature - these are the only objects worth being attached to.

We do not merely perceive objects and hold thoughts in our minds: all our perceptions and thought processes are felt. All have a distinctive component that announces an unequivocal link between images and the existence of life in our organism.

I'm in the middle of my own 'Project Runway' challenge given to me by my daughter's preschool. All the parents have to make an outfit for their kids, for school pictures, made entirely out of recycled objects. I can not believe I have homework.

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