Quotes of All Topics . Occasions . Authors
When you are producing for ABC, you are producing for a big tent network. So when you are thinking about your story lines and characters, you are thinking about broad appeal. When you are producing for a niche interest, you are producing for a different audience.
The conundrum that I face on a daily basis is that I have two sons who have grown up watching 'The Simpsons,' so they know exactly what buttons to push. They know how Bart irritates Homer, and they use these lines against me to tell me that I'm not funny anymore.
The painter doesn't try to reproduce the scene before him... he simplifies and eliminates until he knows exactly what stirred him, sets this down in color and line as simply and as powerfully as possible and so translates his impression into an aesthetic emotion.
In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.
When people communicate freely, when labour force, goods, services and funds move freely as well, when there are no state dividing lines and when we have common legal regulation, for example, in the social sphere - all that is good enough, people should feel free.
I often pose questions to myself and want the answers. The questions may be psychological or emotional. Or they may involve botany or [...] physiology. [...] I am very curious about strangers I observe - as in a bus line. I am very attached to finding out answers.
Though you be sprung in direct line from Hercules, if you show a lowborn meanness, that long succession of ancestors whom you disgrace are so many witnesses against you; and this grand display of their tarnished glory but serves to make your ignominy more evident.
Mary Mackey joins other visionary poets of dpaysement . . . recovering a lost part of herself in the edgy lyricism of the tropics, haunted by fado, forr, and death. The lines are tense with the vulnerability of lovers, strangers, and travelers with no ticket home.
I was usually filled with a sense of something like shame until I'd remember that wonderful line of Blake's- that we are here to learn to endure the beams of love- and I would take a long deep breath and force these words out of my strangulated throat: "Thank you.
In the early 1990s, Americans used their home phone lines to connect their desktop computers to the Internet via ISPs like AOL, Earthlink, or Netzero. Back then, the ISPs didn't have cost-effective technology to select particular sites for blocking or privileging.
I knew that if I wanted to really maintain control, I would have to keep the budget down. And I did. And I feel very fortunate that - y'know, this movie [Don Jon] - frame for frame, line for line - is exactly what I wanted it to be. Nobody made me change anything.
Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.
The first line in the first Gasland is: “I’m not a pessimist. I’ve always had a great deal of faith in people that we won’t succumb to frenzy or rage or greed. That we’ll figure out a solution without destroying the things that we love.” I have not lost that sense.
You learn to laugh at yourself, and you also lean on comedy as a crutch to kind of take the edge off because comedians often are self-deprecating, and they cross lines that they shouldn't. Stuff like that brings a smile to my face every once in a while when needed.
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.
One of my most vivid memories from 1974 was the gas station at the foot of the hill below my Southern California high school - car lines snaking out into the street, heralding the failure of the government's price controls and lame ideas such as odd-even rationing.
The majority of the DC and Marvel comic lines are white male characters, and the minute you make Thor a woman or Captain America a black guy, the Internet is filled with hateful comments and people saying, 'That's not what Captain America is supposed to look like.'
Every day, those on the front lines are putting themselves at risk to help battle the COVID-19 pandemic. I'm honored to be partnering with Sharecare to provide immunity-boosting shots to our local Atlanta heroes and give them the support they need during this time.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.
Make a decision and then make the decision right. Line up your Energy with it. In most cases it doesn't really matter what you decide. Just decide. There are endless options that would serve you enormously well, and all or any one of them is better than no decision.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
A fairly clear line separated advertisement from art. ... The first effect of the triumph of the capitalist (if we allow him to triumph) will be that that line of demarcation will entirely disappear. There will be no art that might not just as well be advertisement.
When I first discovered for myself the Celtic Twilight and read the earlier poems of Yeats and others, all was entirely incomprehensible to me. I groped through a mist of blurred meanings, stumbled through lines in which every accent seemed to be in the wrong place.
I've driven people mad on films that I've made - I want more takes; I want to try new lines. Then I want to interfere in the editing process, and I want to interfere in the advertising process - everything, everything. Pretty much Barbra Streisand in trousers, I am!
If you think of life and death on a continuum, finding the point where it tips is complicated. It cuts across all political lines and gets to the root of our humanity. It requires faith informed by years of intimacy that you're doing what's right for your loved one.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
Their position was perhaps the happiest of all positions in the social scale, being above the line at which neediness ends, and below the line at which the convenances begin to cramp natural feeling, and the stress of threadbare modishness makes too little of enough.
Participant (Productions) is the only production company in town that has a double bottom line: social good plus financial returns. It's too early to tell how our returns are going to look - though all signs are promising - but social good is what we're really after.
The most significant moment in the course of intellectual development, which gives birth to the purely human forms of practical and abstract intelligence, occurs when speech and practical activity, two previously completely independent lines of development, converge.
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
Now is the time to draw a clean, clear, bright line and say if you are engaging in speech over the Internet you do not have to check with your lawyer or your accountant. You are a free American, and you have the opportunity to engage in free speech over the Internet.
In my opinion, all previous advances in the various lines of invention will appear totally insignificant when compared with those which the present century will witness. I almost wish that I might live my life over again to see the wonders which are at the threshold.
The bottom line is about the technique. The little things. Fine-tuning what we have to do. No matter who is out there, maybe theyre not going to be as good, quote-unquote, as the starters may be, but the bottom line for us is to make sure were doing the right things.
In the courtroom, it's where a lawyer really becomes an actor. There's a very fine line between delivering a monologue in a play and delivering a monologue to a jury. I've always felt that way - I've been in a lot of courtrooms. The best lawyers are really theatrical.
Sometimes you start a little further back from the starting line. And you're going to have to work a little bit harder, and push it faster to get to the finish. I'm willing to put in the work, to compensate for other things, to get ahead, to get to where I want to be.
First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture.
A line from one of my 1997 columns - 'Do one thing every day that scares you' - is now widely attributed to Eleanor Roosevelt, though I have yet to see any evidence that she ever said it and I don't believe she did. She said some things about fear, but not that thing.
When I go in front of an audience, I'll admit I sometimes have a certain amount of fear in me, because maybe the people are not going to accept what I'm doing today. That's bad for any artist, especially if what you're doing is not in line with what's happening today.
Venus [Williams] has an amazing line; I love her collection. I'm always at her office. She has an interior design company and her EleVen company. They have a wonderful office space and I'm always there for the interior part and get to see what she's doing with EleVen.
There are certain values that, in my opinion, television has lost - various moral lines. How far you go in, say, revealing what people get up to on reality TV, and also graphic violence and swearing - the taboo of various swear-words is no longer there. It's worrying.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
With Michigan's economic future on the line, we can't afford to have our 500 local school districts marching in different directions. Instead, we need a high standards, mandatory curriculum to get all our students on the road to higher education and a good paying job.
So for me having that element of being able to be competitive wasn't a problem. I'm very competitive. I thought if I could skate first, acting would come second. I could say my lines and then go do what I was saying. You don't have to fake it, you're not really acting.
According to the National Priorities Project, military expenditures are 54% of the budget. The next biggest line item is 7%. And there are a whole bunch of 7 percents. So in short, we have a military budget surrounded by a lot of footnotes. This is not serving us well.
I would drink and drink and then at 3 o'clock in the morning take anything that was put in front of me. And I'd sometimes be disappointed when conventional things were put in front of me. Like, I'd do a line of something and be disappointed to find it was just cocaine.
I don't know if I've got swept up. It's so shocking when you hear that Calvin Klein wants you for their new campaign. You're like "who me?". I guess you have to decide where you draw the line between you saying, this is fun, pretty and fabulous, and being over-exposed.
You get to a point where you have to start planning, when you cross that line where you have enough value to get someone's movie made if you attach yourself to it, you have to be very thoughtful and have to plan. When you're starting out, you're willing to do anything.
I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.
With 'Badhaai Ho,' the lines are so quirky and the situation is so humorous, awkward, and bizarre that people are taking away a lot from the film. The dialogues are amazing. We aren't trying to make people laugh, but the situation is like that, that people are laughing.