It is true that I grew up in an affluent neighborhood and went to a prestigious school. But there were horrors that went on behind closed doors.

My own belief is that there is hardly anyone whose sexual life, if it were broadcast, would not fill the world at large with surprise and horror.

The horror genre is vast and full of brilliance. Stephen King, Shirley Jackson, Herman Melville, the book of Esther. I'll happily join that list.

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

If one book's done this well, you want to write another one that does just as well. There's that horror of the second novel that doesn't match up.

I did try and do some spooky stand up once, and some of my stand-up had - I tried to do some horror stand-up, but it didn't really work very well.

I have a 13-year-old daughter who rents these bloody horror movies, and I can't even walk into the room when she's watching them with her friends.

And the old horror of being a professional writer, and the usual stench of words that goes with it, is begining to drive me out of my seat. (Buddy)

He felt that the darkness was full of unimaginable horrors - and the trouble with unimaginable horrors was that they were only too easy to imagine.

I'm into horror pictures because I love the fear of being alone in the dark, and I'd recommend that to any composer who wants to work in this genre.

Take my wife... please. I'm not saying she's ugly, but when she went to see a horror film, the audience thought she was making a personal appearance.

No person that has enjoyed the sweets of liberty can be insensible of its infinite value, or can reflect on its reverse without horror and detestation

When I first heard of it, I thought it was a horror film. 'Teenage Mutant Ninja Turtles' is such a strange name. I wasn't into the comic books at all.

The basis of all true cosmic horror is violation of the order of nature, and the profoundest violations are always the least concrete and describable.

And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity.

The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.

All these horror movies are slasher film now. I like them, they're fun, but they wink at the audience and you're really not terrified through the movie.

Usually horror in your personal life can translate into some good music. Sometimes. Sometimes it can be really maudlin and boring, and kind of personal.

At this point in my career, it doesn't bother me much that I'm probably hopelessly typecast. I like to work, and horror films definitely keep me working.

L.A is a huge place, literally and metaphorically. Its beauty and horror. Its unconventional history. Its draw and allure. Its diversity and segregation.

There were opium-dens, where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new.

In all the horror films that I have done, all of those women were strong women. I don't feel I ever played the victim, although I was always in jeopardy.

Horror films have been with us forever, so you can't say I originated that in any way, but it sort of brought back a classical way to make a horror film.

You hear a lot of horror stories about proposing and things going horribly wrong - it went really, really well and I was really pleased when she said yes.

There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.

Prison has a universal fascination. It's a real-life horror story because, given the right set of circumstances, anyone could find themselves behind bars.

I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.

Oh, gosh, I have always been a huge fan of horror since I was a child. I know this is going to sound really weird, but I think it started with fairy tales.

A horror film does not rely on dialogues and music. It is the sound of creaking doors, the window banging open and the build-up that is not easy to achieve.

The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.

If we're going to be considered horror filmmakers, we have to prove it not only to ourselves, but to the audience that we can actually make something scary.

Something is wanting, and something must be done, or we shall be involved in all the horror of failure, and civil war without a prospect of its termination.

In my opinion, what 'The Evil Dead' is to horror, 'Hansel & Gretel: Witch Hunters' is to action-fantasy, with these horror elements and a steampunk-y twist.

All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.

The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.

Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.

I love Halloween, and I love spooky stuff. I love horror movies. I love everything creepy, and I've always kind of wanted to do this, just do really dark pop.

Val- I’m on Bourbon– (Acheron) I will not venture down that street of crass iniquities and plebeian horror, Acheron. It is the cesspit of humanity. (Valerius)

Everybody loves a horror story because it's a roller coaster ride -you wait for the slow ride to the top then speed down with all the bumps, twists and turns.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

I have never read horror, nor do I consider The Exorcist to be such, but rather as a suspenseful supernatural detective story, or paranormal police procedural.

Horror films are very functional like comedies. The main thing with a comedy, the big question is "is it funny?" And with horror the question is "is it scary?"

On the day when two army corps may mutually annihilate each other in a second, probably all civilized nations will recoil with horror and disband their troops.

It's not scary to make a horror film because you get to pull back the curtain and see that none of it's real. When you're watching one, the terror bombards you.

We exponents of horror do much better than those Method actors. We make the unbelievable believable. More often than not, they make the believable unbelievable.

I used to look at horror movies as being really real and it would totally freak me out and give me nightmares. Now I watch and think, 'whoa how'd they do that?'

I remember a moment when the Prince went back to his old school, Grammar School in Melbourne, and slightly to his horror his old music teacher produced a cello.

Standardized testing has swelled and mutated, like a creature in one of those old horror movies, to the point that it now threatens to swallow our schools whole.

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