Quotes of All Topics . Occasions . Authors
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
I formulated the theme behind 'The Grand Illusion' album after observing how American culture creates illusions through advertising and entertainment to convince us that our lives our lacking, in order to sell products.
In the broader American culture - the mainstream media, the world of the arts and entertainment, the high-tech world, and the entire enterprise of public and private education - conservatism suffers a decided ill repute.
The Christian church in the U.S. is still strong numerically, but it has lost its decisive influence both in American public life and in American culture as a whole, especially in the major elite institutions of society.
Holiday binge-buying has deep roots in American culture: department stores have been associating turkey gluttony with its spending equivalent since they began sponsoring Thanksgiving Day parades in the early 20th century.
'Luke Cage' came out in 1972 at the height of the blaxploitation era. It was a literary response to this notion of blaxploitation movies. It was the first time in American culture that Hollywood was embracing black movies.
Even some of us who make movies underestimate their influence abroad. American movies sell American culture. Foreigners want to see American movies. But that's also why so many foreign governments and groups object to them.
It is a quirk of American culture that each generation of nonconservatives sees the right-wingers of its own generation as the scary ones, then chooses to remember the right-wingers of the last generation as sort of cuddly.
There's been an unquestionable decline in American culture. The education system is thin on the ground. People don't read as deeply and at length as they used to. And the media has been scattered into so many cable channels.
I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture.
I was born in San Francisco's Chinatown in 1948 but grew up in a black neighborhood. During elementary and middle school, I commuted to a bilingual school in Chinatown. So I did not confront white American culture until high school.
At the end of the day, when I kick back with some barbecue and a CokeZero in front of a blockbuster film playing within the convenience of my fully air-conditioned house, I'll say a small prayer thanking God for the American culture.
I grew up in Sweden. It's a profoundly Americanized country. We have a strong tradition of Americana and always had non-dubbed American television, and embracing American culture a lot, so I always knew that I wanted to go to America.
In the long, nonillustrious history of white people pilfering African American culture, have I just perpetrated that? I'm motivated by a love for the music and by a love of the performances, and I really hope I haven't done anything bad.
France, and the whole of Europe have a great culture and an amazing history. Most important thing though is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
VW has held a beloved place in American culture. When I graduated from college, many of my friends drove across the country, and most hit the road in a VW van or Bug. Through the years, these cars have represented youth, freedom and quirkiness.
Besides Christianity and specifically Catholicism being wonderful, Christmas is intrinsic to American culture and worth defending. Think of what happens at Christmas time. People play Mariah Carey Christmas songs... What else do you need in life?
In the mid-1980s, there was a grassroots desire for American culture. Maybe it was not a definite harbinger to what was to come in terms of the fall of the Soviet Union, but it certainly gave a heads up to the global merging of the retail culture.
Saturday night at my house, I often trot out classic movies and force the urchins to watch them. There is much wailing and gnashing of teeth, but I think it's important to teach kids about American culture, and films are certainly a big part of it.
The sum total of what I learned about African American culture in school was Martin Luther King Jr., Rosa Parks, and the Underground Railroad. This was more than my mom knew; she didn't even see a black person in real life until she was 18 years old.
Well, do I think watching 35 hours of TV a week is a terrific thing to do? Not particularly. But do I think you're shutting yourself off from a lot of American culture if you are so completely isolated from what goes on, on popular TV? Yeah, you are!
The most important thing about Jazz at Lincoln Center is the fact that it's the first time that perhaps the most important art form in American culture has a place to really exhibit itself and dedicated to its own particular conditions of performance.
American culture is probably the least Christian culture that we've ever had because it is so materialistic and it's so full of lies. The whole advertising world is just, it's just intertwined with lies, appealing to the worst of the instincts we have.
It's interesting in American culture. We like to build people up and then push them off the pedestal, and then we want to see them come back. Like Britney Spears, and a lot of people, it's what we do, and it's not like that in other parts of the world.
Pro wrestling has always been ingrained into American culture. It was one of the first things that was ever on television, so everybody watched it. Countless people tell me, 'I got into wrestling because my grandfather watched it.' It was always there.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
Canada has, at times, represented itself as a country in a valiant struggle against powerful and menacing agents that are indifferent to its special practices and sensibilities - most especially American culture. It's the old, outdated garrison mentality.
One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories.
What they will try to do is get symbolic victories. Symbolism is important to them. They have little else. But they will strike, I believe, at centers of media, of financial, of American power, of American culture; and that is where we should place our bet.
I think a lot of American fans or people that read about us - they think that we're trying to be a part of the American culture, like all these Swedish kids that love America. We rap in English, so I guess there's something, but we're very Swedish, actually.
Traveling, I've met Ghanaian people who have seen me in minor stuff, but they see the name Ato Essandoh, and they recognize it as a Ghanaian name. They come up to me and are always so excited. You don't think about it, but they really absorb American culture.
In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.
New York is not the centre for American culture and art that it once was because of the forces of conservatism. Giuliani, capitalism - and then there was 9/11. I really believe that if I leave, it will suffer! Maybe that's why I love it here, because I feel wanted.
People don't realize how black people, minorities, women as well, all their lives, they have had to make the effort to understand everybody else. All my life, I've known American culture very well. I probably know American literature more than the average American.
Although, at times, soccer is a challenge to mind, body, and spirit, fundamentally, the progression of the U.S. women's game and those who play it reflects a distinctively American culture, rooted in our struggle, shared aspiration, hard work and self-determination.
People ask if I miss it, but they don't understand that American culture is so ubiquitous that there's nothing to miss. I don't see myself moving back. It's not that I hate the United States. I just always thought it would be a shame not to live in a foreign country.
I think there's a lot of anesthesia being - that's been pumped into American culture, the mass media television, various forms of entertainment, and the illusion of wealth that we now understand to be an illusion as well as the illusion that America is a world power.
When I did 'Esquire,' I did a lot of celebrity covers, but the celebrity cover was Hubert Humphrey as a dummy, sitting on Lyndon Johnson's lap and aping his feelings about the war. I did celebrity covers that made a difference in what was going on in American culture.
Jamestown changed the world in many ways, but perhaps it shaped our nation most profoundly the day Africans arrived. I can't think of a more relevant place to talk about the issues facing our community today than the place where African culture became American culture.
Magical realism allows an artist like myself to inject layers of meaning without being obvious. In American culture, where there is freedom of expression, this approach may seem forced, unnecessary and misunderstood. But this system of communication has become very Iranian.
You know, you learned that very young in American culture that the feminine boys don't do well. And yet, I had a dad who was a lieutenant colonel in the army. My dad was a man's man, but he still adored me. And somehow in the midst of that, I still grew up hating the sissy in me.
Teenagers, especially girl ones, seem like the perfect canary-in-the-coal-mine characters to me. They capture American culture and its perversion, its hypocrisy - how absorbed we are with youth and beauty and sexualized imagery, for instance, while preaching abstinence and modesty.
In Chinese culture, it wouldn't occur to kids to question or talk back to their parents. In American culture, kids in books, TV shows and movies constantly score points with their snappy back talk. Typically, it's the parents who need to be taught a life lesson - by their children.
The law exists for a reason. There is a dominant American culture that people used to want to preserve. That's going by the wayside, too. But if it's now okay for an illegal alien to practice law in California, then can anybody else who's broken the law get a law license? And if not, why not?
Over the years, we settled into American life and embraced it fully. But having come from a different culture, I didn't know the boundaries of American culture. Which is that, as a girl, you didn't play football or soccer at lunch with the boys, and to be cool, you didn't get into math Olympiad.
In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
I love and admire the American culture and the American dream. I learnt so many things about the American shoe industry and marketing strategies. I caught the secrets of American casual wear, that is elegant and wearable, retro and modern, and mixed it with an Italian touch, luxurious and handmade.
Whether you look at 'Glee' and its normalization of gay identity or you look at the work of Martin Scorsese and the Italian-American community, American culture is able to take these stories, which are seen as marginalized, and just turn them into American stories. And you don't think twice about it.
I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
Compared with members of other nations of Western civilization, the ordinary American is a rationalistic being, and there are close relations between his moralism and his rationalism. Even romanticism, transcendentalism, and mysticism tend to be, in the American culture, rational, pragmatic and optimistic.