So if it resonates with fans - and that's always the bottom line, fans have the final say - then I'm sure we'll see more of it. I'd be honored to do it. I saw the first one today, and I cracked up. I literally laughed out loud. I saw how the sausage was made, and I still laughed.

The life insurance policies advertised on the radio with the line "You cannot be turned down for this coverage!" are actually saying, "For policies this small, it would cost us more to decide whom to turn down than simply to accept everybody - and make them pay through the nose."

The frontiers of a book are never clear-cut: beyond the title, the first lines, and the last full stop, beyond its internal configuration and its autonomous form, it is caught up in a system of references to other books, other texts, other sentences: it is a node within a network.

No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode.

The one thing I think I've noticed about shows that are supposed to be funny on television is that they've sort of become routinized, so there's an awful lot of mannerisms and joke lines that are sort of there to trigger laughter, rather than give actors a chance to play a moment.

In Brazil, the coach respects the player's characteristics. In Europe, they are used to playing with two lines of four players, and they don't want to know what you can do. There, if you are a forward, the coach sends you on to the pitch just to run. You have to run, and that's it.

The game in beauty is changing so much, if your product isn't high tech or can't make a unique performance claim - plump your lips, reduce your lines, look glossy, and stay on for 24 hours - you can't go to market today. I'm not just talking about a $20 lipstick, but a $5 lipstick!

I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.

By 2050, the Australian population is expected to grow from 22 million to 36 million. That increase alone will put huge pressure on our towns and our cities. We will need more homes, more roads, more rail lines, more hospitals, more schools, just to accommodate so many Australians.

I have for many years interested myself in the study of children from three years upwards. Many have urged me to continue my studies on the same lines with older children. But what I have felt to be most vital is the need for more careful and particularized study of the tiny child.

Things don't just happen, they have reasons. And the reasons have reasons. And the reasons for the reasons have reasons. And then the things that happen make other things happen, so they become reasons themselves. Nothing moves forward in a straight line, nothing is straightforward.

Listen, here's reality. It is completely unfair and absolutely necessary that people who have been oppressed and marginalized have to lead everybody. That is MLK, that is Dolores Huerta, that is Fannie Lou Hamer, that is Ella Jo Baker, that is Nelson Mandela. You walk down the line.

I get so disenfranchised reading the news, because global borders and lines we've created are completely unnecessary. That's just another person on the other side, and it's his bad luck that he was born there and it's my good fortune that I was born here. It's all kind of illogical.

Until now their line has been that the Tories are incapable of doing anything about poverty, and aren't interested in doing it in the first place. By contrast, Labour says, we are also incapable of doing anything about poverty, but would dearly love to do something. If we knew what.

I love my life as a missionary, keeping myself on the front lines. The image in my mind is that God, my general, stands at the door when I go out every morning; and, knowing what the war is like, day after day he gives me his most powerful weapon: his Spirit. For this I am grateful.

President Bush deliberately did not apologize for things and that’s because advisers around him, including those there, felt that the press corps would jump on that and down his throat in a way that he couldn’t recover from. So, especially on the war he was very careful on that line.

I remember being in high school, and you had to draw those lines and define yourself. I don't think when I was in high school I would have been willing to admit that I liked the Shins. I was into TSOL and Black Flag. I probably would have listened to the Shins secretly in my bedroom.

Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.

[The Internet] is a series of tubes. And if you don't understand, those tubes can be filled and if they are filled, when you put your message in, it gets in line and it's going to be delayed by anyone that puts into that tube enormous amounts of material, enormous amounts of material.

What I want is a sort of new political realignment on libertarian/authoritarian lines, and I want a new consensus to emerge of disaffected liberals, classical liberals, dissident minorities like gays, small-state conservatives, libertarians, people who basically want to be left alone.

I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.

The universal utilization of water power and its long-distance transmission will supply every household with cheap power and will dispense with the necessity of burning fuel. The struggle for existence being lessened, there should be development along ideal rather than material lines.

I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.

The perception that Donald Trump has softened on immigration or is about to soften on immigration has some on the right concerned that he could lose support among his most loyal base of supporters, though he`d been drawn to his hard-line positions on immigration early in the campaign.

The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.

None of us believes in an untrammelled right to free speech. We all agree there are always going to be lines that, for the purposes of law and order, cannot be crossed; or for the purposes of taste and decency, should not be crossed. We differ only on where those lines should be drawn.

We are expanding and improving the infrastructure of our relations. You must have heard about China's plans to participate in building a high-speed railway line between Moscow and Kazan in the Volga region, in central Russia. And then we plan to extend it to Kazakhstan and on to China.

When people are coming to Krakow and we show them how and where we practice, they are like, 'Seriously? Are you kidding me?' But we're always saying that what matters about the courts - the lines, the nets - are the same. I'm practicing in Poland even when I don't have good facilities.

I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.

For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.

Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.

I'm reasonably easygoing. Messing up my lines or making a fool of myself is where you find my fears. Like a lot of English people, I'm prey to embarrassment - the dread that everyone's sort of sniggering at you, that you're going to look like an idiot. I think that sort of halts us all.

At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.

When you're in L.A., and you're making movies and that kind of stuff, you don't really get a sense sometimes, I think, what the fans are like. But you go into a room with 4,000 people or 2,000 people who know your movie, know the lines, and know the characters; it's really a lot of fun.

It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.

I come from the philosophy of: "Whatever happens to me is the greatest thing that could happen, no matter what." Sometimes in the moment I have a regret, but then I have found myself every time down the line saying to myself: "I wouldn't be here if it weren't for that so called failure."

It's not just that that and that exists. It's that that, that, that, and that all exist in the same frame. I'm always looking for something more. You take in too much; perhaps it becomes total chaos. I'm always playing along that line: adding something more, yet keeping it sort of chaos.

In the longer term, I hope that as Vietnam evolves into a more prosperous society with active ties to the international marketplace, it will lose its inherent suspicion of the outside world and begin to develop along the lines of what has recently been happening in Thailand and Malaysia.

I can draw pencil lines to show something is moving, but if I'm writing, I struggle with how to write it. The boy ran down the hallway? The boy ran quickly down the hallway? The boy ran down the marble hallway? I agonize over the words. So my editor works very hard. I'm lucky to have her.

Generally speaking, I'm a jeans, T-shirt and boots man but I do own an Armani suit, which gets a regular outing. It's nothing fancy - just a classic, well-cut suit with clean lines and beautiful tailoring. It's timeless and you can mix and match it with anything to dress up or dress down.

About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.

When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.

Africans are on the front lines of humanitarian efforts, distributing life-saving aid in dangerous environments. Africans comprise the vast majority of peacekeepers in civil conflict on that continent. Africans for the most part lead peace negotiations for the wars being fought in Africa.

The Communist bloc of old was a study in the failure of failure. Losers in the Soviet economy were the people at the end of the long lines for consumer goods. Worse losers were the people who had spent hours getting to the head of the line, only to be told that the goods were unavailable.

Even in the lives of fishes, sensation is seldom a matter of one thing or another. Senses overlap. The lines between them often tend to be blurred, and the best that we can manage, by way of description from the outside, is to say that the senses of fishes appear to dominate one at a time.

In high school, I was crazy in love, and I would make handmade construction paper valentines every month for our monthly anniversaries. Then I'd go early in the morning and tape one to her car. It sounds sweet, but let's be honest: it was a little weird. I was probably crossing some lines.

I'll sing over some chords, searching, what does [the music] conjure up, where's the melody taking you? I deliberate over the lyrics, I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.

Letting the free market do whatever it wants. That's not been historically how we grow. We have to invest in education, in rebuilding broadband lines and roads and runways, and it's important that we bring back American manufacturing and regulations to prevent consumers from being cheated.

Research shows that if people are talking and listening to like-minded others, they become more dogmatic, more unified, and more extreme. Personalized Facebook experiences are a breeding ground for misunderstanding and miscommunication across political lines and, ultimately, for extremism.

I always change my words in everything I do. I make the language fit, because I know the character from the inside out. Often character actors are not in a position to do that, but I do it. I don't change any cue and I never change anybody else's lines, but I make my own words fit my mouth.

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