Quotes of All Topics . Occasions . Authors
Maybe I didn't get new skates, but I got used skates. I made it to the national championships in used skates that were custom-made for another girl. I still have those skates. Underneath the arch, there was a name crossed out and my dad had 'Michelle Kwan' written in. Granted, they were a little big, but it worked.
You can say, 'Well, isn't it unfortunate that chaos is represented by the feminine' - well, it might be unfortunate, but it doesn't matter, because that is how it's represented. It's been represented like that forever. And there are reasons for it. You can't change it. It's not possible. This is underneath everything.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
What's hurtful is when you have portrayals like, you know, when you have someone like Jared Leto who accepts an award for 'Dallas Buyers Club,' after playing a trans woman, standing in a full beard and looking fully cis male: it is communicating to our audiences that underneath all of that, it's still a man under that.
I love my city and I feel like the majority of the people that are in the city are people from other cities. So I think that L.A. sometimes might get a bad rap because it's known to be so Hollywood-oriented and then underneath that you have crime. But that's really the case in pretty much any major city that you go to.
I promise you, your hotel room is going to be no more comfortable than my RV. And I'm going to tell you, you might prefer my RV. I swear to God, it's really that comfortable. Awnings outside, and if you want to cook outside, a tailgate kind of thing. There's a fridge that's underneath and comes outside. It's beautiful.
The title 'Crazy Ex-Girlfriend' is meant to be a deconstruction of a stereotype, and the whole show is about deconstructing the boxes that we're supposed to be put into. We like taking apart the tropes and the stereotypes and explore the nuances, so 'Crazy Ex-Girlfriend' is a label that we go deep underneath to explore.
I prefer 100 per cent cotton Ts. They are kinder to lumps and bumps than figure-hugging stretchy Lycra ones and feel nicer against the skin. Extra-long-sleeved T-shirts are a lifesaver for me. I wear them either underneath a shirt with the sleeve pulled out of the cuff, or underneath gypsy tops, tunic tops and waistcoats.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
When the Industrial Revolution started, the amount of carbon sitting underneath Britain in the form of coal was as big as the amount of carbon sitting under Saudi Arabia in the form of oil, and this carbon powered the Industrial Revolution, it put the 'Great' in Great Britain, and led to Britain's temporary world domination.
I love Jonathan Adler but more importantly I love throws. To clarify, a throw is not to be confused with a blanket. A blanket is to be slept under, a throw is to accent a chair or sofa and give the illusion that in some scenario someone might rest underneath it. In reality, this scenario does not exist and I never want it to.
The piano is an instrument that can easily sound overly thick, and I love to think that I can work with textures - particularly the inner textures inside the melody or the bass line. There is an analogy there with painting; I love paintings where you see colour underneath the colour and, underneath that, more texture and shape.
When I write, my goal is to delve deeply enough into the human experience to find a sort of universality. Once you dig down underneath surface differences, we are all human beings. And all human beings want essentially the same things at our core. We want to love and be loved. We want to be safe. We want our loved ones to be safe.
I would always sneak in the refrigerator and eat seconds, and underneath my bed - you know, I had my own bedroom - it was littered with Twinkie wrappers and Jolly Rancher wrappers. And I would sneak-eat, because I was denied food, not because I was hungry, but because my mom and dad did the best they could in 1970 and '71 and '72.
When I think about fashion and elegance, I imagine a woman from the 1950s, on an airplane, with seamed stockings and a garment belt underneath, a skirt, high heels, and her hair that she's done the night before, perfectly done eyeliner, lipstick, gloves, perhaps, and all this just to sit on an airplane for a transcontinental flight.
We frame things in an off-kilter way because it's unsettling. In the 'Mr. Robot' world, that's the norm, and it's the norm for the point of view that we're looking for, which is Elliot's. With our compositions and our visual language and camera movements, it's important to always evoke that unsettling feeling underneath every scene.
I don't dye my hair. It's so fabulous. I had brown hair for so long. I was always getting my roots done. Sometimes I did it myself because I couldn't afford to go to a hair salon. When I turned 60, I decided to see what color I am underneath. I started dyeing my hair a very light blond and then I let it grow out. I cut it very short.
Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.
I am interested in shows that are not out-and-out gag fests: you see the truth of a broken heart behind them. That is what life is like: it's really funny, you see funny things as soon as you step out of the room, but underneath that is a whole bag of broken hearts. It's that real pain and that real hilarity that makes life so intriguing.
The way my family always did Christmas was on Christmas Eve, it wasn't really centered around a dinner on Christmas Eve. It was more about keeping the kids calm. Sometime after dark is when we were going to open all the presents underneath the tree from Mom, Dad and the kids and everything - just the family presents was every Christmas Eve.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
I love being brown, so I love using Guerlain Terracotta Bronzing Powder. I use it everywhere: my forehead, my cheekbones, a little bit by my chin. It gives me a golden balance that I really like. I also use the Becca Shimmering Skin Perfector for my highlighter right underneath my eye. It's a pretty color - it's not too much and not too little.