Quotes of All Topics . Occasions . Authors
One of the things that I realize is that if you look at big business, I mean, they - and what they fund and what they do, they don't really - they don't fund the small non-profit community-based organizations that really are out there on the front lines helping people. They fund the big philanthropies. They're safe.
What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.
I don't want Washington - let me be perfectly clear - I do not want Washington involved in local education decisions any more than I want them involved in common core. You know, common core was a state-created and state-implemented voluntary set of standards in Math and English that are comparable across state lines.
Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
The corporate sector per se is bottom-line oriented. It can be very corrupt and it is not very principled. That is why I don't think it is sufficient just to have voluntary codes of behavior. I am in favor of legislation which helps to ensure that there is an even playing field and rewards those who play by the rules.
You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
The party lines don't change, that's what makes them a party and you'd be a fool to think that just because there's a black man in there it's not gonna change the real foundation of the system. Especially when you look at his largest contributor to his campaign, AIG, one of the culprits in the economic meltdown itself.
The miraculous revelation of the Old Testament and the New, the miracles of famous men, Jews, Gentiles, or Christians, — then Franklin had no religion at all; and it would be an insult to say that he believed in the popular theology of his time, or of ours, for I find not a line from his pen indicating any such belief.
Freud taught us that it wasn't God that imposed judgment on us and made us feel guilty when we stepped out of line. Instead, it was the superego - that idealized concept of what a good person is supposed to be and do - given to us by our parents, that condemned us for what had been hitherto regarded as ungodly behavior.
...It is a very remarkable fact that the species of shell-fish common to Greenland and Finmark are not all inhabitants of deep or moderately deep water .... That these littoral mollusks indicate by their presence on both sides of the Atlantic, some ancient continuity or contiguity of coast-line is what I firmly believe.
Science and vision are not opposites or even at odds. They need each other. I sometimes hear other startup folks say something along the lines of: 'If entrepreneurship was a science, then anyone could do it.' I'd like to point out that even science is a science, and still very few people can do it, let alone do it well.
People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV.
Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.
But if, if you take a look at what would have happened, I mean, do we need to see soup lines down the street to figure out what would have happened? We avoided - and all economists will tell you that millions of jobs were saved because of the Recovery Act, and we avoided a second Great Depression. That, that is a reality.
As soon as your mind knows that it's on and it's supposed to produce some lines, either it doesn't or it produces things that are very predictable. And that's why I say I'm not interested in writing something that I thought about. I'm interested in discovering where my mind wants to go, or what object it wants to pick up.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I'm two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to be sure the story is as tight as it can be.
But you were a goody-goody, you said.' 'Even goody-goodies think about such things. In fact, I would say that's what defines us. We're always thinking about the things we don't dare do, figuring out where the lines are drawn, so we can go right up to the edge of things, then plead innocence on the ground of a technicality.
I've always been - as a teacher, as graduate student, as a student, and I think, really, as a child - I've been interested in poems, but not so much for what the take home pay is, what you might sum up from them in moral or intellectual terms or whatever, but what's in the certain lines and how lines relates to other lines.
At first it was the incomes of corporations, then of rich citizens, then of well-provided widows and opulent workers, and finally the wealth of housemaids and the tips of waitresses. This is all in line with the ability to pay doctrine. The poor, simply because there are more of them, have more ability to pay than the rich.
When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
It has been said that genius is only the power of making continuous effort. The line between failure and success is so fine that we scarcely know when we pass it. We are told that there is no failure, except in no longer trying - no defeat, except from within, no really insurmountable barrier save our own weakness of purpose.
They tell you to memorize your lines, follow your light, and hit your marks. Those are the three things that you shouldn't do. You should not learn your lines, you should not hit your mark, and you should never follow your light. Find your light - that's my opinion. Everyone else will tell me I'm wrong, but that's my opinion.
We live in a quick-fix society where we need instant gratification for everything. Too fat? Get lipo-sucked. Stringy hair? Glue on extensions. Wrinkles and lines? Head to the beauty shop for a pot of the latest miracle skin stuff. It's all a beautiful £1 billion con foisted upon insecure women by canny cosmetic conglomerates.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
For a Nabokov fan, paging through 'Fine Lines,' which includes a critical introduction and several essayistic evaluations of Nabokov's scientific oeuvre, can feel a bit like reading the second half of 'Pale Fire': one is confronted by a content-rich, almost dementedly tangential commentary on an increasingly inscrutable work.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
I don't even know why, but I've just always done it - I don't walk on handicapped parking spaces. I don't like to step on the blue lines. I always step over them. I don't know what the deal is. I don't know if it's a fear of injury, or a disrespectful thing, or if I just don't want to think about something like that happening.
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
Regular geometry, the geometry of Euclid, is concerned with shapes which are smooth, except perhaps for corners and lines, special lines which are singularities, but some shapes in nature are so complicated that they are equally complicated at the big scale and come closer and closer and they don't become any less complicated.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
The bottom line is that the true test of one's commitment to freedom of association doesn't come when he allows people to associate in ways he approves. The true test of that commitment comes when he allows people to be free to voluntarily associate in ways he deems despicable. Forced association is not freedom of association.
In 1941, the BBC was setting up local, low-powered transmitters that were switched off if there was an air raid so they couldn't be used by German planes to navigate. As a 'youth in training,' my job was to switch the transmitter on in the mornings and off at night, and to check that it, and the feeder land lines, were working.
Sense of smell, of course, is only one of those dog qualities that can't be replicated or improved upon. I've been researching dogs in warfare for my book about 'Rin Tin Tin,' and I've read many accounts of their heroics: carrying messages through battle, alerting troops to enemy planes, and even parachuting behind enemy lines.
So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all.
I think my most famous was 'Poco's Legend.' It's a white album with a simple line drawing of a horse. It almost has a Picasso feel to it. I remember that Rusty Young, the lead singer of the band, said, 'I want you to draw a horse for the song 'Legend,' which is about a phantom spirit horse. I want you to do it in several lines.'
The fact of the matter is that today, stuff-selling mega-corporations have a huge influence on our daily lives. And because of the competitive nature of our global economy, these corporations are generally only concerned with one thing - the bottom line. That is, maximising profit, regardless of the social or environmental costs.
"Which is completely out-of-line behavior. Then you are wholly within your rights to stomp on their foot." "No," Delia said, over her shoulder. "Actually, you're not. Just excuse yourself as politely as possible, and get out of arm's reach." Kristy looked at me, shaking her head. "Stomp them." she said, under her breath. "Really."
From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.
That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
When you hear you're going to audition for 'Dogfight,' the show about bringing ugly women to parties, you're like, 'Oh, great, thank you.' Then you read lines where people call you fat, and you call yourself fat or ugly, and it can wear on you. But that's also our dream as actors, to play someone else and give someone else a voice.
I've always had to conquer fear when I'm on stage. Basically, I was and still am a very shy person. It's absolutely in conflict with what I do. But once I deliver the first joke I'm okay. It's like I'm out there all by myself just delivering my lines to nobody in particular without ever trying to notice the audience in front of me.
I have stood on the front lines of the health care system as a doctor, patient and concerned parent. Those experiences have served as my guideposts throughout the struggle to reform America's health care system. And it's those same experiences that tell me that fear and election hysteria should not overshadow the reality of reform.
You look at Superman, the story of an orphan coming to America, keeping his identity secret and even the names, Kal-El and Jor-El, you can trace lines to the background of the creators, Jerry Siegel and Joe Shuster, both Jewish. Overall, there was a remarkable confluence of events that led to the medium and the Jewish participation.
When I grew up in India, telephones were a rarity. In fact, they were so rare that elected members of Parliament had the right to allocate 15 telephone lines as a favor to those they deemed worthy. If you were lucky enough to be a wealthy businessman or an influential journalist, or a doctor or something, you might have a telephone.
Somebody once told me, ‘Manage the top line, and the bottom line will follow.’ What's the top line? It's things like, why are we doing this in the first place? What's our strategy? What are customers saying? How responsive are we? Do we have the best products and the best people? Those are the kind of questions you have to focus on.
I grew up with the understanding that the world I lived in was one where people enjoyed a sort of freedom to communicate with each other in privacy, without it being monitored, without it being measured or analyzed or sort of judged by these shadowy figures or systems, any time they mention anything that travels across public lines.
The federal government neither has the power to site transmission lines, nor do we build them. That's done, as people know, in their own communities. The siting decisions and the permitting is done at the local level, or by state governments if it's interstate in nature. And federal government - this is one area we have no authority.