In spite of all the skills that I do have, to relate to the normal world I have no applicable skills. I can speak Russian, I can speak French. I know about Chanel. Especially vintage Chanel. I know what Halston is. All of these things, but they can't really be applied to a nine-to-five.

It's something that people relate to - and I hope my kid doesn't relate to - but there's a level of believability in playing complex characters. You know, Christopher Walken has done some hilarious comedies, De Niro. There's great room for complexity and darkness to do well in comedies.

With independent film, simply because they don't have the money to make a big-budget film, they're forced to make a story that's important to them, that they would like to see on film, a personal story that people can relate to, about people, where you can see the love of the characters.

When I was growing up, I wanted to dress like a lot of my idols, but I simply couldn't afford it, or my mother would say, 'Too much make-up' or 'It's too old for you.' So all I've ever worried about is that my fans could relate to me, and as a teenager with the same tastes and interests.

The business of being told to earn a dollar, that no one is going to give you anything - that was kind of my mantra throughout my childhood, and now it's in my adult life. I find that people really tend to relate to the immigrant father, whether he be Italian, Greek, Spanish or whatever.

Women who have managed to get successful normally have had to carve out pretty much their own route for doing it, because there are few roadmaps for how, as a woman, you become successful. You think about having to do it yourself, you carve your own way. Does that relate to being Jewish?

Fundamentalists are crazy. They're the real world equivalent to the evil geniuses of our spy fiction and our superhero comics. They want to mold the world into a specific shape that they really believe in, and if you don't believe in that, if you can't relate to that, it just seems crazy.

This is something I've struggled with a lot: how to relate to the fear in a constructive way. It's not that you eliminate the fear. We have all the fears. That's natural; that's human beings. But how do you deal with the fears, how do you engage with your fears in a way that's productive?

Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.

My life has shifted to different levels financially, in terms of fame as a result of being blessed enough to be able to share my music with the world, and what that has done for me. Despite all of that, I always want people to listen to my music and be able to relate to it as well as to me.

There are so many great YouTubers who might have a hit, but they come and they go. Maintaining and being here, just being able to relate to what's going on and putting my spin on the world, I bring not my age, but my my wisdom, and that's something some of the younger ones can't contribute.

I always tend to write about outsiders. And what's been fun for me is, as I travel around and visit schools, is that other kids that feel the same way relate to some of my characters, and so I hope in some way that's helping them when they want to read about somebody that they can relate to.

It's not my concern to make a commercial pop record. I want to make a record of music that I would listen to, that is lyrically rich and has songs that people can relate to - more along the Jakob Dylan route: people who create for the art of it and not necessarily the monetary rewards of it.

The birth of the search engine, it's nothing new: it's essentially embedded in our literature; it's how ideas relate, how the mind makes connections. I mean, connections are made online through links, and within an algorithm, they're made through degrees of relevancy between different terms.

2014 was a terrible year for me. I got a lot of help from psychiatrists, doctors, and my family, but also from group therapy. I met people from so many different backgrounds, and we were all able to relate to each other. It felt like a real community, and I stole that concept for Gurls Talk.

If you'd asked me then if I saw how big 'The Steve Harvey Morning Show' was going to be, I couldn't tell you. But I knew I could reach people not as a character but as Steve Harvey, because although I tell jokes for a living, I've also lived, and I think I can relate to you more than you know.

Too often in business, only financial data is gathered - and then it is distributed only to management. Other key indicators that relate to performance areas also need to be tracked. Information on performance has to be made available to those people who can best use it - those doing the work.

I was sick and tired of reading other people's epigraphs. They all seemed to be in ancient Greek, middle French or, when they were translated, they never seemed to relate to the book at hand. Basically, they seemed to be there just to baffle you and to impress you with how smart the writer is.

I think we all suffer from guilt at some point in our lives, but for the most part I never really regret, and I try to always remain positive. Yes, I think that those issues are very interesting to play in a character, and they're prominent issues in life, and I think people can relate to them.

If you can laugh with somebody and relate to somebody, it becomes harder to dehumanize them. I think that most of what we are constantly bombarded with in terms of media leads you to a creation of 'the Other' and a dehumanization of 'the Other,' and it's very much an us-versus-them conversation.

So many people wanted an adventure. It was really more about finding the cast that I wanted for 'Expedition Impossible,' so it had good diversity, and people could really say, 'Oh, there's the firefighters, there's the team of cops, there's the grandpa' - so that you can really relate with them.

There's always a fundamental misery that's with me that I always relate to some bit of loss or something. I don't know what it is about me, but even though I'm happy on the surface, there's something there, I guess. So, it all comes from wherever it comes from. I really don't know where that is.

I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.

In the beginning, when I was doing my shows, I was incorporating a lot of Spanish, just trying to be a Latino comic instead of just a comic. Now I try to make the show as broad as possible... I don't want to alienate people. I want to make it so everybody can follow along and everybody can relate.

I feel like Soulja Boy was one of the smartest when it came to connecting with your fans and taking that to another level. That's how you get the real love. Someone will love you, but if they feel like they know you or they can relate to you, it's a real genuine, solid love, even when you're down.

The new freedom of expression brought by the Internet goes far beyond politics. People relate to each other in new ways, posing questions about how we should respond to people when all that we know about them is what we have learned through a medium that permits all kinds of anonymity and deception.

Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'

People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.

People should go see 'Premium' because it's a great story about love and the person who shaped us as the people we eventually become. There are a bunch of laughs as well as poignant thinking moments. It's a story about the human experience, and so many people can relate to it. Plus we need the money!

I think it's very insulting to say, 'White people don't understand.' What are you talking about? You're part of the problem then if you're... speaking and labeling all white people, saying they don't understand the issue or saying they can't relate. That's really not giving people much credit, is it?

The prime reason behind making 'A Flying Jatt' was that there are barely any 'desi' superhero films in Bollywood which Indians can relate to. I wanted to exhibit that a superhero is more than just superpowers and leads a normal life like the others do. I wanted to attach a human factor to a superhero.

Maleficent has suffered abuse in the past, and there's a reason why she is now as furious as she is. And I think that children who have been outcast and abused in any way will relate to her. There's a beautiful side to her; she's not just a dark person. She has all these facets. And that is interesting.

Sitcoms are designed for normal people who just want to turn on their TV and get a laugh. It's not high-brow, you don't have to work so hard, and it's meant to be a relatable genre. That's why I love it so much - my fans are from 8 years old to 80 years old, because everybody can relate to what's funny.

If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.

Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.

If you normally go quiet when you get angry, you may not relate to a character that reacts very differently. But if you see someone internalising the anger like you do, you will immediately identify with him or her. It's these small things that penetrate your psyche and make you relate at a deeper level.

I just want to portray a very honest character that displays traits that people can truly relate to and can help them - the audience and myself because I learn from the characters as well - help them see themselves in a perspective that is outside of what they know already, and grow from that experience.

I think we are challenged in how we define humanitarian action today and how we relate to long-term needs. We are also confronted with legitimate expectations from the people who want us to respond far more thoroughly to their basic pleas than we would have done in a much more contained form of conflict.

Not many people know my father was an actor. He was the Artful Dodger in 'Oliver!,' and was in a film called 'Frauds,' too. It's interesting talking to him about acting, how much you can get turned down, and how not to take that as a discouragement. It's nice to have that element to relate to for us both.

We kind of look at music as something very natural in people's lives. I mean, most of us can relate to music in some sort of shape and form, and if you think about it, most of us remember the first time we kissed someone, what kind of music was playing or the song that was playing on our friend's birthday.

Most of my Muslim friends are politically liberal in a lot of senses. They are far more open-minded than the Christian circles I grew up in, which are, you know, actually scarier. That said, too, I still identify with the teachings of Jesus. I don't think they resemble or relate to modern-day Christianity.

I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal.

Soul music is true to its name. It's music that connects to your soul, your spirit. When music resonates with people's spirit like that, when people can emotionally connect with something or it helps to heal them, transform them, that never goes out of style. People will always need something to relate to.

I think it doesn't matter, the color of your skin; it doesn't matter where you are from. It matters how you relate to people, how you connect with people, and the open-mindedness with which you approach the subject. That's to me what matters when you are making a film, not who you are or where you are from.

Certainly there's a huge appeal to the '60s, because it was such a big turning point to everyone. It was the era of change, the boiling point. People rebelled against things - the hippies, the feminists, the protesters. All these things just built up and boiled over. I think people can relate to that today.

I think there's a whole group of kids out there that don't relate to the glitz and glamour of hanging out in clubs and partying all the time. So I think some people are just more real than that, and I think our fans are those kind of kids that need something to relate to, and I think we're the band to do it.

Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.

I think everyone has shame about something, whether it's a lack of a relationship with a child or maybe their weight or a lack of communication within their marriage. Everyone can relate to that because we all have something that we're like, 'God, I can work on that,' or, 'I wish I was better at doing this.'

Without computers, in the 17th century, we could classify the entire animal kingdom... there was this idea of the speciation, right? And now, all a search engine is is essentially the mathematical speciation of ideas - and these things really derive from the way that language is used and the way words relate.

If I watch something, I want to be wondering what is going to happen next; I want to be engaged in a way that makes me ask questions and think about how I can relate myself to the characters and the issues that are there. But if it's just fluff, and everything is spelt out, I find it difficult to concentrate.

Share This Page