Quotes of All Topics . Occasions . Authors
It's movies like 'Love, Simon' that are so pivotal because it's this sweet rom-com that you would watch about a straight couple, but it's two guys. It feels natural and real and just charming. I would love to see more movies like that.
I've actually published two compilations, if only barely. Hire a private detective and possibly you'll be able to locate them. One was called 'Violent Screen,' and the other 'Now Playing at the Valencia.' Bantam and Simon and Schuster.
Wikipedia's a collaborative experiment akin to Simon Winchester's account of the creation of the Oxford English Dictionary in 'The Professor and the Madman,' which outlines James Murray's mission to produce the tome in the 19th century.
My expectations for myself were never high. I had a very unusual way of writing songs and of thinking about music. I wasn't at all like Bob Dylan or Simon and Garfunkel. I was completely different - I didn't have a David Geffen at my side.
It was a weird stage of my life, to leave Simon & Garfunkel at the height of our success and become a math teacher. I would talk them through a math problem and ask if anyone had any questions, and they would say, 'What were the Beatles like?'
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
I love Radiohead, which most people don't expect, and I listen to everything from Stevie Wonder to Steely Dan, Carole King, The Beach Boys, The Kinks, Beyonce Knowles, Vampire Weekend, The Beatles, Joni Mitchell, Burt Bacharach, and Paul Simon.
I never went to school for writing, never took a writing class, but when you're in a room with David Simon and Ed Burns and Dennis Lehane and Richard Price, and they're going over something you've written, you learn what works and what doesn't.
The rest of my family are obsessed by 'The X Factor:' I'm intrigued by it, although its musical values are far away from mine, like a cup of tea with 400 lumps of sugar in it. There's something very strange about Simon Cowell's lips, isn't there?
I didn't know anything about the fashion industry until I met the stylist Simon Foxton on a Tube. I was 16, on my way to Kingsway College, and then my whole world opened up. Before that, like in every African family, you are meant to be a lawyer.
I was told that the fact that I had nothing but good things to say about Judith Regan distinguished me. I enjoyed writing for Judith. I really enjoyed working with Victoria Wilson at Knopf, and Simon & Schuster, they've all been great experiences.
From 1983 to 2000, William Goren stole more than $30 million from investors on Long Island and in Queens. His favorite targets were widows and retired couples, like Helga and Simon Novack, Holocaust survivors who gave Mr. Goren their life savings.
The thing that is so touching about - I can come right up and call him Mr. Simon. The thing that's great about Mr. Simon is he really uses the audience as a partner, and they tell him what's working and what's not. So he's always working on a play.
My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.
Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time.
You never see yourself as that interesting. You're like, 'Really? Me? You want a picture with me? I'm boring!' But if I saw somebody like Simon Pegg or Johnny Depp, or one of my heroes, I'd get totally starstruck and want to go ask them for a picture.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
In my own work, I don't have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from 'The Mortal Instruments,' and also Tessa from 'The Infernal Devices.' They're more sort of bookish and shy characters.
I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.
I remember being obsessed with 'The Score' by The Fugees. I used to listen to a lot of really melodic music with a lot of harmonies. The Beach Boys used to make me happy, and Simon and Garfunkel, and I used to listen to a lot of film soundtracks as well.
This guy Simon Helberg, who's in 'Florence Foster Jenkins,' I might have been vaguely patronizing to him because he hadn't done films before. Gradually, you realize, not only is the guy a much bigger star than me, he's maybe the richest man I've ever met.
Simon Monjack had nothing to do with 'Factory Girl.' He filed a frivolous lawsuit against us... making bogus claims that we had stolen his script. He held us literally to hostage and we were forced to settle with him as he held our production over a barrel.
Nowadays I'm more interested in what you'd call 'alternative.' Lately we've been listening to a lot of Mumford & Sons, and Jenny Owen Youngs. I'm also pretty crazy about the Kings of Convenience, a Norwegian band that's been compared to Simon and Garfunkel.
Simon Bolivar, when history led him - and as Karl Marx said, men can make history, but only as far as history allows us to do so - when history took Bolivar and made him the leader of the independence process in Venezuela, he made that process revolutionary.
I had another version of 'We Dance' that was kind of glam-rock. It was a little 'Taking Care of Business' mixed with Simon and Garfunkel. But on the album, I did it in a down-and-out way, like the Frogs or David Bowie or something - a little torch song thing.
I've followed Brenda Bowen as she's moved from Henry Holt to Scholastic to Simon and Schuster to Hyperion and to HarperCollins. I have complete confidence that Brenda always knows the right questions to ask. I'm not sure another editor would be able to do that.
Carly Simon abandoned the stage for seven years after collapsing from nerves before a concert in Pittsburgh in 1981. When she resumed performing, she would sometimes ask members of her band to spank her before she went onstage, to distract her from her anxiety.
What I loved about playing Ms. Albright in 'Love, Simon' is that, so often, when we speak of allies in the queer community, we don't really get to see what it means be an active ally. I love that she can step into this world with these kids and be a truth teller.
In everyday life, I'm pretty much T-shirt and jeans guy - a soft LnA shirt, cool APC jeans, Nikes or Jordans. If I'm going to an event I like to wear a suit, sometimes a three-piece. I'm into brands like Simon Spurr - I think he makes great suits - and Dior Homme.
A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
I've had the pleasure of working in the U.K. a few times before. I've shot a few movies there before. One of them was Neil Simon's 'London Suite,' which was based on his play. I also shot a film in Dublin, a little film with Bernadette Peters, called 'Bobbie's Girl.'
Simon Bolivar turned over all of his land. He freed all of his slaves, and he turned them into soldiers, and he brought them here. He brought them to Peru and Carabobo, and he worked together with the troops of San Martin to liberate this continent. That is Simon Bolivar.
One of the biggest obstacles I've overcome in my life was thinking I didn't deserve to be successful. Artistically I'm not as much of a heavyweight as someone like Paul Simon or Joni Mitchell, because I'm not a creator of original music, and I worried about that for years.
I taught myself to play the guitar by listening to Paul Simon records, working it out note by note. He is an incredibly intelligent musician. He's not someone who has a natural outpouring of melody like McCartney or Dylan, who are just terribly prolific with musical ideas.
I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.
I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing.
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I listen to WTF with Marc Maron, although I'm getting annoyed with him, he's a bit too intrusive and fawning. But he's done some great interviews in the past, like with David Simon, the writer of The Wire, and Bruce Springsteen. He gets fantastic guests. I just wish he let them talk more.
To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has to have quality, substance, atmosphere.
'Simon' was always a word-of-mouth book. When it came out in 2015, I don't know that anybody thought that 'Simon' could be mainstream. Publisher Harper Collins loved it in-house, but it wasn't a lead title. Nobody is more surprised than me that it's a film. It's the little book that could.
I remember Simon O'Donnell being struck with cancer during Australia's 1987 World Cup campaign. I know very well what it is like to have a teammate who has been struck with a potentially fatal disease. He fought through: managed to get himself back to 100% fitness and back to playing again.
I'd asked for things like the 'Footloose' soundtrack and Michael Jackson's 'Thriller' for my birthdays, but I remember walking what felt like miles to this cassette shop called The Warehouse to buy Paul Simon's 'Graceland,' U2's 'Joshua Tree' and a Roberta Flack album. I had pretty good taste.
Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
I think someone like Khandi Alexander, who's now on 'Treme,' is one of the most extraordinary actresses I've seen in years. But she's dependent on someone brilliant like David Simon to realize that and to give her a forum. Tyler Perry's not interested in that kind of nuance because it doesn't sell.
While 'The Wire' feels startlingly lifelike, it is not, in fact, a naturalistic depiction of ghetto life. That kind of realism better describes an earlier miniseries of Simon's, 'The Corner,' which was based on the book of the same title that he and Ed Burns wrote, set in the same Baltimore ghetto.
One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.
I was the first judge in the 'Indian Idol' format. The biggest risk when you adapt a format from a country in the West is how to make it your own, so I remember at the press conference for Indian 'X Factor,' the press would ask, 'Who is Simon Cowell?' And I said 'Why don't you ask Simon Cowell, 'Who is Sonu Nigam?'