From the moment my dad died, from the moment I found out there was the possibility of his dying, there were many surprises - years after, minutes after. The moments I was okay were as surprising as the ones that I wasn't. Making it through the eulogy without losing it. And then the guilt I felt about it. Surprise!

I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.

The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.

I find as long as I acknowledge the truth of something, then that's it. I know what it is and then I can operate. But if I overestimate the downside of something or the challenge of something and I get too obsessed about the difficulty of it, then I don't leave enough room to be open to the upside, the possibility.

You are not thinking hard enough if you are sleeping well. And you would have to be unhinged to take on a subject like the French Revolution, or Rembrandt, and not feel some trepidation. There is always the possibility that you will crash and burn, and the whole thing will be a horrible, vulgar, self-indulgent mess.

Continuing on my theme of backing inclusive innovations, I am optimistic of the success of Uniphore. Man-machine communication is one of the more complex problems to solve. Uniphore's vision lends possibility of finding a solution to this very difficult problem, and the company has already made substantial progress.

Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.

We would look up at the night sky together, and although Stephen wasn't actually very good at detecting constellations, he would tell me about the expanding universe and the possibility of it contracting again and describe a star collapsing in on itself to form a black hole in a way that was quite easy to understand.

The possibility of my presidential candidacy emerged spontaneously in public opinion polls. For my part, I noticed people's affection when I was doing work on the ground. I think the important thing is that my candidacy was born from citizens themselves, driven by the people and which the parties picked up favorably.

I was asked to do a test commercial shoot for an Apple product which didn't mean much to me at the time. Some music player that holds all your songs. Sounded cool to me and I never gave up an opportunity to work, especially with the possibility of it turning into a national commercial. Coolest job I did in that time.

In fact, I think - our view of this is that while the agreement, the compromise did not achieve the kind of super-sized deficit reduction that we sought, it did end the uncertainty around the perception, the possibility that the United States might default on its obligations for its first time. That was a good thing.

Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.

With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.

If we don't accept the uncomfortable proposition that every perpetrator of virtually every act of evil in our history has been a human being like us, then we actually foreclose the possibility of understanding how we do this to one another and therefore make it impossible to figure out how we might prevent these things.

I grew up accepting that my nationality was not depicted on TV or film. To be honest, it was something I didn't acknowledge as a kid. But once I realized my love for acting and the possibility of pursuing a career in it, I quickly noticed the absence of Asians in general and thought, 'Well, I'm gonna try to change that.'

I was in my early 20s when Estonia joined the E.U. For a kid who'd grown up in the Soviet Union, it seemed like my country had come of age. For a country that had been isolated and cut off from the rest of the world, it seemed like we were becoming part of the global community. It opened a whole new world of possibility.

Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always Live in the Castle,' Mark Danielewski's 'House of Leaves,' Victor LaValle's 'Big Machine,' Charlotte Perkins Gilman's 'The Yellow Wallpaper,' Stewart O'Nan's 'The Speed Queen,' and so many more.

It was always intriguing that flies had two peaks of activity, in the morning and evening, with a siesta during the day and not very much activity at night. There are several ways to explain that, but one possibility was that there were two clocks running - one governing the morning peak and one governing the evening peak.

I want to open up investment even further so over the summer we'll launch a consultation on indirect investments in social enterprises - including exploring the possibility of a new scheme based on the success of venture capital trusts which will enable investors to pool their funds to support a variety of social enterprises.

In the past, I used to counter any such notions by asking myself: 'Would you really want President Hattersley?' I now find that possibility rather cheers me up. With his chubby, Dickensian features and his knowledge of T.H. Green and other harmless leftish political classics, Hattersley might not be such a bad thing after all.

My four years in Russia end, then, in dramatic fashion: with a textbook Soviet-style expulsion. I am the first western staff correspondent to suffer this fate since the end of the Cold War. I'm stunned. But my expulsion is not, I reflect, a surprise. It's something I have always accepted as a real, if far-fetched, possibility.

In the classic 70s episodes, Columbo is rarely seen on his own. We typically do not see Columbo 'for himself,' only for the criminal, leaving the possibility that the entire Columbo persona - his shambling manner, his absent mindedness, even his references to his wife - may all be a performance designed to disarm the murderer.

I think as the world changes, we have to keep up. We have to note what is happening, and I think writing has always had a powerful corrective influence and possibility. We have to write about what's good, and we also have to write about parts of our culture that are not good, that are not working out. I think it takes a new eye.

Part of why making Pinwheel is so fun, is so exploding with possibility, is that a note, like a photo, can be a container for all kinds of things. It is the perfect social object. Stories, advice, jokes, diatribes, information, memories, facts, advertisements, love letters, grocery lists, and manifestoes can all be put into a note.

I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.

Originally, I was against gay marriage because I was opposed to all marriage, being an old-fashioned gay bohemian. The straight people I knew in the sixties were very much opposed to it. I was, too, and it was never a possibility for gays, but when I saw how opposed the Religious Right was to it, I thought it a fight worth fighting.

Is there any possibility of giving international air travel, which we all need and use and hate, a touch of glamour, or even of reliable, soulless efficiency? I suspect future historians will puzzle over our failure. But by then, of course, we shall be in the age of mass space travel, with its fresh and unimaginable crop of horrors.

Another parent's different approach raises the possibility that you've made a mistake with your child. We simply can't tolerate that because we fear that any mistake, no matter how minor, could have devastating consequences. So we proclaim the superiority of our own choices. We've lost sight of the fact that people have preferences.

I saw 'Hamilton' when it was at the Public, and I just wept profusely in my seat because this is a form I love deeply, and to watch it be reinvented in such a genius, gifted way and executed by such a brilliant company of human beings, I was overwhelmed with not just appreciation for the piece of work itself but for the possibility.

Our greatest theoretical physicist, Stephen Hawking, recently declared that humans have no more than a hundred years to get off this planet to ensure the survival of our species. And when someone such as he does so, it is with an understanding not just of the science, but of both our tenuous place and our possibility in the universe.

The ability to send applications by post allows fraudsters to apply in false or stolen identities without fear of arrest and to make multiple applications in the hope of getting one through. It allows the possibility of passports being applied for with the photographs of people who are outside the U.K. and seeking to enter illegally.

When I get the possibility of using a character like Bruce Wayne or Dick Grayson, I try and think about what's most exciting or interesting about them as a person, so I try and think what they are at their core, or what piece of their psychology do I gravitate toward that I respect, and I'm excited by it when I read books about them.

I understand a ship to be made for the carrying and preservation of the cargo, and so long as the ship can be saved, with the cargo, it should never be abandoned. This Union likewise should never be abandoned unless it fails and the possibility of its preservation shall cease to exist, without throwing passengers and cargo overboard.

What you end up seeing when you look at history is that people who have been good at pushing the boundaries of possibility, and exploring those frontiers of good ideas and innovations, have rarely done it in moments of great inspiration. They don't just have a brilliant breakthrough idea out of nowhere and leap ahead of everyone else.

I always think my job is like any other job. Every job has good and bad parts, and mine is to be a musician. I know why I started making music and I always knew there was no plan B. I'm passionate about it. I love being in the recording studio and researching sounds with the possibility of discovering something new. That motivates me.

This, I thought, is what is meant by 'thy will be done' in the Lord's Prayer, which I had prayed time and again without thinking about it. It means that your will and God's will may not be the same. It means there's a good possibility that you won't get what you pray for. It means that in spite of your prayers you are going to suffer.

I always remind my team to take a step back and ask themselves, 'Why are we doing this?' For us, 100% of the time, it is to better serve our patients, consumers, and customers. This is a great question to come back to when your team is losing focus; it reduces stress and mobilizes people to get excited about the collective possibility.

The voice is like a man, like ourselves: we all feel melancholic about what we have lost, the things we could do when we were young. But having the possibility to still perform is wonderful. The voice loses elasticity as you age, but on the other hand, maybe you are more mature as an interpreter, maybe your approach to singing deepens.

If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.

We have many accommodation owners - people who own small hotels, villas and bungalows - and the digital economy has opened up a world of possibility for these business owners. Now, they can sell to and communicate with people around the world, and where Booking.com comes in is to help these accommodation owners adapt to the digital world.

I really want to have a possibility of going into the Hall of Fame one day. I think that's huge with a lot of baseball writers and old school guys. Of course, that's not the main goal - the main goal is winning a World Series. Hall of Fame is so far away. It's just something I've always thought about doing. I want to be as clean as I can.

Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.

One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.

For me, I believe that Dale Jr. has had a big part in kind of stunting the growth of NASCAR because he's got these legions of fans and this huge outreach of being able to reach different places that none of us have the possibility to reach, but he's won nine races in 10 years at Hendrick Motorsports and hasn't been able to reach outside of that.

We don't have to kind of be in cycles of conflict if we can find other ways to resolve these issues. We can do things that challenge the conventional thinking that, you know, 'AIPAC doesn't like this,' or 'the Israeli government doesn't like this,' or 'the Gulf countries don't like it.' It's the possibility of improved relations with adversaries.

I've heard from lots of organizers in the [Bernie] Sanders campaign, both paid and unpaid. I have heard from lots of them. We have not heard from the Sanders campaign. I do not expect to hear from the Sanders campaign. But you know, it's not over until it's over. So we remain open to that possibility. As Bernie said himself, it's not about a man, it's a movement.

When I imagined my life, I always thought I'd be in my mid-30s before I felt capable of marrying. But I suddenly found that I'd met somebody and I said, "Screw it. I'm not gonna sit here saying, 'Oh no, I'm not ready,' and regret not having done this later on and the possibility of not having this person around." I thought, I'll jump into it and we'll figure it out as we go along.

I only use the computer for editing. I don't have an eight-track, otherwise I probably never would have bought a computer. When I first got my Mac, I was exploring its possibilities and had fun with all of the sound hacking software, but I'm not interested in that approach. I toyed with the idea of releasing a 12-inch of all the stuff I did early on but good sense prevented me from doing so.

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