Quotes of All Topics . Occasions . Authors
I knew I wanted to create a character who was nerdy and kind of square, so when I drew a square sponge, everything came together. And originally his name was SpongeBoy, but there we couldn't use that for trademark reasons.
I like revisiting my early work, and people like to hear it. I don't make people suffer through any experimentation or new material. When I go see an artist, I want to hear the songs that drew me to them, so I do the same.
I do wish that reviews were less like book reports. There was an era when reviewers had something to say about a book: when they painted context and drew conclusions. Many reviews these days are little more than plot summary.
That's really what drew me into wrestling. To see my own uncle put on the mask every Friday to go into the ring, and me putting on his masks to play wrestle with him. It was a whole different world when it came down to sports.
I met Drew Barrymore, and she was so cool. She told me, 'I know I just had my baby three weeks ago, and that's why I'm emotional, but I cried when you performed.' And then she pulled out a tissue and said, 'Look, I was sobbing.'
I liked Pat Cash, and I loved Mats Wilander. I went to the Australian Open with my parents, and I used to watch Wilander being cheered on by the Swedish fans, and with his game style being like mine, I drew comparisons with him.
I saw the Village as a place you could escape to, to express yourself. When I first went there, I wrote and performed poetry. Then I drew portraits for a couple of years. It took a while before I thought about picking up a guitar.
I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also, I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness.
What drew me to this job is that Univision is a brand unlike any other in all of media. Univision has the highest brand affinity of any brand, and that includes Microsoft and Apple and some of the iconic brands in all of industry.
What drew me to the violin was mastering the instrument technically, which I'm continuing to do. You want to push boundaries, to not always be in your comfort zone. If you don't, you get stale. So you have to find areas of growth.
In the 1930s, photographers such as Walker Evans and Dorothea Lange produced images of sharecroppers and Okies, which drew attention both to the conditions in which these unfortunates found themselves and to their heroic fortitude.
I was kind of a volatile personality, very intense. Because of that, I drew some criticism and people would say things about me, and my parents had tried to defend me. I would just tell them don't worry about it. Our day will come.
I don't know what people are going to think of my stand-up. If you only know me from 'The Price Is Right' and 'The Drew Carey Show,' then you might be a little bit shocked. I'm a little dirty and a little opinionated but all in fun.
A lot of things drew me to Texas. One is the wilderness: It's pretty close to wide open spaces, which I didn't grow up around and I love. You don't have to have a lot of money to have a view: The view is the sky, and it's everywhere.
Drew's a funny guy. Because anything he gets into, he gets in 100%. Even when we were doing 'The Drew Carey Show,' he got into bowling, and suddenly he's phoning up pros for tips and carrying around 3 balls. It's just how he does it.
I first drew the attention of my future husband when we were fourteen, on the freshman school bus for an epic field trip from Riverside, Calif. to Los Angeles, where we were taken to the L.A. Zoo as well as the Natural History Museum.
I had a lot of fun playing football and basketball, but deep down, the chess match or cat-and-mouse game between the pitcher and batter in baseball really drew me in. It's a thinking man's game, and for me, nothing can compare to that.
The funny thing is, though I write mysteries, it is the one genre in adult fiction I never read. I read Nancy Drew, of course, when I was a kid, but I think the real appeal is as a writer because I'm drawn to puzzly, complicated plots.
I think that being read to every night is the reason why I was plowing through volume after volume of 'Nancy Drew' books all by myself by the time I reached the first grade. I loved stories. I loved the escape. I had a vivid imagination.
I was partnered with the singer Drew Lachey of the popular group 98 Degrees. Drew and I complemented each other with our strengths. I was good at dancing and teaching dance, and he was a good student and a natural-born ham for the cameras.
The cinematography and the conditions in which 'Meru' was filmed drew me to the project. It's remarkable to think that everything in the film is real; these three men set out to attempt this impossible climb and to film it at the same time.
I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child - which is ironic because I was never, never sentimental about him as many of his fans were.
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
A sponge is a funny animal to center a show on. At first, I drew a few natural sponges - amorphous shapes, blobs - which was the correct thing to do biologically as a marine science teacher. Then I drew a square sponge, and it looked so funny.
Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.
I filed the ethics complaint against Tom DeLay not because I'm a Democrat and he's a Republican or even because he drew me out of my congressional seat but because he engaged in corruption to further his plans to disenfranchise voters in Texas.
I draw a lot of comparisons with Cam Newton and E.J. Manuel. But for the mental part, I like to view myself as Peyton Manning, Tom Brady, Drew Brees, and those guys. Because they're so ahead of everyone else when it comes to that part of the game.
I was pretty much seen as a basketball player coming out of high school. Football was my second love, but luckily, I turned out to be pretty good. Something just drew me to football; besides, I ended up being too short for my position in basketball.
There have been two periods in my lifetime when the excitement of government and of public issues drew to Washington many of the bright young people graduating from colleges and law schools. These were essentially the Roosevelt and the Kennedy years.
We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.
With any player, especially at quarterback, I don't care if you're talking Tom Brady or Peyton Manning or Drew Brees: you want to make sure to continue to hammer down the fundamentals, and it all starts with your feet. Everything starts with footwork.
Okay, so, when I was a kid, definitely the drawings and the illustration. Then I stopped in sixth grade or so. And then I started again when I was in my twenties. I really didn't progress since then, so the way I draw is the way I drew in sixth grade.
When someone drew a picture of Pope John wearing an Avis 'We try harder' button, those words no longer meant which car rental to patronize, and yet some of the overtones from its original meaning are there and make a contribution to the new situation.
A few years ago, kids from poor areas in France were asked to draw items of food. For a chicken, they drew a drumstick. For a fish, they drew a fish stick. Those are extremes, but there is a lot that needs to be done to help children discover good food.
The first time I drew a Superman story was 'For Tomorrow' with Brian Azzarello in 2004. It didn't really hit me how important it was until I drew a scene early-on in the book that featured Superman crossing paths with a giant, intergalactic space armada.
Honestly, like, American football is not that big over in the U.K., so we hadn't really heard of Drew Brees before. I did know that he was, like, a massive football player. He's a massive star, so I was still a little bit anxious and nervous to meet him.
When you hear a lot of stories about Africa, and you get to a place like Kenya and other countries like that, where they think the same way we do, I was happy to find that the Schedule of Rights that I drew for the Kenyan Government was working very well.
I found that I was much more interested in writing and that I didn't like the illustrating at all. I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
My formal speaking career began before a group of 10 third-graders. We drew pictures of my home in Rwanda. I told them about my mother's huge garden and our mango tree. The lessons I taught were simple. Play nicely. Take care of plants. Take care of people.
Dez Bryant isn't Peyton Manning, Tom Brady, Drew Brees or Russell Wilson. Dez Bryant is a typical, me-first NFL receiver diva, cut from the same cloth as Terrell Owens, Chad Johnson, Randy Moss and Keyshawn Johnson, sprinkled with a heavy dash of Pacman Jones.
It's the Tiger Woods effect. What he was able to accomplish at such a young age - he drew me to the game, and I can only speak for myself, but a lot of the players that are my age saw Tiger in his prime when we were all teenagers. We all wanted to be like him.
The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
It was my proudest moment as a manager when England drew 0-0 with Italy in Rome to qualify for the World Cup finals. Fifteen years later, the stakes are equally high for both countries as they go head-to-head for a semi-final place at the European Championship.
As a child, during the war, I drew Spitfires and Messerschmitts. With Spot, I found that I had designed a fuselage! His spot is on his side, the roundel marking of an English fighter plane, and the color bar of his tail is the color stripes of a plane's rudder.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love.
There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.
I'm always drawn to strong female leads, so that's what drew me to 'Lost Girl.' I was a 'Buffy' fan and watched it with friends every week. I was also a big fan of 'Alias' when that was on - they both had strong female leads, and that's what draws me in the most.
I guess because I'm so young, I m not sure of what lies ahead for me. I'm more into going the route of producing and directing. I just made a little short film. I'm more excited about going the route of doing a Drew Barrymore or... what's the one from 'Star Wars?'
As a Jew reading about Jesus, I thought, 'He's a pretty good guy.' It's the same conclusion Monty Python drew in 'Life of Brian' - if people actually live what he did, it would be a pretty good world. But Jesus and Christianity have a tenuous relationship at best.