Moment Quotes - Page 20

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I have a big passion about civil rights for everyone - whoever is being downtrodden at the moment, it doesn't matter: racial discrimination or sexual orientation or gender. Whatever it is, I'm there. I think I was a born civil rights activist. I can't stand the smashing of a community. It's not fair and it's not right.

The first time I watched a World Cup game was in 2002. That was the first time Senegal had ever qualified for the World Cup, and it was great moment that I will never forget in my life. I was ten years old at the time, and that experience of watching my country in a World Cup is what inspired me to become a footballer.

We're losing social skills, the human interaction skills, how to read a person's mood, to read their body language, how to be patient until the moment is right to make or press a point. Too much exclusive use of electronic information dehumanises what is a very, very important part of community life and living together.

You don't have to be the sexiest girl or the most talented person to have the X factor. X factor is something you are born with that is your own. And the moment that you realize how to tap into that quality that you have within, and how to bring that individuality out of yourself, that is when you discover the X factor.

What they really do during boot camp above all else is they create conditions of extreme stress - whether through sleep deprivation or the cold and muddy weather or just noise or whatever it is - and you have to make decisions, not just for yourself, but for the Marines you're supposed to be leading at any given moment.

Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.

I don't think it's a coincidence that 'The War Room' and 'A Perfect Candidate' are films that have been consistently shown and available for rental for 20 years. These are films that are more about the moment in which they were filmed: they also have a great deal to say about larger issues about who we are as a country.

I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.

For hundreds of millions of people, the fall of the Berlin Wall was a great triumph: The moment marked the end of hated dictatorships and the beginning of a better era. But for the KGB officers stationed in Dresden, the political revolutions of 1989 marked the end of their empire and the beginning of an era of humiliation.

There is a universal, intelligent, life force that exists within everyone and everything. It resides within each one of us as a deep wisdom, an inner knowing. We can access this wonderful source of knowledge and wisdom through our intuition, an inner sense that tells us what feels right and true for us at any given moment.

Having done a lot of magazines, I'm very curious how big magazines handle big stories, and I was very curious to see how 'Time' and 'Newsweek' would handle 9/11. And I was basically pretty disappointed to see that they had chosen to show the photo we'd already seen a million times, which was basically the moment of impact.

That moment in 'Broadcast News' where Holly Hunter is told how great it is to be the smartest person in the room, and she cries and says it's awful - I definitely have moments like that sometimes, moments when introspection and drive can be lonely-making. And it doesn't help that I have a partner who is very work-oriented.

I want to walk the red carpet at the Oscars. I am in awe of the ceremony, and winning an Oscar would be the most magical moment of my life. I want to make that speech and hold that trophy and say, 'This is for you, India.' That's the line I have rehearsed for God knows how long. But that has to be for a Hindi language film.

There have been times I've planted stuff in songs where four years later I'll be singing it from a subconscious, kind of chameleon little lizard mind... and at a certain moment, all of a sudden, I'll hear a line from a different vantage point and it'll change its meaning. It's something I wrote but it changed because I did.

Sometimes a game comes at just the right moment in your life. 'Flower' is beautiful, serene, and a bit of sunshine in a gloomy world. I remember going through a rough spot in my life and turning on 'Flower' for a little break in the day. You fly through luscious landscapes collecting petals and painting the world with life.

I think I went through my phase of feeling sort of invisible when I left my small hometown in Canada and moved to the big city of Vancouver. I kind of had to decide right there in that moment what I was going to do with the rest of my life and make a thousand decisions after finishing high school. Fortunately, I chose acting.

From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.

Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.

There's a theory about fame: the moment it strikes, it arrests development. Michael Jackson remained suspended in childhood, enjoying sleepovers and funfairs; Winona Ryder, an errant teen who dabbled in shoplifting and experimented with pills; George Clooney, a 30-year-old commitment-phobe, never quite ready yet to settle down.

The liberal entertainment industry is a fickle world. So it's about living in the moment, and it's about being clear with it and understanding that this is another opportunity to step up the staircase a little bit and create some newer opportunities and get involved in some other projects, as well as possibly creating your own.

If you're wondering what I mean by 'miracle,' it's simple: a miracle is a shift in perspective from fear to love. A miracle can be the moment you choose to forgive your ex-lover and let go of decades of resentment, or the moment you recognize that losing your job was not a tragedy but an opportunity to follow your true calling.

The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.

We were at a kibbutz, and we were at a Shabbat service, and I opened up the prayer book, and on the first page, it said that the prayer book was in thanks to the sponsorship of this family in a temple in Kansas City. For me, it was a moment when I really kind of connected in a real serious way with my personal identity as a Jew.

In a single moment we can understand we are not just facing a knee pain, or our discouragement and our wishing the sitting would end, but that right in the moment of seeing that knee pain, we're able to explore the teachings of the Buddha. What does it mean to have a painful experience? What does it mean to hate it, and to fear it?

There's really no such thing as the agony of dying. I'm quite sure that pain is shut off at the moment of death. You see, something happens when the body knows it's about to go. Peptide hormones are released by cells in the hypothalamus and pituitary gland. Endorphins. They attach themselves to the cells responsible for feeling pain.

Being in school, whenever I laughed or smiled, I would turn to find someone staring at me with this terrible hatred and disgust. I had to control everything - control my voice, control my facial expressions, control my hair and my clothes, and where I walked and where I sat - at every moment. I think that drove me to terrible anxiety.

I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.

Coding, it's an endless process of trial and error, of trying to get the right command in the right place, with sometimes just a semicolon making the difference between success and failure. Code breaks and then it falls apart, and it often takes many, many tries until that magical moment when what you're trying to build comes to life.

The mind and the body are inextricably entwined, and rarely are their inseparability clearer than when we're under some kind of mental pressure. The moment we start trying to learn a new skill, make a decision or otherwise think on our feet, our nervous system reacts - with accelerated pulse rate, increased respiration, even sweating.

All generations think the present moment is the greatest but also have this fascination with before their time. I do the same thing. I see old British movies. I'm like, 'Man, I would love to be in London at that time.' But then I wouldn't be able to watch 'The Walking Dead,' I wouldn't have cable, and my pizza options would be limited.

I think my darkest days were probably when I was catering. I would go to these parties and pass out hors d'oeuvres, and it's like you're invisible. I remember one catering captain told me that all you are is a tray that comes into their space for a moment and then you leave. It was one of the most depressing things I've ever been told.

When I was a kid, and God was talking to me about music, I was like, 'Okay, I'll sing mainstream music,' because I was afraid to sing Christian music to alienate my friends. Honestly, it was going on 'Idol,' having that kind of exposure, that I realized there's something different about me. I just crave God being a part of every moment.

Every person remembers some moment in their life where they witnessed some injustice, big or small, and looked away because the consequences of intervening seemed too intimidating. But there's a limit to the amount of incivility and inequality and inhumanity that each individual can tolerate. I crossed that line. And I'm no longer alone.

Working with photographer Mario Testino on Bulgari's 2017 global campaign in Italy was an incredible moment for me. I could see the Vatican from set! I got to play this powerful character during the shoot, and it was such an honor to represent that. My favorite pieces are from the Serpenti collection. It's distinctly Bulgari - very sexy!

At the Cruiserweight Classic finale, I said... I don't know if people had looked it up, or if they had heard it before, but it was an old Zen proverb. 'Before enlightenment, chop wood, carry water. After enlightenment, you chop wood, carry water.' It can be interpreted a lot of ways, but for the most part it's about staying in the moment.

I work out like a maniac, three times more than anything I did in the past. I am off carbs, salt, sweets, and live on a fish diet. And I promise I am not going to indulge in food again. See, when I was 49 years old, I was fine, but the moment I touched 50, I felt that something within me had changed drastically. My metabolic rate dropped.

I have been waiting for someone to come along and tap into that very real frustration that exists in a very large segment of the working-class Republican base. And no one had done it until Donald Trump. I very clearly saw a void, and I knew somebody would fill it. And the moment I knew he had filled it, I knew he would win the nomination.

'Deal or No Deal' works nicely with my ADD/ADHD symptoms. I show up, meet the contestants, and move around the set. I'm not stuck behind a pedestal reading trivia questions. I've always had problems sitting still and listening for long periods of time. The show spares me these challenges. I can live in the moment. It's like a standup act.

I think football is a game where people come together and football should bring everybody together, whether it is religion or skin colour or where you come from. We should be happy to enjoy that moment together, those 90 minutes where we can show love. Because I think football is love - and when love is not there, for what should we play?

Some days, 24 hours is too much to stay put in, so I take the day hour by hour, moment by moment. I break the task, the challenge, the fear into small, bite-size pieces. I can handle a piece of fear, depression, anger, pain, sadness, loneliness, illness. I actually put my hands up to my face, one next to each eye, like blinders on a horse.

There is not one particular moment that can account for the shift from the social issue concerns of 19th-century evangelicals into the state of American evangelicalism today. Some historical moments are telling. The rise of biblical criticism in the 19th century forced evangelicals to make choices about what they believed about the gospel.

When I was young, I had an 'aha' moment in church. There was a thing called testimony service, and somebody would sing a song, and everyone else would join in, finding a note where they fit. During one of those, a light went on in my head. In that moment, I heard everything - Parliament, the Staple Singers, Curtis Mayfield, Prince - in there.

Camera lies all the time. It's all it does is lie, because when you choose this moment instead of this moment, when you... the moment you've made a choice, you're lying about something larger. 'Lying' is an ugly word. I don't mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.

Consider a tree for a moment. As beautiful as trees are to look at, we don't see what goes on underground - as they grow roots. Trees must develop deep roots in order to grow strong and produce their beauty. But we don't see the roots. We just see and enjoy the beauty. In much the same way, what goes on inside of us is like the roots of a tree.

Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. 'Ah, you worked with Werner - how was it? How did he direct you?' I was Fassbinder's actor.

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