Quotes of All Topics . Occasions . Authors
For the oppressed peoples and classes, for the peoples and workers who have taken control of their destiny, Marxism is a shining path, a sun of hope and certainty that never sets, a sun that is always at its zenith.
Cops and criminals aren't that different. They just play by different sets of rules. And the lines get blurred. There's no such thing as 'right' and 'wrong.' There's always a grey area. There are always hypocrisies.
Scale is very easy actually. Put a camera on a jib or a drone and get bloody big shots on big sets, it's very easy. But then you're distracted. If you're looking at the shot, you aren't following the story any more.
When media coverage sets up a binary opposition between 'the accuser' and 'the accused,' there is no longer a victim or even an alleged victim - a flesh and blood person who was harmed by the violent act of another.
I have five television sets. (I like to think of them as a set of five televisions.) I have two DVR boxes, three DVD players, two VHS machines and four stereos. I have nineteen remote controls, mostly in one drawer.
We have fluctuations all the time, business cycles, and they come about in various ways, but normally what sets them off is some reduction in the willingness of our population, our businesses, and foreigners to buy.
Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
So often, religion is identified in terms coined by Christianity as sets of belief. But I had the sense that it not only involves practice, but also emotion and levels of our experience that are almost precognitive.
In Japan, they have TV sets in cars right now, where you can punch up traffic routes, weather, everything! You can get Internet access already in cars in Japan, so within the next 2 to 3 years it's gonna be so crazy!
You can be technically strong, and focus all your efforts on elements like casting, music, cinematography and sets, but they are all just add ons. End of the day, filmmaking is really about how well you tell a story.
I actually can't watch blood and gore and all those things. I watch Netflix shows with my hand over my face, like, peeking out. Which is funny, because I'm on sets all the time, and I know how those effects are done.
I like signing books for a living; I do. But you have no idea the panic that sets in. I am not a very good speller. Put me in a stresser situation, and I lose all capacity to recall how to spell the most simple names.
The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.
When I was working on 'Night Falls Over Kortedala,' I was listening a lot to 'Graceland,' the Paul Simon record. I really got into the lyrics on that album. The opening line is so brilliant, the way he sets the scene.
There is one common thing in superstars - enthusiasm and humility towards their work. Off sets, they are big stars for others, and they carry themselves the way they want to. When they are working, they are not stars.
If a lobbyist sets up shop, or a lawyer, in which they're receiving income through what is something like a tax loophole so that it's not counting as corporate income, that is what this is counting as a small business.
America has a black president, but there are no black studio heads, and there just aren't that many black people working anywhere on film sets, let alone in positions of power in Hollywood. That's what needs to change.
I came to feel very, very sentimental about those sets, which is ludicrous, because they represent everything which is transitory and insubstantial. It's absurd that one should feel sentimental about timber and canvas.
I started working when I was very young. I got an agent when I was 12, and fortunately was employed consistently from that point on. So I didn't really go to a conventional high school. I was tutored on sets and things.
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
People think 'big data' avoids the problem of discrimination because you are dealing with big data sets, but, in fact, big data is being used for more and more precise forms of discrimination - a form of data redlining.
The environment on the sets of the movies I make, it's usually all friends and people that know each other, because no one's getting rich or making money, so it's always about, hopefully, that everyone's on the same page.
There's no question that my son is better prepared for college than I was. He manages his time better, is more efficient and more directed, and spends less time in lines and more time doing exactly what he sets out to do.
I don't believe that Donald Trump is a racist, per se. But some of the things that he does, some of the rhetoric that he uses, attracts racists and that sets the tone. And of course, you are judged by the company you keep.
Television is so influential that when an audience sees you day-in and day-out there's a certain acceptance that sets in; you're no longer a threatening personality. They become more willing to accept whatever you present.
I met with an accident while performing for a show in Colombo. I couldn't see because of artificial fog that was on the sets; I tripped and hurt my head. I had to undergo surgery, and shave my head because of the stitches.
It used to be if you wanted to be a comedian, you used to just do sets. You'd go up three times a night, just get better, and then some people would see you and you'd do 'The Tonight Show,' and then boom, you're a comedian.
I watch an awful lot of television, and I get a little tired of what I see... We have about six television sets in our house, and it's less expensive for me to do a television series than it is for me to throw them all out.
On the sets of the movie 'Manto,' I found that one of the challenges of embodying real-life stories is the mixed medium of facts and imagination, and how one's collage of experiences colour ones representation on celluloid.
Even the greatest player of all times loses sets or is down in a match. It just shows that, you know, a win is never guaranteed. It shows all of us that we have to work for every point, fight for every point no matter what.
Students take out loans with the expectation that they will receive an education that sets them up for success - yet too many students are left with enormous debt from predatory institutions and no education to show for it.
I don't think anyone ever sets out to make a crappy movie, but there are a lot of forces working against those people who are trying to make something decent. There are a lot of fine lines to walk and small battles to fight.
The presidency is the most visible thread that runs through the tapestry of the American government. More often than not, for good or for ill, it sets the tone for the other branches and spurs the expectations of the people.
I didn't intend 'Hector' to be a self-help book when I first started writing. I wrote it as a little tale about a psychiatrist, like me, who sets off around the world in order to discover the vital ingredients for happiness.
Why are we, as a nation so obsessed with foreign things? Is it a legacy of our colonial years? We want foreign television sets. We want foreign shirts. We want foreign technology. Why this obsession with everything imported?
I've given just as much of my life to that, and I practiced it with the same zeal, as I have acting. And I think that many of my skill sets from being a housewife I used for producing. Because you don't stop until it's done.
I have been able to have a family and to dedicate quality time to my two sets of twins and my husband, as well as to serve on the boards of The Michael J. Fox Foundation for Parkinson's Research and Montefiore Medical Center.
Two actors who have different motivations and skill sets can work together and be magic. Charles Grodin and Robert DeNiro technically couldn't work more differently, and yet they made 'Midnight Run,' which is a genius comedy.
I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
In 2009, novelty toymaker Maxfield & Oberton released Buckyballs, sets of curiously powerful magnetic marbles that became the most popular cubicle toy since the Rubik's Cube, selling more than 2 million units in 15 countries.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.
As an actor on sets, I've always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.
Your morning sets up the success of your day. So many people wake up and immediately check text messages, emails, and social media. I use my first hour awake for my morning routine of breakfast and meditation to prepare myself.
If, for example, all the codons are triplets, then in addition to the correct reading of the message, there are two incorrect readings which we shall obtain if we do not start the grouping into sets of three at the right place.
It's not something someone sets out to do - I never really set out to make movies about strong fighting women, but it just seems to happen that way. I've certainly known some, and I think my sister was probably a big influence.
I went to university - I never would have gone to university through football. I've got a degree. I've got a master's. I've met some amazing people, I've lived my dream. I've picked up so many skill sets that I never would have.
You won't see me at a microphone singing and tapping my foot. I spend a lot of money on sets, costumes and sound. I believe people deserve a show. I'm a singer, musician, dancer. I work hard, and I'm soaking wet when I come off.
Every time somebody tries to go in and reinvent what we do, it always ends up being more about technology and sets, and flash and dash, forgetting the main thing, which is interesting people saying interesting, important things.
There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.