Quotes of All Topics . Occasions . Authors
If you look at previous generations, even where they didn't open up power, you look at an early Xbox 360 or early PlayStation 3 games and compare those to the ones that came at the end. The developers are just getting better. So time is far more important than opening up a little bit here or there, though it does all help.
I did a little bit of acting - some guest spots here and there. I got a job working as a therapist doing individual and group crisis intervention and family therapy. I did that for two years. I left to do 'Boston Legal.' So my psychology career has been interwoven into my acting career, and it's my safety net and fallback.
Not every relationship works, and that is the truth, and I don't care whether you're a movie star or just a person on the street, normal life. Everybody's normal, relationships are always normal. I think movie stars have a little bit harder time because the cameras are on there all the time. But you have to be who you are.
There's a misconception that, as you have success with a band for a long time, things get easier, and that's not necessarily true. It's harder to keep connecting with that fire that got you started in the first place when you're amongst all the politics in the business, and just having a little bit of that looming pressure.
I enjoy putting myself in situations where you are nervous, but you need to enjoy yourself also. I've done skydiving, bungee jumping. I quite like those sensations - when you feel a little bit nervous and you don't really know where you are going. It's a quite good sensation that I love. I like the speed; I like everything.
For me, success isn't even about money. It's about getting to do what you love and supporting yourself. Everything that comes after that is bonus, unless your only goal is to be rich. If that's your goal, you're going to find out that once you have a little bit, you want a lot. Then once you have a lot, you want a lot more.
Three thousand people died at ground zero. Their families are entitled to a little bit of respect, to respect the memory of those poor people that died there. And how about the families of all those soldiers that died in the two ensuing wars? Aren't they entitled to a little bit of respect - the kids, the wives, the parents?
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
My greatest beauty secret is being happy with myself. I don't use special creams or treatments - I'll use a little bit of everything. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look is to do with how you feel about yourself and your life. Happiness is the greatest beauty secret.
I feel very fortunate that while I had a little bit of personal panic or maybe a little internal struggle as a teenager, really coming to terms with the fact that I was gay, and also knowing I was going to have to tell my family. And, how was that going to affect things? And would it affect things? And ultimately, it did not.
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
For me, it's the unexpected and surprising combinations of produce that are the most exciting and lure me into the kitchen for a little bit of experimenting. Apples and sweet potatoes together? Who knew? Carrots with grapes? Okay. I may not be Julia Child, but I can do pretty well with a simple recipe and a lot of enthusiasm.
I always have a ping-pong table in the studio. If you're with an artist and you notice the situation is going south a little bit, it's like, 'You wanna play ping-pong or foosball?' Or, 'You wanna go grab somethin' to eat?' And then you just like talk to them and relax them and get them comfortable and get yourself comfortable.
I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.
I find that when you do yoga, you don't crave unhealthy food. But I try to always let myself eat whatever I want. I have dessert or chocolate every day, but I'll only have a few bites. I try to have a little bit of cereal in the morning, and then I always try to have protein for dinner, too. But I eat pasta and stuff like that.
The liberal entertainment industry is a fickle world. So it's about living in the moment, and it's about being clear with it and understanding that this is another opportunity to step up the staircase a little bit and create some newer opportunities and get involved in some other projects, as well as possibly creating your own.
I walk in, and people go, 'Oh, look who it is! It's the devil! Speak of the devil!' It's fun. I'm having a lot of fun. I'm not going to lie. It's a little bit like being able to say anything you want to and getting away with it. 'Rush' was fun because he thought he was immortal, but this is more fun because Lucifer is immortal.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
A perfectly fitted sheath dress that can take you from day to night is something that every woman should have in her closet. You can't go wrong with black, but a little bit of color is nice. I love a lot of color, personally. You can accessorize a sheath dress. Look at how Michelle Obama accessorizes clothes to make them her own.
With 'Free Agent Nation,' I was figuring out how to write a book along with writing the book. Now I think I've kind of, sort of figured out how to write a book a little bit better. But the process remains not that different - slow; laborious; tiny, incremental progress each day, punctuated by feelings of despair and self-loathing.
What if the Soviet intervention was a blessing in disguise? It saved the myth that if the Soviets were not to intervene, there would have been some flowering authentic democratic socialism and so on. I'm a little bit more of a pessimist there. I think that the Soviets - it's a very sad lesson - by their intervention, saved the myth.
There's something about the Pacific Northwest, the scale of it, and the fact that not so long ago people came here and died getting here, and then died the first winter they were here. There's this breathtaking beauty, just a little bit of moss on the tree, just this little thread of danger, and the sinister. And I really like that.
Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue.
You have to have a big vision and take very small steps to get there. You have to be humble as you execute but visionary and gigantic in terms of your aspiration. In the Internet industry, it's not about grand innovation, it's about a lot of little innovations: every day, every week, every month, making something a little bit better.
I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
I think the corporate world is pretty starved for personality. The reason you have comic strips like 'Dilbert' and sitcoms like 'The Office' is that people just can't be genuine human beings in a corporate environment. So if you can really be your own self, even if it's a little bit different, I think people are really drawn to that.
I'm a little bit superstitious, and I think that just comes from playing hockey. I won't avoid the number thirteen. A big one for me, though, is walking under a ladder. I've always felt like that's tempting fate. That's just throwing it right in their face. Check me out. I just walked under a ladder. What are you going to do about it?
There is no difference between the way we see basketball; the way we execute is a little bit different. The way he uses his right shoulder, drop-step to his left hand, is a thing of beauty. There is no doubt in my mind that Pau will be a Hall of Famer because of what he brought to the game, and there's no such players like him anymore.
What is news? It's hard to quantify. Certainly news has changed completely, and the morning shows are not really designed to bring you the news, except to tell you what happened overnight, and the rest of it is a kind of magazine mentality - a little bit of this, a little bit of that. It's harder to be an educated and informed citizen.
I went to UMass-Amherst and was like, 'I want to work in news, I want to be a journalist.' Then I got there and was like, 'what kind of crap is this?' They inflate everything. It will be like snowing outside, like just a little bit, and they are like 'Giant storm coming, batten down the hatches!' and I just didn't like that aspect of it.
I do two cups of coffee with a little bit of raw sugar and soy creamer, and then I do a bowl of plain oatmeal with walnuts and blueberries. Now, if I could do what I really wanted to do with my life, every morning I would have a salami-and-cheese omelet with hash browns and a buttermilk biscuit - and pancakes. But my heart would explode.
From the get-go, I was wise enough to say, 'Well, I'm playing rhythm 'cause Angus could really soar with the leads.' I used to mess around a little bit with lead at the time but not much; Angus, he was just so much better; he just went for it, and it was brilliant. My place was sitting with rhythm, and I love rhythm. I've always loved it.
Getting stopped in the middle of the lingerie section, when you're trying to stock up on a few things, by an older man who wants a selfie is a little bit awkward... but I don't let that get in the way of me trying to do normal things, because that is when I get to interact with people as well. Preferably not amongst the underwear, though.
'Paris Is Burning' was only just a glimpse into what was happening within the ballroom scene. The difference is that 'Pose' is opening the lens a little bit more, and it's diving into the personal lives of these women who fought for their kids - who raised their kids to be strong individuals so that they can move on and have a legacy, too.
I think Korea is so focused on just the charts, and what's going to chart and what's not, and I'm sure it's like that way in the States as well, to a certain degree. But I enjoy working in the States a little bit more. Because it's more about making music that is the right sound and the right fit to me, not so much just chasing the charts.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.
I burned down my dorm room freshman year. I was that kid. When you live in small quarters with two guys, the smell in the room starts to take over a little bit. So we decided we wanted our room to smell like fresh baked cookies. So we order a cookie-dough-scented candle off eBay, and then we accidentally burn our room down with that candle.
I understand what scripting and programming is, but do I know how to do it? Not really. But, I think that even knocking on the door allows you to understand a little bit of that kind of stuff. Mainly what 'Silicon Valley' has taught me, in that respect, is the business side of it, with that gold rush element as opposed to creating software.
Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.
I think I've always been ambitious. It just looks different on me. You know, I have friends who are actresses who go to every party they possibly can to be photographed and really try to make every connection they can, and I admire that and sometimes I wish I had a little bit more of that. Sometimes I feel like I don't have enough ambition.
We take the traditional value investor's process and just flip it around a little bit. The traditional value investor asks 'Is this cheap?' and then 'Why is it cheap?' We start by identifying a reason something might be mispriced, and then if we find a reason why something is likely mispriced, then we make a determination whether it's cheap.
I don't like going out on a date unless I know the broad a little bit beforehand. By the way, 'broad' to me is not a detrimental term for women; it's simply another word for female. Anyway, I don't really go out a whole lot, because there aren't many girls I like to take out and spend a whole evening with - at least not an evening in public.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
If you're entering anything where there's an existing marketplace, against large, entrenched competitors, then your product or service needs to be much better than theirs. It can't be a little bit better, because then you put yourself in the shoes of the consumer... you're always going to buy the trusted brand unless there's a big difference.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
I remember being in a parking lot, I think it was in New Mexico, I was to be at a shoot-around at 9 A. M. their time. And I got off the phone with Sarah and Matthew and I sat in that parking lot and cried for a little bit. Because I had been away so much. It got to the point where I was calculating how much time I had been away from the kids.
You don't know what someone's going to walk away from a movie with, but you hope it's something positive, but if nothing, you want them most basically to be entertained and engaged. That's your job. But you also hope to give them something to chew on or maybe some insight into the human existence, you hope a little bit. Not to sound too lofty.
In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' even 'Spaghetti Western.' When we say 'film noir' we know what we are talking about. But in non-narrative cinema, we are a little bit lost. So sometimes, the only way to make us understand what we are talking about is to use the term 'avant-garde.'