But the thing about bad guys is that they have the biggest bosomed blond, they have great clothes and cars, and get great death scenes.

I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.

I despise all those who fight for peace. It's only the bad guys and the troublemakers who create entertaining and history-changing events.

I couldn't get roles as bad guys. They could see John Travolta as a gangster but not me, really. But, you know, that's just how things are.

I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.

I don't enjoy any kind of danger or volatility. I don't have that kind of 'I love the bad guys' thing. No, no thank you. I like nice people.

Only very rarely are foreigners or first-generation immigrants allowed to be nice people in American films. Those with an accent are bad guys.

In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.

You have to have faith and confidence in yourself, that you are better than the bad guys you're dealing with. You have to have a lot of patience.

Bad guys are complicated characters. It's always fun to play them. You get away with a lot more. You don't have a heroic code you have to live by.

In boxing, there are no bad guys or good guys. Just people trying to make a living and trying to live up to their pride and to try to become someone.

The mainstream media has chosen their candidates and their issues, and they're not the same as the GOP's. They are going to be painted as the bad guys.

We were living in a tumultuous time, when the world was upside down. Freeman produced a show that was black and white, the good guys versus the bad guys.

The bad guys I play don't want to be bad. It's the struggle between the part of them that's an animal and the part that's the intellect that's interesting.

The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.

I've played a lot of bad guys, and I'm pretty good at leaving my work at the office. And I look at acting as having a certain sort of therapeutic nature to it.

To steal a term from one of my Twitter followers, 'Deathlok' is the 'anti-villain.' He's on the side of the bad guys, but he obviously doesn't want to be there.

I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.

A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.

National security always matters, obviously. But the reality is that if you have an open door in your software for the good guys, the bad guys get in there, too.

The silliest, most frustrating national dialogue has been this chattering about waterboarding and slapping around bad guys in order to extract information from them.

I always watched movies and rooted for the bad guys, you know? I've always been that kind of guy. I still hold some respect for criminals that are good at their jobs.

I don't play bad guys. I think that's why I keep getting cast as bad guys: because I don't want to play bad guys. I want to play human beings that struggle with life.

My career had been split pretty evenly between good guys and bad guys until I finally grew into myself enough to play a decent antihero, where you can combine the two.

I definitely have a preference for writing anti-heroes and bad guys, especially when they have motivations that the average 'good' person can understand and get behind.

That image of a lawyer standing up in a criminal case and doing the right thing always stuck with me. I love the idea of building cases and really going after bad guys.

I've played a lot of bad guys in my time, especially in movies. It's delightful playing the villain. It's almost the most interesting and most complicated role in a film.

In 'Underground,' you have to write for everyone, even the bad guys. People need to laugh and love and have voices and do bad things. Even slave owners need to be people.

The establishment thinks we're the bad guys, and we're the radicals, but what they don't realize is we're actually the last line of defense. After us, it's the pitchforks.

Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.

While short sellers probably will never be popular on Wall Street, they often are the ones wearing the white hats when it comes to looking for and identifying the bad guys!

I wanted to do pretty much a purely boy story, yes. The girls are kind of the bad guys in 'Marble Season', although that wasn't my intention. It's also a world without adults.

I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.

I've been telling anybody who would listen that I wanted to do a series for the last 10 years. But I wouldn't do it if I was just another cop pushing bad guys up against the wall.

I've sort of always pulled for the heels, like the bad guys. So I think if I were a pro wrestler, first I'd need to bulk up, and second I'll need to get sort of a bad-boy persona.

A drone is a high-tech version of an old army and a musket. It ought to be used in Somalia to hunt bad guys, but not in America. I don't want to see it hovering over anybody's home.

The Internet is brittle and fragile and too easy to take down. It's a conduit for criminal activity. We need international treaties to prosecute the bad guys, but we don't have them.

I never went to a John Wayne movie to find a philosophy to live by or to absorb a profound message. I went for the simple pleasure of spending a couple of hours seeing the bad guys lose.

Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits, and the cute creatures are the good guys, and everything that's ugly are the bad guys.

We need to do a lot more thinking about how the regime is going to evolve, how the bad guys are going to adapt their tactics, and what measures we're going to need in order to go forward.

You don't see many bad guys fight amongst themselves. Bad guys always know exactly who they are and what they want. Good guys are the ones who are a little confused about their identities.

I like to create characters that are larger than life. But it's funny because I do a lot of bad guys, and it's because, being European, I usually get cast as bad guys. It's just how it is.

As much as I loved Jackie Robinson, Roy Campanella, Junior Gilliam, and Don Newcombe, I loved watching Willie Mays play more than all of them combined, even if he played for the 'bad guys!'

It's funny how you can be thought of as somebody who humanizes bad guys, and I'll take that, but it is something that gave me pause, and I started speaking to my team about finding a good guy.

I think deep down inside, most of the bad guys want to get cheered - I don't. I want absolutely everybody in there to hate me, and that's the mentality you need to have to be a successful heel.

Old white people have pretty much always been the bad guys, the keepers of the hegemonic and reactionary flame, the folks unwilling to share the category of American with others on equal terms.

In a movie, that's the only time when you're allowed these kind of fantasies to be lived. Being able to look so cool and be able to fight five bad guys and take them down. When can you do that?

With the death of bin Laden, it's finally time for Congress to bring back the pre-9-11 legal norm, before we decided it was okay to toss out our civil liberties if the 'bad guys' were scary enough.

No one law or set of laws will end horrific acts of violence, but Congress has an obligation to take action and make sure that terrorists and bad guys don't have easy access to guns in our country.

People love westerns worldwide. There's something fantasy-like about an individual fighting the elements. Or even bad guys and the elements. It's a simpler time. There's no organized laws and stuff.

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