For much of the latter part of the 20th century, Australia seemed to be opening up to something large and good. It believed itself a generous country, the land of the 'fair go.'

The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.

When I was young, I kept a diary for about 10 years and I had to write in it every day. Even on days when nothing seemed to happen, I made myself think of something to put in it.

I think because both of my parents were essentially salespeople, and Italian-Americans, I always seemed to get along with people; I had a knack of finding something to talk about.

Having bought furniture for my own house, and bought furniture for our house in Washington, a furniture store seemed like a good idea, and it also played into my personal history.

I deliver very traditionally, and people aren't threatened. I think if I cursed or seemed wilder, I couldn't get away with the amount of very opinionated politics I get away with.

In February 1969, 25 years ago, I arrived as a young, terrified PFC on this lonely little hill in Quang Ngai Province. Back then, the place seemed huge and imposing and permanent.

In leaving New York in 1957, I did leave without regret the literary demimonde of agents and would-be's and with-it nonparticipants; this world seemed unnutritious and interfering.

Once I'd chosen the songs, it seemed like it would just be a question then of recording them. But it's a case of trying to re-invent the songs; taking them in different directions.

So, that notion of hypertext seemed to me immediately obvious because footnotes were already the ideas wriggling, struggling to get free, like a cat trying to get out of your arms.

As soon as I began, it seemed impossible to write fast enough - I wrote faster than I would write a letter - two thousand to three thousand words in a morning, and I cannot help it.

I grew up a skinny Asian kid who was often ignored or picked on. It stuck with me and branded my soul. As I grew up, I tried to stick up for whoever seemed excluded or marginalized.

I remember, May 1944: I was 15-and-a-half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction.

I was a frustrated astronaut all my life. I grew up at a time when space seemed to have no boundaries, and lots of us presumed humans would be living on the moon and landing on Mars.

When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.

I once had an extraordinary experience with former prime minister Ted Heath. Both of his eyes, including the whites, turned jet black, and I seemed to be looking into two black holes.

My character in 'True Grit' would set these goals for herself that seemed near impossible, but to her they were possible. She was never going to believe anything else other than that.

It occurred to me that I just didn't see how I could go ahead and continue to eat meat. It just seemed so... cannibalistic to me. And so, I'm a vegetarian, and I have been ever since.

I bumped into my cousin after she'd shaved her hair very short, and she looked incredible. She seemed so effortless and cool, and I wanted that. And, I've had it like that ever since.

Given political history in Chile, it seemed to me that there was a critical task of consolidating a democracy and creating healthy civic-military and political-military relationships.

For a long time, I didn't think I wanted to live in the Ozarks or write about the region. It seemed to be a sure recipe for obscurity, and to be obscure was not my conscious ambition.

I did the Kilimanjaro climb a few years ago, then the six-day trek to Machu Picchu in Peru so this bike ride to raise money for Great Ormond Street seemed like the next big challenge.

It often seemed like we had become a nation where the only heroes were rock singers and ball players and that there were no large men of probity who could be called upon for the task.

The participation of the people in their own government was the more significant, because the colonies actually had what England only seemed to have, - three departments of government.

So why sign your name in blood for more? It seemed like a sensible arrangement for me. I didn't sell large numbers of records and the record company paid advances they rarely recouped.

Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.

That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... 'hazel eyes'. It does help if you can brush that stuff off.

It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility.

Port Royal, Jamaica, was built for pirates. The town had a well-protected harbor, corrupt politicians and townsfolk, and a set of ethics that seemed passed down from Sodom and Gomorrah.

I think in the '70s that there was a general feeling of chaos, a feeling that the idea of the '60s as 'ideal' was a misnomer. Nothing seemed ideal anymore. Everything seemed in-between.

The different parts of my career seemed to take part in different rooms, albeit in the same house. It was just the way things were and I didn't actually think much about it at the time.

I was the youngest child and really spoiled. I loved to play make-believe. I loved pretending to be all kinds of different people and it just seemed natural that I would go into acting.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

I was surprised that the TV series was popular itself, but after that it went on to become more popular over the years and thus it seemed eventually that they would turn it into a movie.

Throughout my life I have always been amazed that people couldn't listen to other people, that they couldn't hear their best intent, that there seemed to be an enormous need to demonize.

My Southern heritage is a big part of who I am. I grew up around people who seemed like characters but are actual, real people. My grandmother made sure I had manners and all that stuff.

Boys have a tendency to jump around a lot more than girls. Boys have that desire to want to dunk way more than girls do. It just never seemed like something we could truly fathom and do.

In high school I became a vegetarian more times than I can now remember, most often as an effort to claim some identity in a world of people whose identities seemed to come effortlessly.

I was a new devotee of Eastern mysticism and even though I did not join that particular group, I could well have done. They seemed a bit extreme but I regarded myself as not quite ready.

An entire nation, it seemed, was standing in one long breadline, desperate for even the barest essentials. It was a crisis of monumental proportions. It was known as the Great Depression.

I come from a family of scrap metal dealers, so becoming an actor seemed like a ridiculous thing to do, but I'd found the thing that gave me a kick, and I quickly became obsessed with it.

I would not go so far as to say that the French trade unions attached greater importance to the struggle for peace than the others did; but they certainly seemed to take it more to heart.

I've been lucky enough to stand on both poles, but the place that seemed the remotest to me was Butugychag, a former gulag in Siberia. It is completely cut off from the rest of the world.

I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.

To those of us who remained committed mainly to the exploration of moral distinctions and ambiguities, the feminist analysis may have seemed a particularly narrow and cracked determinism.

I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.

I hope I presented what I felt the woman seemed to be about, but I couldn't give any reason as to why she remained in the relationship other than that their relationship was very special.

I wished to have the time to put together a world view, but there was never enough time, and also, those who had it seemed to have had it from a very young age; they didn't begin at forty.

When I was growing up, I used to watch 'Power Rangers' and 'Ninja Turtles.' It seemed like every movie had someone doing martial arts in it, so I would go around punching and kicking trees.

Palestinians have balked every time their longed-for nationhood has come within grasp. They have seemed to prefer the aggrieved dignity of their resentments to the challenges of nationhood.

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