Quotes of All Topics . Occasions . Authors
I used to make my grandparents pay a dollar to watch me sing 'Grease' songs and 'Somewhere Over the Rainbow' in their living room. I was always an entertainer, and I would always do all that stuff, but it slowly evolved into a career, which is great, but it wasn't a plan.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
When you turn from one room to the next, when your animal senses no longer perceive the sounds of the dishwasher, the ticking clock, the smell of a chicken roasting - the kitchen and all its seemingly discrete bits dissolve into nothingness - or into waves of probability.
I was once making a burger for myself at my boyfriend's house and a lyric started pouring out and I had to catch it, so I ran to another room to write it down, but then the kitchen caught fire. His cabinets were charred, and he was furious. But it was worth it for a song.
When I am travelling or shooting outdoors, and if there is no gym around, I do pull-ups. If there is a bar somewhere, I manage push-ups, squats, and generally I just sweat it out in the room or my vanity van. But I make sure my workout regime is never hampered at any cost!
I like the idea of the documentary as a portrait. There's not a chronological beginning, middle, and end structure. You build something in the editing room that's shaped by getting to know the person and digging deeper, unpeeling the layers of them as you get to know them.
Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
I was just 18 years old, excited about being drafted to the N.B.A. I felt like all of Houston was watching me. My high school was watching me. I think they had a draft party at my coach's house. I'll never forget that day, being in the green room with my family and my agent.
I was never the smartest guy in the room. From the first person I hired, I was never the smartest guy in the room. And that's a big deal. And if you're going to be a leader - if you're a leader and you're the smartest guy in the world - in the room, you've got real problems.
I got into gambling when I was playing a casino. I was a hermit in those days. I would go onstage, go to my room, or if we had to travel, I'd get in a car or a plane, whatever. But I didn't do anything. One day, this friend of mine said, 'Do you want to play some blackjack?'
I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
I play some places where the people are right at my feet, and you can see their expressions. It's kind of more like playing in your living room. It's almost easier to play in front of thousands of people in an arena scene, in some ways, but you don't get the personal contact.
What the Internet offers is this completely unfiltered transmission of thought to thought, of psyche to psyche, and whatever you're feeling, you can just sort of put it down and send it out there, and you can do it all in the confines of your room, without any actual contact.
I'm prepared to try to talk to a very beautiful girl. I learned a fantastic secret, which is that the most beautiful woman in the room is not being spoken to because she's too intimidating. They're not looking for somebody beautiful; they're looking for somebody to amuse them.
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
Dan Curry is the funniest guy in the world. I can sit in a room with him for hours, and he's just cracking me up constantly. And Kitao is the next Terry Gilliam. A lot of comedy directors are just comedic writers, but they don't have any sense of aesthetic or visual vocabulary.
Because forgiveness is like this: a room can be dank because you have closed the windows, you've closed the curtains. But the sun is shining outside, and the air is fresh outside. In order to get that fresh air, you have to get up and open the window and draw the curtains apart.
I love seeing my husband hold our daughter and just give her kisses, unsolicited kisses. When he doesn't know that I'm watching or when I come into the room and I look over and he's just kissing her forehead or kissing her cheek. He loves her so much, and I love his love for her.
People don't want drama 365 days a year. I'm a sense of relief; it's my job to take your mind off what's bad for that brief second you're in the room with me, regardless of shape, race, colour or anything. It brings people together, and it makes me feel good about what I'm doing.
About 13-14 years ago, I went back to my alma mater, Fairfax High School, and ran into the music teacher. She invited me to come speak to the kids about the viability of a music career. When I went into the room where I used to play every day in a big orchestra, they had nothing!
The United States has the most sophisticated financial markets in the world, which does not leave much room to maneuver. But it also offers investors the greatest access to information and the ability to execute trades quickly and efficiently. So it is a mixed bag of opportunity.
I have so much going on inside my head in terms of writing, there's such a large space in my life taken up by that. I can't imagine it being taken up by a husband and children and writing, and everything getting its due. I don't believe there is room for all of it. I really don't.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
There's an academic tradition called the 'Last Lecture.' Hypothetically, if you knew you were going to die and you had one last lecture, what would you say to your students? Well, for me, there's an elephant in the room. And the elephant in the room, for me, it wasn't hypothetical.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
In an enclosed space, a camel's breath can change the atmosphere of the room. Not only just the smell, they literally seem to change the atmospheric pressure. It's so disgusting. It's like they have eight stomachs each more rancid then the next and it just comes out of their mouth.
You go to a theater, you're in a darkened room, and you watch someone that you don't really know how many children they have or what their father's nickname might be; you don't have references and databases and rumors and half-truths - you're just transported by their storytelling.
I'm not a detail guy. I depend on accountants and administrators to do my detail stuff for me, but I do know the overall picture and I know that if you put business people together in a room, not just politicians, they could shrink the deficit tremendously by good business tactics.
I think one of my favorite things to do is just lock myself up in a small room and listen to music and watch films for a day. Also I just like seeing my friends. We have pizza parties which means I get four friends round, we eat a pizza and we're really lazy and we play PlayStation.
That was how we categorised ourselves in the dressing room - you were either a nerd or a Julio. Julios have got to look perfect - the hair has got to be perfect, they've got to have the right gear on, it's all about their appearance. The nerds weren't bothered about how they looked.
I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
Giving birth was the most amazing thing I've ever done. I'd been living in a Third World country, and I said, 'I'm going to just squat behind a tree.' I basically did that but in a chair in my living room. I didn't want a sterile hospital room. I didn't want doctors. I had a midwife.
Much before I entered films, my dad walked into my room and saw me busy drawing something at 3 A.M. He stood there for some time and said, 'Whatever career choice you make, you are going to be successful.' I'll never forget those words. It gave me the confidence to be who I am today.
As a 6'5' guy, the suit fit is extremely important. Getting a suit made for my body means it will fit in all the right places. For me, I look for a suit that fits well in the arms and shoulders and allows me to move... after all, I'm a fighter, so it needs to give me room to breathe.
Growing up, I didn't come from a musical family. Neither of my parents played an instrument, sang out loud, or listened to the radio with frequency. The record collection in the living room was only about 2 feet long - and that included 4 solid inches of Neil Diamond and Herb Alpert.
Sweet peas should smell. Half the point of growing sweet peas is to cut them for the house; they should fill a room with an almost painful olfactory inarticulateness. But most sweet peas smell of nothing. This does not stop them being beautiful, but they are like food with no flavour.
When I started doing 'The City' in 1990, most papers ran it the width of the page, 10 inches or so. It was great! I had lots of room to draw and write. It was the golden age of weekly comix. Today, most run my strip half that size. I just try to make it legible. It's very frustrating.
Living indoors without fresh air quickly poisons the blood and makes people feel tired and seedy when they don't know why. For myself, I sleep out of doors in winter as well as summer. I only feel tired or seedy when I have been indoors a lot. I only catch cold when I sleep in a room.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
I moved to Los Angeles in January 2004 because a buddy of mine, who I met at a friend's wedding, said he could get me a room in his apartment for $500 a month. I took it thinking that it would probably only be about six months before I moved back to Chicago, but I fell in love with it.
I am honored to have served as our great nation's first National Ambassador for Young People's Literature. I will continue to serve as Ambassador Emeritus. And I will make good on my Ambassadorial promise to my wife to stop playing the 'Fanfare' every time I walk into or out of a room.
Look, if you have somebody who doesn't have health insurance, who doesn't have a doctor or dentist, and in order to deal with their cold or flu or dental problem, they go to an emergency room - in general, that visit will cost ten times more than walking into a community health center.
To me, the greatest invention of my lifetime is the laptop computer and the fact that I can be working on a book and be in an airport lounge, in a hotel room, and continue working; I fire up my laptop, and I'm in exactly the same place I was when I left home - that, to me, is a miracle.
I always believe a woman should have 5 non-negotiables that she should stick to when attracting a mate. If the guy does not have these five major things - then she should not give the guy a chance as she's wasting her time. The rest is up to the magic and wiggle room the universe gives.