I know there's a lot of competition in the world of magazines and newspapers and we have to make headlines and be sensational and sell, and saying bad things about me is going to sell more papers than writing good things about me.

I've always loved 'Before and After' stories, in books, magazines, and TV shows. Whenever I read those words, I'm hooked. The thought of a transformation - any kind of transformation - thrills me. And that's the promise of habits.

Someone remarked that the newspapers or the news magazines are the same as the psalms except that the names changed in the stories. Maybe you can't understand the psalms without understanding the newspaper and the other way around.

I am not one of those fat birds who feels miserable because models are thin. Frankly, I feel more insulted by the idea that unless I see other fat birds in fashion magazines, I will be reduced to a sniveling wreck of a human being.

When I started Rolling Stone in November 1967, the magazine's initial chapter was to cover rock & roll music with intelligence and respect. Even then, we knew that the fervor sweeping our generation encompassed more than just music.

Even after they had stopped modeling for Playboy and had settled down with other men to raise families of their own, Hugh Hefner still considered them his women, and in the bound volumes of his magazine he would always possess them.

My mother was a beauty queen in her hey day. That's where I learnt a little about makeup and hair... I had never picked up or even seen a 'Vogue' before I was 17. I had no idea about fashion, magazines, models or designers. No idea.

If you have newspapers dating to the last millennium, magazines from the Seventies stacked on your nightstand, and countless envelopes filled with family photos stuffed in a drawer, you may be carrying procrastination to an extreme.

I learned early on to stay away from gossip magazines and reviews. That stuff just makes you unhappy, and I know actors that read everything that's written about them and they're miserable. You can choose what to let into your life.

I love to read. I love to stretch. In the morning, I get up, and if I'm not in a hurry, I will lie on the floor on a rug, look through some books and magazines, and maybe listen to music and try to do stretching exercises to tune up.

My mind absorbs things in a funny way. I'm on planes quite a bit and I always take stacks and stacks of magazines and I go through them and tear pages out and fold them up, and they get stuck at the bottom of my backpack or whatever.

I didn't come east of the Mississippi for the first time in my life until I was 26 years of age, but I knew. I read magazines, I listened to radio, I watched television. I knew there was something out there, and I wanted a part of it.

We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.

When I started working in a feminist feminine magazine all my life was about rebelling against male authority, which is authority in general is male, so it was rebelling against everything. Everything that was around me made me angry.

We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.'

Some magazines are run from the top down, where the editor-in-chief decides what every article is going to be and who's going to write them, and then they're doled out. My idea is to do it the opposite way, to do it from the bottom up.

Growing up, of course I was the coolest girl in the 3rd grade because I told everyone that my dad was a wrestler, and I would bring in these wrestling magazines of him, and every Saturday morning, he would be body slamming me on my bed.

When I started working in fashion, I didn't have money to buy photographs, so I'd Xerox pictures from magazines and put them in notebooks. When I'd start a collection, I'd sit with my old notebooks and look through them for inspiration.

One thing I learned working at magazines was that if you couldn't get people to look at a page or a cover, then you were fired. It was all about how you create arresting works, and by arresting I mean stop people, even for a nano-second.

What magazines do is curate: we give accurate and trustworthy information. If you have a problem, it's very difficult to go to the web and get accurate information... magazines, at their best, should be an incredible voyage of discovery.

There are people who appear in the magazines and I don't know who they are. I've never seen anything they've done and their careers are over already. They're famous for maybe 10 minutes. Real careers, I think, take a long time to unfold.

We just have to go at 100 miles an hour in all our businesses, be they television broadcasting, be they magazine publishing, be they subscription television, be they online, be they gaming. We just have to go at one hundred miles an hour.

And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.

Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.

The trouble with glossy magazines is that they tend to be stuffed with articles about handbag designers - the sort of women who, with their perfectly styled lives, immaculate houses, and adoring partners, make you want to become a hermit.

The industry has died as far as modeling has gone, and I'll tell you why. Magazines are featuring the Halle Berrys and Sarah Jessica Parkers, all the actresses. Makeup companies are featuring all the celebrities. All the models have died.

I have a CS degree and a history that includes working as a software developer and being a computer magazine columnist back during the 1990s. I guess I simply paid attention to the social effects of the IT revolution as I lived through it.

In deference to American traditions, my family put our oven to rare use at Thanksgiving during my childhood, with odd roast-turkey experiments involving sticky-rice stuffing or newfangled basting techniques that we read about in magazines.

For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.

But if you pick up every other magazine, it is the peanut butter diet, or the cabbage soup diet, and then you go to the radio and you hear that you can drink some solution and you will lose weight overnight. It just does not work that way!

The error that we tend to make is that we think that women's magazines are what editors want and what their readers want - and thus are social indicators - when, in fact, they are what advertisers want. They're just advertising indicators.

Also, I need deadlines, just like everybody else, especially coming from magazines, newspapers, and stuff like that. I need daily or weekly deadlines to get stuff done, or I continue to do things and not go off on a year of unproductivity.

When I talked to my medical friends about the strange silence on this subject in American medical magazines and textbooks, I gained the impression that here was a subject tainted with Socialism or with feminine sentimentality for the poor.

That whole thing: the paparazzi, a gazillion magazines. You can't lie on a beach. God forbid your bikini rides up too far or you've eaten too many doughnuts and they catch you wiping your mouth. That must be exhausting, that lack of privacy.

Newspapers and magazines have been valuable to us precisely because they apply filters to information, otherwise known as editing, and often the Internet seems valuable for exactly the opposite reason: You can get your news without a filter.

I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures.

While poetry was less professionalized than it is now, I still had this urge to win prizes and see my work in magazines, to get an "A," as though poetry could be graded. I wish I had been more patient and less frantic about getting published.

In the same way that some magazines have made financial markets accessible to people who don't want that much sophisticated information, we would like to make information about public issues accessible in a way that makes people feel included.

When President Obama first unveiled his gun control proposals recommending a ban on assault weapons and high-capacity magazines and better background checks, there seemed to be momentum behind the effort. But then the proposals ran into a wall.

Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].

I wanted to train jiu-jitsu instead of capoeira because the mat was soft. It was better than training capoeira on the hard floor. I started reading jiu-jitsu magazines, reading about the world champions, and becoming one of them became my goal.

I lived on the farm with my parents and grandparents. I had no playmates as a young child, and I was indulged. I helped my grandmother piece quilts, and we made pretty albums, an old-fashioned pastime. We cut poems and pictures out of magazines.

When you're in your 20s, there's maybe a little room for you to not be at the top of your artistic game, if you look good on a magazine cover. When you're not on the cover of the magazines anymore, then you realize that the work has to be great.

I think people are sick of trends changing every six months - not because we're tired of them, but just for the sake of change. There is so much junk in the world: junk TV, junk movies, all those junk magazines with the same people on the cover.

Guns are heavy metal machines, and, at least in my case, it's surprising how many hours it takes before it looks like you know what you're doing. Releasing and re-loading magazines is difficult when you're asked to do it quickly and efficiently.

If Obama needs to be criticized, I will criticize him. There's a tremendous amount of excitement about him. And a corollary of that is, as we're learning, from newspapers and magazines that are going into overdrive reprinting Obama editions, etc.

I am the entertainer, the idol of my age I make all kinds of money when I go on the stage You see me in the papers, I've been in the magazines But if I go cold, I won't get sold I get put in the back in the discount rack Like another can of beans.

I feel like my competition is everything else that's competing for people's attention, not just other print magazines, newspapers and cable. It's your kid's report card and the games you want to play, all the things that compete for people's time.

TV has changed so much, from the fact that there are so many channels available now to spoilers. There were no blogs when I was on Buffy. There were no weekly magazines, aside from People. Now, to be able keep your secrets for your show is so hard.

I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.

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