Quotes of All Topics . Occasions . Authors
I went to SXSW in 2011. God, that was awful. I mean, I only went because my publisher wanted me to promote the book and the organizers invited me and it seemed silly not to go, especially for a relatively unknown first-time author. This is just not my cup of tea; the fewer such events I do on an annual basis, the happier I feel.
My tides were fluctuating, too - back and forth, back and forth - sometimes so fast they seemed to be spinning. They call this 'rapid cycling.' It's a marvel that a person can appear to be standing still when the mood tides are sloshing back and forth, sometimes sweeping in both directions at once. They call that a 'mixed state.'
I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
My coming to faith did not start with a leap but rather a series of staggers from what seemed like one safe place to another. Like lily pads, round and green, these places summoned and then held me up while I grew. Each prepared me for the next leaf on which I would land, and in this way I moved across the swamp of doubt and fear.
I originally welcomed the mobile phone, as it seemed to me that it would enable you to work from anywhere. On the mobile, who was to know if you were sitting on the branch of a tree or sitting in an office? But it instead had the opposite effect: instead of freeing us from the office, it allowed the office to take away our freedom.
Hendrix was the first person I had come across who seemed completely free, and when you're nine or 10, your life is entirely dominated by adults. So he represented this thing that I wanted to be. Hendrix was the first person who made me think it might be good to be a singer and a guitarist - before that I wanted to be a footballer.
I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.
The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
I was in New York on September 11 when those planes hit the World Trade Center. At the time, it seemed like it was a local thing. But three or four days later, by the time we drove across the country in the bus, we realized it wasn't a local thing. You could really feel the states become united. We became the United States of America.
I was always very curious as a young man about why older writers who I met seemed so indifferent to what was going on, whereas I, in my 20s, was reading everything. Everything seemed important. But they were only interested in the writers they admired when they were young, and I didn't understand it then, but now, now I understand it.
I've always believed that government tends to screw up whatever it touches, but Obama in particular seemed different. He understood tech issues that left the other candidates bewildered. Part of it may be his age. But whatever the reason, I had real hope that he could help lead us into a new century of technology leadership and growth.
When the Internet first came into public use, it was hailed as a liberation from conformity, a floating world ruled by passion, creativity, innovation and freedom of information. When it was hijacked first by advertising and then by commerce, it seemed like it had been fully co-opted and brought into line with human greed and ambition.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
I shot all my stuff on 'Arrested Development' in one day, and was brought into a really well-oiled machine. 'Cause it was the last season, and they were wrapping up a lot of stuff because they knew at that point that they weren't coming back. There seemed to be kind of a freedom, and certainly the cast had a great amount of camaraderie.
I would still describe myself as a hacker. I still remember feeling the magic, the sense of discovery, when I first connected to a bulletin board. It seemed like the world was somehow brighter, the greens were greener. Like I'd stepped through a portal to the other side. I knew back then that things would never be the same again for me.
We met because Chad was in one of my classes, and I was looking for someone to write music with. I knew that he wrote his own music, and he seemed nice, so I found out he was going to be in a practice room, practicing his trumpet. He'd already said he was too busy to hang out or hear any new people or work on any music, so I stalked him.
Every person remembers some moment in their life where they witnessed some injustice, big or small, and looked away because the consequences of intervening seemed too intimidating. But there's a limit to the amount of incivility and inequality and inhumanity that each individual can tolerate. I crossed that line. And I'm no longer alone.
In 2007, there weren't any other accelerators, at least that I was aware of. We were almost the prototypical Y Combinator founders: We were highly technical but had never done a startup before. We also didn't know anyone in the Valley - investors, other entrepreneurs, potential hires. YC seemed like a great way to bootstrap that network.
Obama seemed poised to realign American politics after his stunning 2008 victory. But the economy remains worse than even the administration's worst-case scenarios, and the long legislative battles over health care reform, financial services reform and the national debt and deficit have taken their toll. Obama no longer looks invincible.
My mom let me play in her clothes, wear makeup, and I had high heels from a thrift store. My mom tells me that the only reason she let me dress in her clothes is because she couldn't afford any toys, and it seemed entertaining enough and kept her from having to buy me anything, 'cause everything I wanted was in her makeup box or wardrobe.
Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.
Bill Clinton fascinates me because, at the time, it seemed like his shenanigans and the people after him were the biggest political stories you could ever imagine. I remember when the 'Starr Report' was published in the newspaper, all of us were reading it in the high-school cafeteria, and a dean started taking the newspapers away from us.
I became aware of the very complex internal organization in a cell from the basic science classes, and it made me think about how all that could work. It seemed like a great mystery, especially how organelles in the cell can be arranged in three dimensions, and how thousands of proteins could find their way to the right location in the cells.
At first, 'Family Ties' seemed to just be a wonderful project of its time. These were the Reagan years, the new conservatism. Alex P. Keaton quickly became the Fonzie of the '80s, so it seemed very much a product of its time. But I soon began to realize that it went far beyond that. These great family shows transcend whatever time they are in.
I started writing stories at a young age, but not once did it occur to me that I could grow up to be a writer. Who could I look to? My favorite authors were Ann M. Martin and E.L. Konigsburg and Judy Blume, Beverly Cleary and Lois Lowry and Norma Klein. They were all white women, and they seemed so stately to me, so elegant. A whole world away.
I am afraid of aeroplanes. I've been able to avoid flying for some time, but I suppose, if I had to, I would. Perhaps it's a case of a little knowledge being a dangerous thing. At one time, I had a pilot's licence and 160 hours of solo time on single-engine light aircraft. Unfortunately, all that seemed to do was make me mistrust large aeroplanes.
In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.
