Quotes of All Topics . Occasions . Authors
Carla Lane's 'Butterflies' seemed to be on in our house at all times when I was a kid, as did 'The Good Life.' But it was 'Fawlty Towers that made me really sit up for the first time. Basil's incandescent rage made me howl.
One tended to lose one’s bearings in the presence of willful and persistent acts of craziness, and the more gentle the act, the crazier it seemed, as if rage and violence, being closer to the norm, were easier to accommodate.
I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through.
It would be impossible to estimate how much time and energy we invest in trying to fix, change and deny our emotions - especially the ones that shake us at our very core, like hurt, jealousy, loneliness, shame, rage and grief.
I spend most of my time in California. I feel I am fueled by rage and by the political climate there. I am angry most of the time when I am there, which might be unbearable for someone else, but for me it's fuel for my writing.
I have moments of darkness, of anger, and moments of rage. They do creep up at the most inopportune times. Not to recognize that in my music would give people a sense of sainthood that I don't necessarily have or even want to have.
No one can sustain rage for long. I am still angry and always will be. My dear son was stolen from me and his family to never return. He was killed for profit and lies. How can I not be angry? Sometimes though, the rage comes back.
Oklahoma residents are known for not backing down from a fight in the political arena, on the gridiron, NBA courts or rodeo arenas, but in their reaction to the bombing, they knew intuitively they would not find restoration in rage.
I had a trainer during 'Spiderman,' and I discovered I have deep-seated rage when I'm holding heavy weights over my head. Whatever dormant anger I have in me, that's where it comes out. That's not the kind of working out I want to do.
The Green Lanterns are very forward and very courageous, very forceful. The Red Lanterns are out of control, and they're not in their right mind because when we're angry or in rage, we say things and we do things we wouldn't normally do.
What is forgiveness? An emotion? A coping mechanism? An element of deepest faith? A way for the heart and soul to combat the type of hate, anger, rage and a thirst for revenge that could ultimately consume a person? All of those and more?
Grandfather was an old-fashioned pharmacist who never ceased venting his resentment at the growing number of retail items the drugstore had to carry, and he would go into periods of fearful rage when the subject of chain stores was raised.
In one sense, every character you create will be yourself. You've never murdered, but your murderer's rage will be drawn from memories of your own extreme anger. Your love scenes will contain hints of your own past kisses and sweet moments.
People like to make fun of the fans who camp out but people have renaissance fairs; people do Civil War re-enactments; people do what they like. I'm tired of hearing people rage on the fans. If you don't like 'Twilight,' don't buy a ticket.
Intellectual despair results in neither weakness nor dreams, but in violence. It is only a matter of knowing how to give vent to one's rage; whether one only wants to wander like madmen around prisons, or whether one wants to overturn them.
If right now our emotional reaction to seeing a certain person or hearing certain news is to fly into a rage or to get despondent or something equally extreme, it's because we have been cultivating that particular habit for a very long time.
Man's constitution is so peculiar that his health is purely a negative matter. No sooner is the rage of hunger appeased than it becomes difficult to comprehend the meaning of starvation. It is only when you suffer that you really understand.
When I was working on Eye of the Beholder, I played a character who is so aloof that my whole lifestyle became very aloof. If someone knocked on my door, there was a part of me that went into a rage, because I wanted to be isolated and alone.
I was a woman writing at the early moment when small drops of worried resentment and noble rage were secretly, slowly building into the second wave of the women's movement. I didn't know my small-drop presence or usefulness in this accumulation.
No one's banging down my door. People see the way I look, and they don't feel threatened, but they should watch out for me. They don't know there's a steel rod that drives me. I get ticked off, and the rage just gets me going. My motor is anger.
Jerry Seinfeld is amazing in many ways, not the least of them his ability to find humor, and convincing us to find it, too, in the million-and-two details about modern life that under different circumstances might send us into paroxysms of rage.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
There are all sorts of shades of gray when you're working on economic policy and tax policy and health care policy. There's no gray on this issue, to me. This is a gun lobby that is raging out of control, that doesn't even represent its own members.
I was stuck in a wheelchair playing this deranged villain. I felt this mass amount of rage at being so confined. I thought, 'What can I do that is the direct opposite of this situation?' The only thing I could think of was that I could sing and dance.
I guess I felt straight when I was allowed to get married. Now I feel queerer because I'm not. It's the only thing that's changed. I wouldn't measure it in icon status or how much my demographic has changed, but in the rage I feel, and being not equal.
I have lived a life that has been beautiful and painful at some moments. But I am convinced others can learn how to control a certain kind of rage that bubbles up in many Americans, particularly, but not limited to, women, blacks, and other minorities.
When you're a confused 19-year-old filled with questions you can't even articulate and a kind of black rage that feeds at your heart from the moment you wake up in the morning, and you discover Marcus Aurelius' 'The Meditations,' that changes your life.
Once I started on 'Frances' I discovered it was literally a bottomless well. It devastated me to maintain that for eighteen weeks, to be immersed in this state of rage for twelve to eighteen hours a day. It spilled all over, into other areas of my life.
Another woman approached me while I was having lunch at the Russian Tea Room in New York and told me that the reason she had become a lawyer was because she had read 'Rage of Angels'. To me, that kind of feedback has more meaning than any sales figures.
I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.
Death Row had a lot of artists. They had Snoop, the Dogg Pound, the Lady of Rage, and there was other artists that was also on the label, so it was a big list and a long wait. I didn't want to wait that long, so I started branching off and doing my own thing.
Young kids who are out there who are upset and angry, they can watch this and realize that you can speak out through your pen and not just with rage and anger, and challenge the people who are telling you things that you don't like to hear, like 'Hamilton' did.
We were happy with funding 'Rage' on our own nickel for years. We intended to do the same with 'Doom 4'. We had offers early on for 'Rage'. People offered us X million dollars. But we carried the risk, and when we finally signed a deal, it was X plus $10 million.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
To me, this is from a Buddhist perspective or whatever, sometimes people who are working out their political beliefs, they can rage against the man, and yet at the same time can be oblivious to their own way of stepping on the foot of the person right next to them.
As a stand up, and often in acting, there is no place for the most intense feelings. Rage, genuine sorrow, naked hope... These things don't fit on a comedy stage and if you act you'll get to express them once in a while. Music is a place for the intensely personal.
I was recommended for the role in 'Sharmeelee' by Sunil Dutt who admired my performance in 'Sawan Bhadon' and 'Reshma Aur Shera.' 'Sharmeelee' was a movie I did at a time when my career base was just building and back then I never expected it to become such a rage.
Yet, it ought to be obvious that good music generally occupies a higher plane that mere politics. Great writers can express moods through melody and capture experiences we share most powerfully - love, lust, longing; joy, rage, fear; triumph, yearning and confusion.
The first line in the first 'Gasland' is: 'I'm not a pessimist. I've always had a great deal of faith in people that we won't succumb to frenzy or rage or greed. That we'll figure out a solution without destroying the things that we love.' I have not lost that sense.
The crimes against Palestinians in the Occupied Territories and elsewhere, particularly Lebanon, are so shocking that the only emotionally valid reaction is rage and a call for extreme actions. But that does not help the victims. And, in fact, it's likely to harm them.
No one tells you that your life is effectively over when you have a child: that you're never going to draw another complacent breath again... or that whatever level of hypochondria and rage you'd learned to repress and live with is going to seem like the good old days.
When Arnold Schwarzenegger vetoed the same-sex marriage bill, my blood was boiling. I had been silent, but that night, Brad and I watched the news and saw all these young people pouring out on Santa Monica Boulevard venting their rage, and I said, 'I have to speak out.'
Of the seven deadly sins, anger has long been the one with the best box of costumes. When the guy in the next car rages at you, he's dangerous. When you rage at him, you're just. We can usually recognize the results of anger, especially in others, as destructive and evil.
Black Lives Matter started from a post that I put on Facebook after the acquittal of George Zimmerman. I woke up in the middle of the night sobbing, just trying to process what had happened and wanting to find community around being in a lot of grief and having a lot of rage.
I've grown up with jazz - the Joe Hendersons, Oliver Nelsons, Miles Davis and stuff - but I was also listening to, like, Slipknot, Korn, and Rage Against the Machine. There was all of that weaved - interweaved - in there, and being from L.A., you tend to know your musical history.
The greatest luxury is not driving. I didn't own a car until I was 30, and that was a Rolls-Royce, so it was cheaper to insure a chauffeur. I never want to drive again. My mind is always on other things. I hate parking, and I'm very short-tempered and would get road rage, I'm sure.
What about Hong Chau? In typical supporting-part fashion, she shows up halfway through 'Downsizing,' already shrunk, an imperious Vietnamese house cleaner with a limp and sharp angles. The movie's satirical cleverness upstages its rage; then Ms. Chau proves she's capable of managing both.
Each one hopes that if he feeds the crocodile enough, the crocodile will eat him last. All of them hope that the storm will pass before their turn comes to be devoured. But I fear - I fear greatly - the storm will not pass. It will rage and it will roar, even more loudly, even more widely.
I detest jokes - when somebody tells me one, I feel my IQ dropping; the brain cells start to disappear. But something is funny when the person delivering the line doesn't know it's funny or doesn't treat it as a joke. Maybe it comes from a place of truth, or it's a sort of rage against society.
At Moscow's Bolshoi Ballet Academy, I studied under a brilliant and fiery teacher. This tiny, stuttering old man flew into a rage if his students' white socks failed to reach mid-calf level. Nor could he tolerate floppy hair. We wore hairnets to class - an athletic brigade of short order cooks.